Claire Vaye Watkins

From "the most captivating voice to come out of the West since Annie Proulx" (Vogue), the furious, hilarious, soul-rending story of one woman's reckoning with marriage, work, sex, and motherhood. Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband, Theo, and their young daughter, Claire, a writer, gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump--and a creeping case of postpartum depression. But what begins as a temporary escape from domestic duties and an opportunity to reconnect with old friends soon mutates into an extended flight from the confines of marriage and motherhood, and a seemingly bottomless descent into the depths of the past. Deep in the Mojave desert where she grew up, Claire meets her ghosts at every turn: the first love whose death still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark dims with every passing year until all that remains is a smoldering addiction. Claire can't go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, she finally finds a way to make herself at home in the world. Bold, tender, and often darkly hilarious, I Love You but I've Chosen Darkness reaffirms the "brutal kind of beauty" (Los Angeles Times) and "mercilessly sharp" vision (NPR) that established Watkins as one of the signal writers of our time.

I Love You But I've Chosen Darkness

"Drought has transfigured Southern California into a surreal, phantasmagoric landscape. Most of the Southwest has been evacuated. Luz and Ray are holdouts, squatting in a starlet's abandoned mansion and subsisting on rationed cola and whatever they can loot, scavenge, and improvise, their love somehow blooming in this arid place. But when they cross paths with a mysterious child, and the thirst for a better future begins."--

Gold Fame Citrus

A debut collection of ten short works reimagines the mythology of the American West and includes stories of a foreigner's arrival at a prostitution ranch, a hermit's attempt to rescue an abused teen, and a woman's role in a friend's degrading Vegas encounter.

Battleborn

Kate Chopin

Awakening and Selected Stories

Nevada

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, ENTERTAINMENT WEEKLY, NPR, ESQUIRE, AND KIRKUS “There’s some kind of genius sorcery in this novel. It’s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake.” —Jenny Offill, author of Dept. of Speculation and Weather A darkly funny, soul-rending novel of love in an epoch of collapse—one woman’s furious revisiting of family, marriage, work, sex, and motherhood. Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can’t go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world. Bold, tender, and often hilarious, I Love You but I’ve Chosen Darkness reaffirms Watkins as one of the signal writers of our time.

A Novel

I Love You but I've Chosen Darkness

In the latest novel from “our most significant rising writer of the American West” (Vulture), an unfettered heroine searches for a new way to love, and live, in a deeply uncertain world The first time Rose fell for Miles, she was a college kid, all too eager to be swept into his sexy orbit; little wonder the relationship crashed and burned. When Miles comes back into her life two decades later, he finds a different Rose. Not only has she moved back to her beloved desert, on a homestead she’s dubbed Nothingness Flats, but she’s chosen to live “on the other side of the portal,” with an intentionality that’s brought her hard-won peace and freedom. She’s navigating single parenthood, and she’s found a community out at Yellow Pine, where a group of spirited misfits have mounted a stand against the corporatization of solar power. Is it worth jeopardizing all this for another chance with Miles? And yet the universe seems to be beckoning her, not only back to him but possibly toward another child. What shape might her future take, on this side of the portal? As furious, funny, searching, and searingly original as ever, in Yellow Pine Watkins blazes a trail toward a radically reimagined vision of a good life in a precarious age.

Yellow Pine

Stories

Geister, Cowboys

In elk van de tien onvergetelijke verhalen in Battleborn maakt schrijfster Claire Vaye Watkins zich de mythologie van het Amerikaanse Westen eigen en schrijft daar nieuwe varianten op. In de uitgestrekte woestijnvlakten van Nevada vinden haar personages verlossing ondanks maar even vaak dankzij het geweld en de ontberingen die ze daar moeten doorstaan. De komst van een vreemdeling verandert voor altijd de relatie tussen klant en hoer in een bordeel in het ruige binnenland. Een kluizenaar in spe verkent de grenzen van zijn eigen ongepolijste individualisme als hij een misbruikte tiener probeert te redden. Decennia nadat ze haar beste vriendin meenam voor een vernederende ontmoeting in een hotelkamer in Las Vegas, voelt een vrouw nog de naweeën daarvan. Dit zijn nog maar drie van de tien verhalen waarin Watkins in de vermomming van haar personages haar eigen verleden te lijf gaat.

