Armory Center for the Arts

Wallace Berman

Claudia Bohn-Spector

Sam Mellon

Robert Heinecken

Speaking in Tongues brings, for the first time, two seminal yet under-studied Los Angeles artists into close conversation. The exhibition examines how Berman and Heinecken bridged modernist and emerging post-modernist trends by ushering in the use of photography as a key element of contemporary avant-garde art. Their works are explored within the unique cultural context of 1960s and 1970s Southern California, as it fueled and amplified their highly original creative approaches.

Wallace Berman and Robert Heinecken, 1961-1976

Speaking in Tongues

J. Paul Getty Museum

August Sander

Including an edited transcription of a colloquium on Sander's life and work, this title contains plates selected from the J. Paul Getty Museum's collection. Sander's works exemplify the contradictory nature of early 20th century Germany.

Photographs from the J. Paul Getty Museum

Ken Allan

Commemorating the 40th anniversary of the artist’s accidental death at age 50, this volume offers the first substantial survey of the entire oeuvre of Wallace Berman (1926–76) from the late 1940s until 1976. Berman has been long heralded as one of the most significant and influential artists to emerge in Southern California. Spiritually inclined yet steeped in popular culture and the political events of the day, he conducted reconnaissance far beyond the borders of California, mining the American psyche and broadcasting his ideas through mail art, publications, photographs and multilayered art works. Berman intersected with several intriguing cultural moments, starting with his first Los Angeles solo show in 1957 at Ed Kienholz and Walter Hopps’ Ferus Gallery. He also participated in an important 1966 group exhibition in London at the legendary Robert Fraser Gallery, whose other artists included Richard Hamilton, Bruce Conner and Peter Blake--who put Berman’s face among the notable crowd in his cover for the Beatles’ Sgt Pepper’s Lonely Hearts Club Band. As interest in West Coast art has increased over the past 40 years, scholars have viewed Berman as a quintessentially Californian artist whose entourage of likeminded friends was essential to the formation of his creative vision. This volume takes a broader view, reassessing Berman’s significant contributions to the history of 20th-century American art.

American Aleph

Claudia Bohn-Spector

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