Philipp Schorch

Conal McCarthy

Museums Future Curatorship

Curatopia

What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

Museums and the future of curatorship

This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.

Heritage Professionals, Indigenous Collections, Current Practice

Museums and Maori

Anne Salmond

Monty Soutar

James Schuster

Billie Lythberg

Te Aroha McDonnell

John Niko Maihi

Wayne Ngata

Amiria Salmond

Te Wheturere Poope Gray

Arapata Hakiwai

Natalie Robertson

Sandra Kahu Nepia

From 1919 to 1923, at Sir Apirana Ngata's initiative, a team from the Dominion Museum travelled to tribal areas across Te Ika-a-Maui The North Island to record tikanga Maori (ancestral practices) that Ngata feared might be disappearing. These ethnographic expeditions, the first in the world to be inspired and guided by indigenous leaders, used cutting-edge technologies that included cinematic film and wax cylinders to record fishing techniques, art forms (weaving, kowhaiwhai, kapa haka and moteatea), ancestral rituals, and everyday life in the communities they visited. The team visited the 1919 Hui Aroha in Gisborne, the 1920 welcome to the Prince of Wales in Rotorua, and communities along the Whanganui River (1921) and in Tairawhiti (1923). Medical doctor-soldier-ethnographer Te Rangihiroa (Sir Peter Buck), the expedition's photographer and film-maker James McDonald, the ethnologist Elsdon Best, and Turnbull Librarian Johannes Andersen recorded a wealth of material. This beautifully illustrated book tells the story of these expeditions, and the determination of early twentieth century Maori leaders, including Ngata, Te Rangihiroa, James Carroll, and those in the communities they vis

Treasures for the Rising Generation: the Dominion Museum Ethnological Expeditions 1919-1923

Hei Taonga Mā Ngā Uri Whakatipu

Conal McCarthy

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