nevada verhalen

‘Goud roem citrus brandt met een duizelingwekkende, gloeiende begaafdheid.’ – Vanity Fair ‘Een boek dat je moet lezen [...]. Het brengt je gelijk in vervoering, is aanlokkelijk als een fata morgana en vol van gevaar, mysterie, zandstormen, het occulte en een keur aan genuanceerde personages.’ – Los Angeles Magazine Een onverbiddelijke droogte heeft Zuid-Californië veranderd in een surrealistisch landschap. De waterreservoirs zijn opgedroogd en de inwoners worden geëvacueerd naar interneringskampen. Luz en Ray duiken onder in een verlaten huis, waar een prille liefde tussen hen opbloeit. Ze nemen een mysterieus kind onder hun hoede, en vertrekken via een gevaarlijke route richting het oosten, op zoek naar een betere toekomst. Onderweg horen ze geruchten over een charismatische man die water weet te vinden, en over zijn volgelingen die een gemeenschap hebben gesticht aan de rand van een duinenzee.

Goud roem citrus

Alla stregua dei lavori di Cormac McCarthy, Denis Johnson, Richard Ford e Annie Proulx, Nevada pone sulla scena letteraria una nuova voce eccezionalmente potente e originale. In ognuna di queste dieci, indimenticabili, storie, Claire Vaye Watkins riscrive la mitologia dell’Occidente americano, rielaborandola completamente. I suoi personaggi vivono ai margini ma riescono a redimersi nonostante – e spesso a causa – delle difficoltà e delle violenze che subiscono.

Niemand kann sagen, wann es das letzte Mal in Kalifornien geregnet hat. Das Land liegt unter einer gigantischen Dünenformation begraben, die Bewohner werden, teils mit Waffengewalt, teils durch undurchsichtige bürokratische Vorschriften davon abgehalten, in fruchtbarere Regionen zu ziehen. Die meisten haben sich mehr oder weniger freiwillig in Notlager begeben, einige wenige hausen in den Villen und Bungalows, die andere verlassen haben, und leben von Notrationen. Auch Luz und Ray gehören zu ihnen. Als das Schicksal ein zweijähriges Mädchen namens Ig in ihre Hände legt, ändert sich für sie alles. Luz, ehemaliges Model, will des Kindes wegen die Flucht nach Osten wagen, ihr Freund Ray, Kriegsveteran und Surfer, unterstützt sie trotz seiner Vorbehalte. Spätestens als sie in den Weiten der Amargosa-Wüste auf eine sektenartige Kommune und ihren charismatischen Anführer stoßen, wird klar, dass Gefahr nicht nur von der erbarmungslos brennenden Sonne ausgeht. Die gleißende Schönheit der Landschaftsbeschreibungen lässt in keiner Sekunde die tödliche Bedrohung vergessen, die über allem liegt. Ein kluger Roman über die Folgen von Gier und Ausbeutung der Natur und das Urmenschliche im Angesicht der Katastrophe.

