Andrea Pinotti

Georges Didi-Huberman

Katia Pizzi

Barbara Baert

Victoria Cirlot

Salvatore Settis

Monica Centanni

Dorothee Gelhard

Clio Nicastro

Michael Diers

Filippo Perfetti

Giulia Zanon

Matilde Sergio

Giacomo Calandra di Roccolino

Ianick Takaes

In this issue of Engramma: Giulia Zanon’s Zooming Mnemosyne deals with the use of details in Warburg’s Bilderatlas, Monica Centanni’s Collateral effects of the “visibile parlare” (Dante, Pg. X, v. 95) reconstructs the hypothesis of a visual model for the legend of Trajan’s Justice, according to Warburg intuition about it; this contribution is connected of the paper by Filippo Perfetti’s Dante, Botticelli, and Trajan. An Open Note where the author investigates how Botticelli could have come to know that the bas-relief of the Arch of Constantine liberatori urbis was related to an episode in Trajan's life”. The focus of this issue is then extended to Warburg's cultural environment. Matilde Sergio’s Aby Warburg, Walter Benjaming, and the Memory of Images investigates the influence of Warburg's essay about Luther, on Benjamin's thought, while Dorothee Gelhard’s Gertrud Bing’s Scientific Beginnings reconstructs the intellectual history of Bing's doctoral thesis and its influences on Warburgian work. The theme of Warburg’s Denkraum is the focal point of Salvatore Settis’ Anselm Kiefer's Logic of Inversion: a fundamental overview of Kiefer's Questi scritti, quando verranno bruciati, daranno finalmente un po’ di luce(Andrea Emo) on display at Sala dello Scrutinio in Palazzo Ducale, Venezia from March to October 2022. The third section of the issue is dedicated to new publications and exhibitions. Echoing Settis’ reflection on Denkraum, we present Clio Nicastro’s La Dialettica del Denkraum in Aby Warburg, published this year for Palermo University Press; an introduction to Cultural Memories: a series published by Peter Lang and edited by Katia Pizzi. Giacomo Calandra di Roccolino with Mary Hertz Warburg: Free and Unconventional reviews the exhibition of the artist Mary Hertz Warburg. The issue closes with the important Choral Reading of Il metodo di Aby Warburg by Kurt W. Forster. L’antico dei gesti. Il futuro della memoria, where Barbara Baert, Victoria Cirlot, Georges Didi-Huberman, Michael Diers, Andrea Pinotti and Ianick Takaes offer us their personal reading of Warburg’s life and thought as they are presented by Forster’s newly translated book, edited by Ronzani editore.

La Rivista di Engramma 191, aprile-maggio 2022

191 | Aby Warburg: His Aims and Methods

Marilena Calcara

Giulia Bordignon

Anna Fressola

Anna Ghiraldini

Thays Tonin

Corrado Bologna

Pedro Incio

Seminario Mnemosyne

Editoriale, Anna Fressola, Anna Ghiraldini Geburtagsatlas di Ernst Gombrich (1937). Indice dei materiali pubblicati in Engramma, Seminario Mnemosyne Geburtstagsatlas. Nota sui materiali conservati al Warburg Institute Archive, Thays Tonin Geburtstagsatlas. Tavole A, B, C. Prima edizione digitale e traduzione italiana, Clio Nicastro La danza delle Pathosformeln. Formulazioni dell'espressione corporea secondo la lezione di Mnemosyne, Anna Fressola Riemersione del pathos dell'annientamento. Una proposta di lettura di Mnemosyne Atlas, Tavola 41, Giulia Bordignon Maria ‘Niobe barocca’: deduzione formale e riemersione engrammatica. Appunti di lettura di Mnemosyne Atlas, Tavola 76, Seminario Mnemosyne El teatro de la mente. De Giulio Camillo a Aby Warburg, Victoria Cirlot, Corrado Bologna La página web de la Warburg Library: una aproximación arqueológica, Pedro Incio Bibliography. Works by Aby Warburg and secondary literature (updated June 2018), Marilena Calcara e Monica Centanni

e157 | Mnemosyne: palinsesti

Clio Nicastro

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