Christoph Tannert

Nicola Müllerschön

Carla Zaccagnini-The Madman Sees what He Sees

Ute Tischler

Unter dem polemischen Titel >Men in Black

Ten years ago, the Korean artist SEO went to Berlin in search of traditional European painting. She stayed on and became the master pupil of Georg Baselitz. Today, the work of this internationally known artist can be found in many of the most important museums and collections, such as the Museum of Modern Art and the Guggenheim in New York.

Personal Cosmos

Lyle Rexer

Timothy Persons

Alistair Hicks

The fifth volume in the "Helsinki School" series, this publication looks back at the development of this group of photographers over the past 20 years. In a collection of essays, international curators, critics and museum directors describe their encounters with the Helsinki School, from the first exhibitions in the late 1990s to the work of the youngest generation. A discussion between Timothy Persons and Alistair Hicks concludes these contributions. The texts are accompanied by installation shots of exhibitions, archival material and recent work by the artists. Not only a history, the book also looks toward the future of the Helsinki School. This volume includes work by Elina Brotherus, Ilkka Halso, Tiina Itkonen, Sandra Kantanen, Timo Kelaranta, Ola Kolehmainen, Tanja Koljonen, Milja Laurila, Anni Leppälä, Janne Lehtinen, Niko Luoma, Susanna Majuri, Nelli Palomäki and Jorma Puranen.

From the Past to the Future

The Helsinki School

Günter Baumann

The visual art of Jan Muche (b. 1975, Herford; lives and works in Berlin) revolves around forms that bring to mind structural steelwork, giant industrial installation components, or scaffolding. His constructivist-abstract paintings and sculptures look back on steel as a symbol of industrialization and the working class, which featured in unflappably cheerful and adulatory depictions that were characteristic of the twentieth century?s ideologies ? Communism, Stalinism, National Socialism, actually existing Socialism. Muche?s roughhewn aesthetic combines proletarian charm with the spirit of onward and upward, taking the beholder to regions not untinged by dissonance. This book, supported by the Leinemann-Stiftung für Bildung und Kunst, brings his reflections on the significance of work and the impact of digital technology on physical toil as well as his engagement with yesteryear?s ?heroes of labor? into focus.00Jan Muche trained as lithographer and studied with Karl Horst Hödicke at the Hochschule der Ku?nste Berlin.

Christoph Tannert

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