Klaus Kreiser

Christoph K. Neumann

Diese Geschichte der Türkei beginnt mit den ersten, noch in Zentralasien entstandenen Herrschaftssystemen der Türken und schließt mit der heutigen Gesellschaft der Republik am Bosporus, die ungeachtet politischer Spannungen ein wichtiger Partner für die Europäische Union ist. Eine kenntnisreiche und umfassende Darstellung, in der Politik, Gesellschaft, Wirtschaft, Religion und Kultur des Osmanischen Reichs wie auch der heutigen Türkei lebendig beschrieben werden – für die Neuauflage aktualisiert und erweitert. E-Book mit Seitenzählung der gedruckten Ausgabe: Buch und E-Book können parallel benutzt werden.

Reclam Sachbuch premium

Geschichte des Osmanischen Reichs und der modernen Türkei

Kleine Geschichte der Türkei

Meltem Arun

Tarih-i Cevdet'in siyasi anlamı

Araç tarih amaç Tanzimat

Suraiya Faroqhi

The study of clothes and dressing has great potential for social and cultural history. Typically Ottoman urbanites situated their fellow men after a glance at the clothing worn by the latter. As to the women, such conclusions were more difficult to draw, as all females were to be modestly covered up and ideally almost invisible. Yet in practice, at least from the eighteenth century onwards, it was often possible, at least in Istanbul, to distinguish fashionable from soberly pious women. To be aware of people's modes of dressing thus was part of knowing one's way around in Ottoman society. -- cover.

From Textile to Identity

Ottoman Costumes

Hans Georg Majer

Sabine Prätor

studies in Ottoman society and culture

Arts, women and scholars

The Illuminated Table, the Prosperous House brings together fourteen articles by researchers from Turkey and a number of European countries such as France, Germany and Poland. These articles deal with two of the major aspects of material culture, namely food and drink on the one hand, and housing on the other. In no society is it indifferent how people eat and drink, dress and dwell; to the contrary these matters are always highly charged on the symbolic level. Ottoman society had achieved a high degree of coherence in many of its aspects, including material culture. Viewed from the opposite angle, this common material culture may count as one of the indicators that made the empire''s remarkably uniform social structure apparent even to the casual viewer. From Sarajevo to Damascus, coffee was drunk from the same kinds of cups, while everywhere, people received their friends seated on raised platforms decked out with rugs and cushions. Moreover the slow and therefore less obvious changes in material culture often had a more profound impact on people''s lives than short-term and more ''noisy'' political conflicts. The transition of the Ottomans from the world of early modern statehood toward modernity was backed up by multiple transformations in the everyday lives of many men and women. Overall, the urban populations of the empire from the sixteenth century onwards developed an increasing degree of sophistication and differentiation in their ways of living. People found new ways of enjoying their food, putting together their domestic environments or presenting themselves in public. During the last few decades the various remnants of Ottoman material life have attracted growing public attention. Ottoman cuisine and vernacular architecture are cherished not only by experts, but also by Turkish urban dwellers increasingly proud of their cultural heritage, to say nothing of tourists. But even so, serious research in these matters has been slow to develop. It is the aim of the present volume to show what avenues research has taken to date, point out the numerous unexploited or under-exploited primary sources and thus to advance our understanding of this important aspect of Ottoman history. The Illuminated Table, the Prosperous House brings together fourteen articles by researchers from Turkey and a number of European countries such as France, Germany and Poland. These articles deal with two of the major aspects of material culture, namely food and drink on the one hand, and housing on the other. In no society is it indifferent how people eat and drink, dress and dwell; to the contrary these matters are always highly charged on the symbolic level. Ottoman society had achieved a high degree of coherence in many of its aspects, including material culture. Viewed from the opposite angle, this common material culture may count as one of the indicators that made the empire''s remarkably uniform social structure apparent even to the casual viewer. From Sarajevo to Damascus, coffee was drunk from the same kinds of cups, while everywhere, people received their friends seated on raised platforms decked out with rugs and cushions. Moreover the slow and therefore less obvious changes in material culture often had a more profound impact on people''s lives than short-term and more ''noisy'' political conflicts. The transition of the Ottomans from the world of early modern statehood toward modernity was backed up by multiple transformations in the everyday lives of many men and women. Overall, the urban populations of the empire from the sixteenth century onwards developed an increasing degree of sophistication and differentiation in their ways of living. People found new ways of enjoying their food, putting together their domestic environments or presenting themselves in public. During the last few decades the various remnants of Ottoman material life have attracted growing public attention. Ottoman cuisine and vernacular architecture are cherished not only by experts, but also by Turkish urban dwellers increasingly proud of their cultural heritage, to say nothing of tourists. But even so, serious research in these matters has been slow to develop. It is the aim of the present volume to show what avenues research has taken to date, point out the numerous unexploited or under-exploited primary sources and thus to advance our understanding of this important aspect of Ottoman history.

Food and Shelter in Ottoman Material Culture

The Illuminated Table, the Prosperous House

Christoph K. Neumann

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