Christopher E. Forth

Fat. Such a little word evokes big responses. While "fat" describes the size and shape of bodies—their appearance—our negative reactions to corpulence also depend on something tangible and tactile. As this book argues, there is more to fat than meets the eye. Fat: A Cultural History of the Stuff of Life offers reflections on how fat has been perceived and imagined in the West since antiquity. Featuring fascinating historical accounts as well as philosophical, religious, and cultural analyses—including discussions of status, gender, and race—the book digs deep into the past for the roots of our current notions and prejudices. Two central themes emerge: how we have perceived and imagined corpulent bodies over the centuries, and how fat—as a substance as well as a description of body size—has been associated with vitality and fertility as well as perceptions of animality. By exploring the complex ways in which fat, fatness, and fattening have been perceived over time, this book provides rich insights into the stuff our stereotypes are made of.

A Cultural History of the Stuff of Life

Ivan Crozier

In many forms of discourse, specific parts of the human anatomy may signify, or act as a substitute for, the whole body/person: the presence of a large gut may render a man effeminate or represent someone who has lost control of his appetites; visible muscles indicate strength of body, but also constitution or will; a hard penis indicates a male body in a state of perfection. In this volume, scholars from a variety of historical and cultural studies disciplines examine scientific, medical, popular, and literary texts, paying special attention to the different strategies employed in order to establish authority over the body through the management of a single part. By considering body parts that are usually ignored by scholars - the skin, blood, the pelvis, the hair - the essays in this volume render the idea of a single, coherent body untenable by demonstrating that the body is not a transhistorical entity, but rather, deeply fragmented and fundamentally situated in a number of different contexts.

Critical Explorations in Corporeality

Body Parts

In 1894, French army captain Alfred Dreyfus, an Alsatian Jew, was wrongly accused of passing military secrets to the Germans. The ensuing scandal has often been studied for what it reveals about French anti-Semitism and tensions between republicanism and conservatism under the Third Republic. But because treason was considered a cowardly--and therefore effeminate--act, Dreyfus also embodied, for many, the danger of effeminate men masquerading in military uniform. In The Dreyfus Affair and the Crisis of French Manhood historian Christopher E. Forth shows how the rhetoric and images used during the Dreyfus Affair reflected French anxieties about masculinity and modernity, and also facilitated ongoing debates about the state of French manhood through the First World War. Forth first considers the broad gender issues that faced the French at the time of the Dreyfus trial. He examines contemporary newspaper accounts as critiques of the masculine credentials of Jewish men and shows how members of the Jewish press answered allegations of their own cowardice and effeminacy. By situating the figure of the "intellectual" within the gender anxieties of the time, he shows how Dreyfus's supporters defensively tried to affirm their masculinity by distancing themselves from "cowardly" Jews, "hysterical" crowds, and threatening women. This book pays special attention to how the Dreyfus Affair engaged with changing ideals of the male body. Taking as a metaphor the portly body of Dreyfus's most prominent defender, novelist mile Zola, Forth explores how an emerging emphasis on diet and exercise allowed supporters to celebrate Zola's "heroic" weight loss. Finally, he examines the relation of the Dreyfus Affair to the "culture of force" that marked French society during the prewar years, thus accounting for the rise of the youthful athlete as a more compelling manly ideal than the bookish and sedentary intellectual.

The Dreyfus Affair and the Crisis of French Manhood

Samantha Murray

Alison Leitch

"Fat". In contemporary society the word never fails to elicit powerful emotions, especially as it relates to bodily health and appearance. But fat is a noun as well as an adjective and has a cultural life outside of its relationship with the human body. By focusing on the complex physical and experiential dimensions of this problematic substance, Fat: Culture and Materiality breaks new ground in the study of the relationship between culture and the material world. With contributions from well-respected international scholars, this innovative and interdisciplinary collection will appeal to a wide range of readers interested in fat and its relationship to culture, materiality and lived experience. The volume addresses the role of fats in a variety of cultural settings. Topics include the politics of Palestinian olive oil; the allure of pig fat in heritage pork; the material sources of fat stereotypes in classical and biblical texts; the use of harvested fat in aesthetic surgery; and the status of fat in the self-narratives of anorexics.

Culture and Materiality

Peter Maxwell Cryle

"It has come to be widely accepted that "sexuality" as we know it took shape at the end of the nineteenth century, This is when Krafft-Ebing asserted that "sexual feeling is really the root of all ethics, and no doubt of aestheticism and religion," and Havelock Ellis declared sexuality to be the "central problem of life." Yet however self-evident Ellis's claim about sexuality might seem the act of placing something at the center is the consequence of insistent cultural work that engages with competing views about bodies and indeed about the "life" of society. This volume examines how this work was carried out and what resulted from such efforts."--BOOK JACKET.

The Makings of a "central Problem"

Sexuality at the Fin de Siècle

Carolyn Strange

Robert Cribb

Honour, Violence and Emotions in History is the first book to draw on emerging cross-disciplinary scholarship on the study of emotions to analyse the history of honour and violence across a broad range of cultures and regions. Written by leading cultural and social historians from around the world, the book considers how emotions - particularly shame, anger, disgust, jealousy, despair and fear - have been provoked and expressed through culturally-embedded and historically specific understandings of honour. The collection explores a range of contexts, from 17th-century China to 18th-century South Africa and 20th-century Europe, offering a broad and wide-ranging analysis of the interrelationships between honour, violence and emotions in history. This ground-breaking book will be of interest to all researchers studying the relationship between violence and the emotions.

Honour, Violence and Emotions in History

Damon Talbott

Marike Janzen

Bodies and Culture is a collection of contemporary interdisciplinary research on bodies from emerging scholars in the humanities and social sciences disciplines that addresses issues relating to a range of historical and contemporary contexts, theories, and methods. Examining the diversity and capabilities of bodies, this volume focuses on the role of culture in shaping forms and conceptions of the corporeal. In particular, these essays interrogate the role of the body in articulating and reinforcing social differences, especially the effects of racist, colonialist, and other hegemonic ideologies on the agency and diversity of bodies. Bodies and Culture also considers the place of the body in forming identities, images, and narratives of individuals, and the practices of modifying bodies and social roles through physical activities from exercise to artistic performance. This collection will appeal to scholars in a wide range of areas, including literature, anthropology, sociology, art history, cultural studies, gender and sexuality studies, and fat studies.

Christopher E. Forth

Books

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