Claud Field

Abu Hamid Muhammad al-Ghazzali

Elton D. Daniel

Abu Hamid Muhammad al-Ghazzali (1058-1111) is one of the most important religious figures in Islamic history. He is particularly noted for his brilliant synthesis of mysticism and traditional Sunni Islam. Ghazzali's "The Alchemy of Happiness", written toward the end of his life, provides a succinct introduction to both the theory and practice of Sufism (Islamic mysticism). It thus offers many insights into traditional Muslim society. This translation is fully annotated for readers unfamiliar with Ghazzali and includes an introduction to his life and historical milieu.

The Alchemy of Happiness

A Dictionary of Oriental Quotations (Arabic and Persian)

Excerpt from A Dictionary of Oriental Quotations (Arabic and Persian) Be aware that justice and equity not unbelief nor religion Are needed for the maintenance of the kingdom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Dictionary of Oriental Quotations (Arabic and Persian) (Classic Reprint)

Nikolai Gogol

Thomas Seltzer

D. j. Hogarth

Nikolai Vasilievich Gogol (1809 - 1852) was a Ukrainian-born Russian dramatist, novelist and short story writer. Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol's work a fundamentally romantic sensibility, with strains of Surrealism and the grotesque. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls), leading to his eventual exile. The novel Taras Bulba (1835) and the play Marriage (1842), along with the short stories "Diary of a Madman," "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich," "The Portrait" and "The Carriage," round out the tally of his best-known works. In this book: The Mantle and Other Stories Translator: Claud Field The Inspector-General Translator: Thomas Seltzer Dead Souls Translator: D. J. Hogarth Taras Bulba and Other Tales

Nikolai Gogol, Short Stories Collection

A Top 100 Satirical Short Story. The Nose by Nikolai Gogol. "The Nose" is a satirical short story by Nikolai Gogol. Written between 1835 and 1836, it tells of a St. Petersburg official whose nose leaves his face and develops a life of its own. Critics note that the story's title in Russian "Nos" is the reverse of the Russian word for "dream" "Son". As the unreliable narrator himself notes, the story "contains much that is highly implausible", while an earlier version of the story ended with Kovalyov waking and realizing that the story was indeed a dream. Without the awakening, however, the story becomes a precursor of magical realism, as an unreal element is woven into a realistic narration. Peace also notes that some critics have interpreted the story as referring to a castration complex: the removal of Kovalyov's nose (and its developing a mind of its own) threaten both his chances of acquiring a position of power and of being a success with women. In Russia, a version has appeared which substituted "..." for the word "nos" so that the reader would be inclined to interpret it as "khui", the Russian taboo word for penis. It can be said that Kovaliov equates the loss of his nose with castration, emasculation, and impotence to a certain degree. At the end the story drifts away and it appears Gogol is talking directly to the reader. It is never explained why the Nose fell off in the first place, why it could talk, nor why it found itself reattached. By doing this, Gogol was playing on the assumptions of readers, who may happily seek absurd stories, but at the same time still having the desire for a normal explanation. Part one On the 25th of March, the barber Ivan Yakovlevich finds a nose in his bread during breakfast. With horror he recognizes this nose as that of one of his regular customers, Collegiate Assessor Kovalyov (known as 'Major Kovalyov'). He tries to get rid of it by throwing it in the Neva River, but he is caught by a police officer. Part Two At the onset of “The Nose,” Major Kovalyov awakens to discover that his nose is missing, leaving a smooth, flat patch of skin in its place. His nose is already pretending to be a human. He finds and confronts it in the Kazan Cathedral, but from its clothing it is apparent that the nose has acquired a higher rank in the civil service than he and refuses to return to his face. Kovalyov visits the newspaper office to place an ad about the loss of his nose, but is refused. Kovalyov returns to his flat, where the police officer who caught Ivan finds him and returns the nose (which he caught at a coach station, trying to flee the city). Kovalyov's joy is cut short when he finds that he is unable to re-attach the nose, even with the help of the doctor. The next day, Kovalyov writes a letter to Madam Podtochina Grigorievna, a woman who wants him to marry her daughter, and accuses her of stealing his nose; he believes that she has placed a curse on him for his fickleness toward her daughter. He writes to ask her to undo the spell, but she misinterprets the letter as a proposal to her daughter. Her reply convinces him that she is innocent. In the city, rumours of the nose's activities have spread, and crowds gather in search of it. But unlikely, he figured out the nose might be one of a magical giraffe. Part three On the 7th of April, Kovalyov wakes up with his nose reattached. He is carefully shaved by the barber and happily promenades about the city to show off his nose.

A Satirical Short Story

The Nose

"Diary of a Madman" (1835; Russian) is a farcical short story by Nikolai Gogol. Along with "The Overcoat" and "The Nose", "Diary of a Madman" is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the repressive era of Nicholas I. Following the format of a diary, the story shows the descent of the protagonist, Poprishchin, into insanity. "Diary of a Madman", the only one of Gogol's works written in first person, follows diary-entry format.

Claud Field

Books

Your next favorite book is out there