Colin Gardner

Jennifer Vanderpool

Performative Representation of Working-Class Laborers: They Work Hard for the Money is a transdisciplinary anthology intersecting art theory praxis, comparative literature, film & media studies, performance art, ethnic studies, gender studies, age & aging, geography, and labor studies. The book investigates and analyzes artwork created by artists or collectives working within the dialogue of Postmodernism and current global arts production. The focus on performative aspect of labor as art and affect becomes more sensate and less about the exploited body of labourers, liberating the representation of waged bodies and further diversifying the field of Working-Class Studies.

They Work Hard for the Money

Performative Representation of Working-Class Laborers

The career of Wisconsin-born Joseph Losey spanned over four decades and several countries. A self-proclaimed Marxist and veteran of the 1930s Soviet agit-prop theater, he collaborated with Bertholt Brecht before directing noir B-pictures in Hollywood. A victim of McCarthyism, he later crossed the Atlantic to direct a series of seminal British films such as "Time Without Pity," "Eve," "The Servant," and "The Go-Between," which mark him as one of the cinema's greatest baroque stylists. His British films reflect on exile and the outsider's view of a class-bound society in crisis through a style rooted in the European art house tradition of Resnais and Godard. Gardner employs recent methodologies from cultural studies and poststructural theory, exploring and clarifying the films' uneasy tension between class and gender, and their explorations of fractured temporality.

Joseph Losey

Patricia MacCormack

Inspired by the ecosophical writings of Felix Guattari, this book explores the many ways that aesthetics – in the forms of visual art, film, sculpture, painting, literature, and the screenplay – can act as catalysts, allowing us to see the world differently, beyond traditional modes of representation. This is in direct parallel to Guattari's own attempt to break down the 19th century Kantian dialectic between man, art, and world, in favour of a non-hierarchical, transversal approach, to produce a more ethical and ecologically sensitive world view. Each chapter author analyses artworks which critique capitalism's industrial devastation of the environment, while at the same time offering affirmative, imaginative futures suggested by art. Including contributions from philosophers, film theorists and artists, this book asks: How can we interact with the world in a non-dominant and non-destructive way? How can art catalyze new ethical relations with non-human entities and the environment? And, crucially, what part can philosophy play in rethinking these structures of interaction?

Art, Ethics and Ecology with Guattari

Ecosophical Aesthetics

A career-length study of Losey's British films, this text incorporates film theory of the past 20 years into an analysis of Losey's work in an accessible format for both students and film enthusiasts.

Nick Flynn

David Pagel

Terrie Sultan

Features contemporary works of art that capture the existential dilemma of the human condition

A Mirror of Modern Emotion

Damaged Romanticism

Becoming-animal is a key concept for Deleuze and Guattari; the ambiguous idea of the animal as human and nonhuman life infiltrates all of Deleuze's work. These 16 essays apply Deleuze's work to analysing television, film, music, art, drunkenness, mourning, virtual technology, protest, activism, animal rights and abolition. Each chapter questions the premise of the animal and critiques the centrality of the human. This collection creates new questions about what the age of the Anthropocene means by 'animal' and analyses and explores examples of the unclear boundaries between human and animal.

Colin Gardner

Books

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