Corinne Fowler

Ten walks through idyllic scenery reveal the countryside’s forgotten links to transatlantic slavery and colonialism—a work of accessible history that will transform our understanding of British landscapes and heritage. The green fields, rugged highlands, and rolling hills of England, Scotland, and Wales are commonly associated with adventure, romance, and seclusion as well as literary figures like Jane Austen and William Wordsworth. But in reality, many of these rural places—with their country houses, lakes, and shorelines—were profoundly changed by British colonial activity. Even hamlets and villages were affected by distant colonial events. Taking ten country walks, author Corinne Fowler explores the unique colonial dimensions of British agriculture, copper-mining, landownership, wool-making, coastal trade, and factory work in cotton mills. One route shows the links between English country houses and Indian colonization. Another explores banking history in Southern England and its link to slavery on Louisianan plantations. Other walks uncover the historical impact of sugar profits on the Scottish isles and 18th-century tobacco imports on an English coastal port. The history of these countryside locations—and the people who lived and worked in them—is closely bound up with colonial rule in far-away continents. Accompanying the author on her walks are a fascinating group of people—artists, musicians, and writers—with strong attachments to the landscapes featured in this book and family links to former British colonies like Barbados and Senegal. These companions illuminate the meaning of colonial history in local settings. Crucially, this is not just a history book but a compassionate reflection on the way we respond to sensitive, shared histories which link people across cultures, generations, and political divides.

Ten Walks Through Colonial Britain

The Countryside

Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world.

Creative Responses to Rural England's Colonial Connections

Green Unpleasant Land

The countryside is cherished by many Britons. There is a depth of feeling about rural places, the moors and lochs, valleys and mountains, cottages and country houses. Yet the British countryside, so integral to our national identity, is rarely seen as having anything to do with British colonialism. Where the countryside is celebrated, histories of empire are forgotten. In Our Island Stories, historian Corinne Fowler brings rural life and colonial rule together with transformative results. Through ten country walks, roaming the island with varied companions, Fowler combines local and global history, connecting the Cotswolds to Calcutta, Dolgellau to Virginia, and Grasmere to Canton. Empire transformed rural lives for better and for worse: whether in Welsh sheep farms or Cornish copper mines, it offered both opportunity and exploitation. Fowler shows how the booming profits of overseas colonial activities, and the select few who benefited, directly contributed to enclosure, land clearances and dispossession. These histories, usually considered separately, continue to shape lives across Britain today. To give an honest account, to offer both affection and criticism, is a matter of respect: we should not knowingly tell half a history. This new knowledge of our island stories, once gained, can only deepen Britons' relationship with their beloved landscape.

Country Walks through Colonial Britain

Our Island Stories

Chasing Tales is the first exclusive study of journalism, travel writing and the history of British ideas about Afghanistan. It offers a timely investigation of the notional Afghanistan(s) that have prevailed in the popular British imagination. Casting its net deep into the nineteenth century, the study investigates the country’s mythologisation by scrutinising travel narratives, literary fiction and British news media coverage of the recent conflict in Afghanistan. This highly topical book explores the legacy of nineteenth-century paranoias and prejudices to contemporary travellers and journalists and seeks to explain why Afghans continue to be depicted as medieval, murderous, warlike and unruly. Its title, Chasing Tales, conveys the circulation, and indeed the circularity, of ideas commonly found in British travel writing and journalism. The ‘tales’ component stresses the pivotal role played by fictionalised sources, especially the writing of Rudyard Kipling, in perpetuating traumatic nineteenth-century memories of Afghan-British encounter. The subject matter is compelling and its foci of interest profoundly relevant both to current political debates and to scholarly enquiry about the ethics of travel.

"Travel Writing, Journalism and the History of British Ideas about Afghanistan"

Chasing Tales

Charles Forsdick

Ludmilla Kostova

Despite the recent increase in scholarly activity regarding travel writing and the accompanying proliferation of publications relating to the form, its ethical dimensions have yet to be theorized with sufficient rigour. Drawing from the disciplines of anthropology, linguistics, literary studies and modern languages, the contributors in this volume apply themselves to a number of key theoretical questions pertaining to travel writing and ethics, ranging from travel-as-commoditization to encounters with minority languages under threat. Taken collectively, the essays assess key critical legacies from parallel disciplines to the debate so far, such as anthropological theory and postcolonial criticism. Also considered, and of equal significance, are the ethical implications of the form’s parallel genres of writing, such as ethnography and journalism. As some of the contributors argue, innovations in these genres have important implications for the act of theorizing travel writing itself and the mode and spirit in which it continues to be conducted. In the light of such innovations, how might ethical theory maintain its critical edge?

Theory and Practice

Travel and Ethics

Chasing Tales is the first exclusive study of journalism, travel writing and the history of British ideas about Afghanistan. It offers a timely investigation of the notional Afghanistan(s) that have prevailed in the popular British imagination. Casting its net deep into the nineteenth century, the study investigates the country's mythologisation by scrutinising travel narratives, literary fiction and British news media coverage of the recent conflict in Afghanistan. This highly topical book explores the legacy of nineteenth-century paranoias and prejudices to contemporary travellers and journalists and seeks to explain why Afghans continue to be depicted as medieval, murderous, warlike and unruly. Its title,Chasing Tales, conveys the circulation, and indeed the circularity, of ideas commonly found in British travel writing and journalism. The 'tales' component stresses the pivotal role played by fictionalised sources, especially the writing of Rudyard Kipling, in perpetuating traumatic nineteenth-century memories of Afghan-British encounter. The subject matter is compelling and its foci of interest profoundly relevant both to current political debates and to scholarly enquiry about the ethics of travel.

Corinne Fowler

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