Roman

Gold Ruhm Zitrus

Una terribile siccità si è abbattuta sulla costa occidentale degli Stati Uniti e ha trasformato la California in un unico grande deserto. I fiumi, il verde, i mammiferi, la vegetazione tropicale e subtropicale, il fogliame lussureggiante, gli agrumi... tutto sembra svanito, svaporato pian piano come l’acqua degli ultimi bacini sorvegliati dalla Guardia nazionale. Luz e Ray vivono immersi nella luce, sotto il sole implacabile di un canyon, nella casa appartenuta un tempo a un’attrice: un cubo di vetro e ardesia con gli scorpioni che escono dai tombini, un paio di rane mummificate nella fontana asciutta, la carcassa incartapecorita di un coyote nella forra. Luz è una ex modella venticinquenne, vezzeggiata e poi messa da parte dal mondo della moda. È stata a Parigi, Milano, Londra, ma non ricorda niente di quei viaggi fatti quand’era un’adolescente strappata all’affetto dei suoi. Ray è tornato dalla guerra magro come un chiodo. Anziché raggiungere casa, ha rubato una tavola da surf e si è lasciato alle spalle crisi, carestie e guerre. Volava sulle onde dell’oceano quando Las Vegas è stata sepolta da una duna gigantesca rovente come un mare di lava. Un giorno, i due tirano fuori una vecchia vettura dell’attrice e scendono dal canyon in una Los Angeles riarsa. Durante la danza della pioggia, un libero raduno di sballati e punk che urlano e saltano nei canali di Venice Beach, Luz si imbatte in una misteriosa bambina dai capelli biondi e ne rimane ammaliata. La piccola è sola, i suoi unici parenti paiono essere degli sbandati che la maltrattano e la trascurano; il suo è un destino segnato. Luz e Ray prendono allora un’improvvisa decisione: rapiscono la bambina, la portano con loro e la crescono come figlia propria. Il piano di Ray è di trasferirsi in Wisconsin, oltre il deserto, e cominciare una nuova vita in una terra fertile e verde. È l’inizio di un lungo viaggio su strade arroventate e poco sicure. Un viaggio che li porterà a incontrare un’ine quietante comunità di hippies stabilitasi ai piedi dell’Amargosa, un’enorme duna alimentata dal vento, e il loro leader, Levi, un enigmatico personaggio dotato di capacità rabdomantiche. Romanzo visionario che racconta di un’epoca oscura, nella cui desolazione è possibile osservare il volto dell’America contemporanea, con una prosa impeccabile, che unisce Steinbeck e Cormack McCarthy, Deserto americano evoca un mondo dominato da disuguaglianze sociali e rapporti di potere, in cui, tra le rovine del sogno americano, germogliano violenza, misticismo e superstizione. "Questo è un libro che contiene numerosi passaggi di straordinaria forza e bellezza". The New York Times "Si sente l'eco di Cormac McCarthy". Time Out New York "Questo splendido romanzo d'esordio è realmente una rinnovata versione dei classici racconti di frontiera americana ...Watkins ne evoca in maniera potente la grandiosità". The Wall Street Journal "La voce più accattivante proveniente dalla costa occidentale dopo Annie Proulx". The New York Times Book Review "Un deserto faulkneriano dell'anima" The Boston Globe "Deserto americano arde di stupefacente genialità" Vanity Fair

Deserto americano

Man-O-War

Ein alter Mann findet in der Wüste ein junges Mädchen und rettet sie vor dem sicheren Tod, ihre Anwesenheit verändert für eine kurze Zeit sein Einsiedlerleben. Ein Fremder betritt den Mikrokosmos eines Bordells und bringt die fragile Ordnung aus Emotion und Kalkül durch einander. Ein Haus in Nevada wird über Jahrzehnte hinweg Zeuge, wie seine Bewohner lieben und leiden, hoffen und scheitern, sich neu erfinden und gefunden werden. In dieser Erzählung greift die Autorin, Tochter von Charles Mansons rechter Hand Paul Watkins, auch ihre eigene Familiengeschichte auf. In zehn beeindruckenden Stories erzählt Claire Vaye Watkins den Mythos des Wilden Westens neu. Sie handeln von Verlassenden und Zurückgelassenen, Suchenden und Verfolgten, sie spielen vor der gewaltigen Landschaft des Westens, unter dem weiten amerikanischen Himmel, in der Glitzerhölle von Las Vegas und in entlegenen Geisterstädten.

Stephen King

Hilary Mantel

Robert Macfarlane

Fredrik Sjöberg

Tomás Eloy Martínez

Phil Klay

Aase Berg

Sara Stridsberg

Ulrika Kärnborg

Johan Theorin

Janine di Giovanni

Johanne Lykke Holm

Kristina Lundholm

Valerio Romão

Följ med till den andra sidan. Det spökar på sidorna i Granta #4. Från krigets Irak, som hemsöker marinsoldaten i Phil Klays novell, till Sara Stridsbergs krisdrabbade amerikanska spökstad, Ulrika Kärnborgs kollapsade paraguayanska utopi och Johanne Lykke Holms kusliga seans i centrala Köpenhamn. Aase Berg och Fredrik Sjöberg gör upp med tro och vidskeplighet, Karin Tidbeck tar strid för hårt drivna spökskrivare och Janine di Giovanni möts av de döda när hon återvänder till Sarajevo nästan tjugo år efter belägringen. Svenska Granta är del av ett internationellt nätverk med engelskspråkiga Granta som nav. Tidskriften grundades av studenter i Cambridge i slutet av 1800-talet. År 1979 fick den sin nuvarande form som en arena för nyskriven skönlitteratur och litterära reportage. I dag finns Grantaredaktioner i ett tiotal länder världen över, från Kina till Brasilien. Översättare: Klara Lindell, Översättare: Örjan Sjögren, Översättare: Lina Wolff, Översättare: Marianne Mattsson, Översättare: Birgitta Wernbro-Augustsson, Översättare: Niclas Hval, Översättare: John-Henri Holmberg, Översättare: Anna-Karin Palm

Claire Vaye Watkins

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