Christopher Deacy

Fiona Bowie

With the approach of the year 2000, millennial fever is on the increase. People are excited and sometimes afraid of change. The essays in this volume explore the theme of the coming deliverer in different religious traditions, using insights drawn from religious studies, theology and anthropology.

Millennial Themes in World Religions

The Coming Deliverer

In Christmas as Religion, Christopher Deacy explores the premise that religion plays an elementary role in our understanding of the Christmas festival, but takes issue with much of the existing literature which is inclined to limit the contours and parameters of 'religion' to particular representations and manifestations of institutional forms of Christianity. 'Religion' is often tacitly identified as having an ecclesiastical frame of reference, so that if the Church is not deemed to play a central role in the practice of Christmas for many people today then it can legitimately be side-lined and relegated to the periphery of any discussion relating to what Christmas 'means'. Deacy argues that such approaches fail to take adequate stock of the manifold ways in which people's beliefs and values take shape in modern society. For example, Christmas films or radio programmes may comprise a non-specifically Christian, but nonetheless religiously rich, repository of beliefs, values, sentiments and aspirations. Therefore, this book makes the case for laying to rest the secularization thesis, with its simplistic assumption that religion in Western society is undergoing a period of escalating and irrevocable erosion, and to see instead that the secular may itself be a repository of the religious. Rather than see Christmas as comprising alternative or analogous forms of religious expression, or dependent on any causal relationship to the Christian tradition, Deacy maintains that it is religious per se, and, moreover, it is its very secularity that makes Christmas such a compelling, and even transcendent, religious holiday.

Rethinking Santa, the Secular, and the Sacred

Christmas as Religion

Deacy

Gaye Williams Ortiz

Ortiz

This textbook is the ideal introduction to exploring how film can enrich our study of theology, opening up debates surrounding contemporary culture and theological inquiry. It uses film to challenge the sacred/secular divide, spanning a broad range of themes from religion and violence, eschatology, war, and peace to justice, feminism, and the environment. The accessible structure lays out both the methods and theological perspectives required for understanding theology through film. Examples of films discussed range from Unforgiven, Jarhead, and The Passion of the Christ, to An Inconvenient Truth, Something's Gotta Give, and Vanilla Sky. The book is also accompanied by website resources available at www.blackwellpublishing.com/theologyandfilm.

Challenging the Sacred/Secular Divide

Theology and Film

Elisabeth Arweck

In recent years, there has been growing awareness across a range of academic disciplines of the value of exploring issues of religion and the sacred in relation to cultures of everyday life. Exploring Religion and the Sacred in a Media Age offers inter-disciplinary perspectives drawing from theology, religious studies, media studies, cultural studies, film studies, sociology and anthropology. Combining theoretical frameworks for the analysis of religion, media and popular culture, with focused international case studies of particular texts, practices, communities and audiences, the authors examine topics such as media rituals, marketing strategies, empirical investigations of audience testimony, and the influence of religion on music, reality television and the internet. Both academically rigorous and of interest to a wider readership, this book offers a wide range of fascinating explorations at the cutting edge of many contemporary debates in sociology, religion and media, including chapters on the way evangelical groups in America have made use of The Da Vinci Code and on the influences of religion on British club culture and electronic dance music.

Exploring Religion and the Sacred in a Media Age

In recent years, there has been growing awareness across a range of academic disciplines of the value of exploring issues of religion and the sacred in relation to cultures of everyday life. Exploring Religion and the Sacred in a Media Age offers inter-di

Screening the Afterlife is a unique and fascinating exploration of the ‘last things’ as envisaged by modern filmmakers. Drawing on a range of films from Flatliners and What Dreams May Come to Working Girl and The Shawshank Redemption, it offers the first comprehensive examination of death and the afterlife within the growing field of religion and film. Topics addressed include: the survival of personhood after death the language of resurrection and immortality Near-Death Experiences and Mind-Dependent Worlds the portrayal of ‘heaven’ and ‘hell’. Students taking courses on eschatology will find this a stimulating and thought provoking resource, while scholars will relish Deacy’s theological insight and understanding.

Christopher Deacy

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