Cian Duffy

Offering a genuinely fresh set of perspectives on Shelley's texts and contexts, Cian Duffy argues that Shelley's engagement with the British and French discourse on the sublime had a profound influence on his writing about political change in that age of revolutionary crisis. Examining Shelley's extensive use of sublime imagery and metaphor, Duffy offers not only a substantial reassessment of Shelley's work but also a significant re-appraisal of the sublime's role in the cultural history of Britain during the Romantic period as well as Shelley's fascination with natural phenomena.

Shelley and the Revolutionary Sublime

Robert W. Rix

Nordic Romanticism: Translation, Transmission, Transformation is an edited collection exploring the varied and complex interactions between national romanticisms in Britain, Denmark, Germany, Norway and Sweden. The collection considers both the reception and influence of Nordic romanticism in Britain and Germany and also the reciprocal impact of British and German romanticism in the Nordic countries. Taken as a whole, the volume suggests that to fully understand the range of these individual national romanticisms we need to see them not as isolated phenomena but rather as participating, via translation and other modes of reception, in a transnational or regional romanticism configured around the idea of a shared cultural inheritance in ‘the North’.

Translation, Transmission, Transformation

Nordic Romanticism

Peter Howell

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between ’romanticism’ and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.

Essays in Mediation and Remediation

Romantic Adaptations

Lis Moller

Anna Lena Sandberg

Karina Lykke Grand

This third issue of Romantik: Journal for the Study of Romanticisms contains a theme section: 'Renegotiations of romanticism.' This is a special theme brings together various examinations of the ways in which romanticism continues to play an important role in a post-romantic age. The reason for inviting contributions examining the afterlife of romanticism in national and international settings is to explore how we may understand it as not just a past event or artistic movement, but as an ongoing process of cultural development. The contributions provide new insights into post-romantic art--both from the perspective of the artists and in terms of how their works were received. In addition to the articles featured in the theme section, this issue also contains contributions that shed new light on both canonical and lesser-known works from the romantic period, including analyses of poetry, novels, and travelogues. As in previous issues, Romantik is richly illustrated.

Journal for the Study of Romanticisms

Romantik Volume 3

This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830: - Recovers a broader context for engagements with, and writing about, the sublime - Offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects - Considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind - Contextualises and supports the extracts with detailed editorial commentary Also featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.

Selected Readings, 1750-1830

Cultures of the Sublime

Jack Donovan

Kelvin Everest

Michael Rossington

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the third volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between autumn 1819 and autumn 1820. The poems written in response to the political crisis in England following the ‘Peterloo’ massacre in August 1819 feature largely, among them The Mask of Anarchy and 'An Ode (Arise, arise, arise!)'. The popular songs, which Shelley intended to gather into a volume to inspire reformers from the labouring classes, several accompanied by significantly new textual material recovered from draft manuscripts, are included, as are the important political works 'Ode to Liberty', 'Ode to Naples' and Oedipus Tyrannus, Shelley's burlesque Greek tragedy on the Queen Caroline affair. Other major poems featured include 'The Sensitive-Plant', 'Ode to the West Wind', 'Letter to Maria Gisborne', an exuberant translation from the ancient Greek of the Homeric 'Hymn to Mercury', and the brilliantly inventive 'The Witch of Atlas'. In addition to accompanying commentaries, there are extensive bibliographies, a chronology of Shelley’s life, and indexes to titles and first lines. Leigh Hunt's informative Preface of 1832 to The Mask of Anarchy is also included as an Appendix. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.

1819 - 1820

The Poems of Shelley: Volume Three

This book explores various forms of cultural influence and exchange between Britain and the Nordic countries in the late eighteenth century and romantic period. Broadly new-historicist in approach, but drawing also on influential descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, these essays not only constitute a substantial and innovative contribution to scholarly understanding of the development of romanticisms and romantic nationalisms in Britain and the Nordic countries, but also describe a pattern of cultural encounter which was predicated upon exchange and a sense of commonality rather than upon the perception of difference or alterity which has so often been discerned by critical descriptions of British romantic-period engagements with non-British cultures. The volume ought to appeal to a broad and genuinely international academic audience with interests in eighteenth-century and romantic-period culture in Britain and Scandinavia as well as to undergraduates taking courses in eighteenth-century, romantic, and Scandinavian studies.

Anglo-Nordic Exchanges, 1770-1842

Romantic Norths

Martina Domines Veliki

This collection of essays explores the remarkable range and cultural significance of the engagement with ‘infancy’ during the Romantic period. Taking its point of departure in the commonplace claim that the Romantics invented childhood, the book traces that engagement across national boundaries, in the visual arts, in works of educational theory and natural philosophy, and in both fiction and non-fiction written for children. Essays authored by scholars from a range of national and disciplinary backgrounds reveal how Romantic-period representations of and for children constitute sites of complex discursive interaction, where ostensibly unrelated areas of enquiry are brought together through common tropes and topoi associated with infancy. Broadly new-historicist in approach, but drawing also on influential theoretical descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, the collection also seeks to rethink the idea of a clear-cut dichotomy between Enlightenment and Romantic conceptions of infancy.

Romanticism and the Cultures of Infancy

This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830: • recovers a broader context for engagements with, and writing about, the sublime • offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects • considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind • contextualises and supports the extracts with detailed editorial commentary. Also featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.

Elisabeth Oxfeldt

Thor J. Mednick

Ilona Pikkanen

Lis Møller

“Romantik. Journal for the Study of Romanticisms” is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780–1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of the journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms – and not least the connections and disconnections between them – hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).

Cian Duffy

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