Chris Fox

Lindsay Buroker

Christopher Holliday

M. R. Forbes

David Adams

Anthea Sharp

Amy Murphy

C. Gockel

Michelle Diener

Chris Reher

Christine Pope

Joseph Lallo

Matt Verish

Kay McSpadden

Patty Jansen

J. A. Sutherland

L. J. Cohen

Richard Tongue

Chris Dietzel

We're all Orphans in the Black ...Strap yourself in for nineteen thrilling short stories of space pirates, time travelers, aliens, AI, and more! Meet determined heroes forging their own path through the universe, men and women who won't go down without a fight.Be transported to fantastical new worlds by award winning and bestselling authors. Download this exclusive collection today.The Stories:A Simple Thing ~ by Amy J. MurphyNote to Self ~ by Joseph LalloGravitational Pull ~ by Christine PopeAutoscopy ~ by Matt VerishFog of War ~ by Chris ReherThe Alien ~ by Kay McSpaddenNo Eye in Emily ~ by Patty JansenVoid Mage ~ by Chris FoxLost Souls and Other Anomalies ~ by Christopher HollidaySpacer ~ by J.A. SutherlandMurphy's Star ~ by C. GockelInterference ~ by Michelle Diener Stowaway ~ by Anthea SharpIn the Clutch ~ by LJ CohenIron Lazarus ~ by David AdamsDreams in the Dust ~ by Richard TongueFreedom? ~ by M.R. ForbesCombat Support ~ by Lindsay BurokerThe Last Astronaut ~ by Chris Dietzel

A Space Opera Anthology

Orphans in the Black

Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre persuasively argues that this body of work constitutes a unique genre of mainstream cinema. Informed by wider technological discourses and the status of animation as an industrial art form, the book not only theorises computer-animated films through their formal properties, but connects elements of film style to animation practice and the computer-animated film's unique production contexts.

Industry, Style and Genre

The Computer-Animated Film

Chris Pallant

"Walt Disney's Snow White and the Seven Dwarfs (David Hand, 1937) occupies a central place within the history of global animation. Based on the German fairy tale by the Brothers Grimm, the film was the first feature-length animated film produced by the Disney Studio and served to announce the animated cartoon as an industrial art form. Yet Disney's landmark version not only set in motion the Golden Age of the Hollywood cartoon, but has continued to stand as an international sensation, prompting multiple revisions and remakes within a variety of national filmmaking contexts. This book explores the enduring qualities that have marked Snow White' s influence and legacy, providing a collection of original chapters that reflect upon its pioneering use of technology and contributions to animation's visual style, the film's reception within an American context, and its status as a global cultural phenomenon."--

Snow White and the Seven Dwarfs

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com Walt Disney's Snow White and the Seven Dwarfs (David Hand, 1937) occupies a central place within the history of global animation. Based on the German fairy tale by the Brothers Grimm, the film was the first feature-length animated film produced by the Disney Studio and served to announce the animated cartoon as an industrial art form. Yet Disney's landmark version not only set in motion the Golden Age of the Hollywood cartoon, but has continued to stand as an international sensation, prompting multiple revisions and remakes within a variety of national filmmaking contexts. This book explores the enduring qualities that have marked Snow White's influence and legacy, providing a collection of original chapters that reflect upon its pioneering use of technology and contributions to animation's visual style, the film's reception within an American context, and its status as a global cultural phenomenon.

New Perspectives on Production, Reception, Legacy

The houses and castles of the Lake District, secreted among the lakes and fells, are inextricably linked with their dramatic setting. Many are architecturally distinguished, even more have intriguing tales to tell. In this book Christopher Holliday explores in detail the history and architecture of the houses and the personal stories of their owners through the centuries right up to the present day. Clive Boursnell's stunning photographs capture the houses, inside and out, their gardens and their setting. Houses covered include: Levens Hall, Sizergh Castle, Holker Hall, Blackwell, Dalemain, Hutton-in-the-Forest, Dove Cottage, Rydal, Mirehouse, Brantwood, Hill Top, and many more.

Houses of the Lake District

Walt Disney's Snow White and the Seven Dwarfs (David Hand, 1937) occupies a central place within the history of global animation. Based on the German fairy tale by the Brothers Grimm, the film was the first feature-length animated film produced by the Disney Studio and served to announce the animated cartoon as an industrial art form. Yet Disney's landmark version not only set in motion the Golden Age of the Hollywood cartoon, but has continued to stand as an international sensation, prompting multiple revisions and remakes within a variety of national filmmaking contexts. This book explores the enduring qualities that have marked Snow White' s influence and legacy, providing a collection of original chapters that reflect upon its pioneering use of technology and contributions to animation's visual style, the film's reception within an American context, and its status as a global cultural phenomenon.

Alexander Sergeant

This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).

Connections Between Media, Mediums and Genres

Fantasy/Animation

Christopher Holliday

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