Jack L. Davis

Claire L. Lyons

Sharon R. Stocker

Evangelia Militsi-Kechagia

Presenting archaeological objects from the rich tombs of warrior-princes and the best-preserved Bronze Age palace on the Greek mainland, this volume features the latest discoveries from the dynamic world of Mycenaean Messenia. Ancient Pylos has long captivated travelers, archaeologists, and historians familiar with Homer’s Iliad and Odyssey and his account of King Nestor, the prudent elder counselor in the Trojan War. Excavations begun in 1939 unearthed the storied Palace of Nestor in Messenia, an epicenter of Mycenaean civilization. The Kingdom of Pylos features spectacular arts and crafts, many recently excavated at sites across Messenia, including goldwork of unparalleled artistry, masterfully carved sealstones, weapons, and wall paintings. Essays by international scholars examine the latest discoveries, including the Linear B tablets—the earliest written form of the Greek language—which document the political, religious, and economic organization of the prosperous Pylian realm. New research and cutting-edge science cast light on the 2015 find of the grave of the Griffin Warrior, an extraordinary, intact burial that held thousands of artifacts, including the celebrated Pylos Combat Agate, perhaps the finest work of art from the prehistoric Aegean. With over 300 illustrations, this is the first major publication in English to reconstruct the society of Pylos and settlements in its orbit during the Late Bronze Age (1700–1070 BCE). This volume is published to accompany an exhibition on view at the Archaeological Museum of Messenia in Kalamata from February 15 to April 27, 2025, the J. Paul Getty Museum at the Getty Villa from June 25, 2025, to January 12, 2026, and the Hellenic National Archaeological Museum in Athens from March 1 to June 30, 2026.

Warrior-Princes of Mycenaean Greece

The Kingdom of Pylos

Mario Iozzo

Giuseppina Carlotta Cianferoni

Seth D. Pevnick

This translated catalog was produced for the title exhibit at the J. Paul Getty Museum, Los Angeles, held July 16, 2009-February 8, 2010. Iozzo (National Archeological Museum, Florence) and the Getty's senior curator of antiquities describe their collaboration for the loan of this large Etruscan bronze chimera dating to the 5th century B.C., its 16th century discovery in Arezzo, symbolism of the mythical creature, and place in classical art and Medici history.

The Chimaera of Arezzo

John M. D. Pohl

"This publication is issued in conjunction with the exhibition, The Aztec Pantheon and the Art of Empire, on view in the J. Paul Getty Museum at the Getty Villa in Malibu, from March 24 through July 5, 2010"--T.p. verso.

The Aztec Pantheon and the Art of Empire

John K. Papadopoulos

Ιωάννης Κ Παπαδοπουλος

The Archaeology of Colonialism demonstrates how artifacts are not only the residue of social interaction but also instrumental in shaping identities and communities. Claire Lyons and John Papadopoulos summarize the complex issues addressed by this collection of essays. Four case studies illustrate the use of archaeological artifacts to reconstruct social structures. They include ceramic objects from Mesopotamian colonists in fourth-millennium Anatolia; the Greek influence on early Iberian sculpture and language; the influence of architecture on the West African coast; and settlements across Punic Sardinia that indicate the blending of cultures. The remaining essays look at the roles myth, ritual, and religion played in forming colonial identities. In particular, they discuss the cultural middle ground established among Greeks and Etruscans; clothing as an instrument of European colonialism in nineteenth-century Oceania; sixteenth-century Andean urban planning and kinship relations; and the Dutch East India Company settlement at the Cape of Good Hope.

The Archaeology of Colonialism

Ann Olga Koloski-Ostrow

with an epilogue by Natalie Boymel Kampen

The articles in Naked Truths demonstrate the application of feminist theory to a diverse repertory of classical art: they offer topical and controversial readings on the material culture of the ancient Mediterranean. This volume presents a timely, provocative and beautifully illustrated re-evaluation of how the issues of gender, identity and sexuality reveal 'naked truths' about fundamental human values and social realities, through the compelling symbolism of the body.

Claire L. Lyons

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