Cornelia Homburg

Vincent van Gogh explores the life and work of the troubled artistic genius, brought close to the brink of madness, who left one of the most startling artistic legacies of the late nineteenth century when, in 1890, he took his own life. It follows the path that led him from his early attempts to forge a career, via his initial foray into the world of art during which he produced his famous earthy portrayals of Dutch peasants, such as The Potato Eaters, to the inspiration of colour and new styles that he discovered in Paris, to the sunlight of Provence with its fierce blues and yellows, and his final days in the village of Auvers-sur-Oise. Gloriously illustrated with such classics as his favourite Sunflowers, Starry Night and his self-portraits, it also contains rare documents such as van Gogh's letters to his brother and sister, the medical analysis of his illness and the announcement card of the artist's death in 1890.

A Portrait of His Life and Work

Vincent Van Gogh

Nienke Bakker

Louis van Tilborgh

Claire Guitton

Tsukasa Kodera

"All my work is based to some extent on Japanese art." -Vincent van Gogh Vincent van Gogh's (1853-1890) encounter with Japanese ukiyo-e prints during his time in Paris was decisive for the direction that his art would take in the years to come. He enthusiastically assembled a collection of the prints with the idea of dealing in them, and soon was captivated by their colorful and cheerful imagery and style, which began to exert a dramatic influence on his own work. Gradually this enchanted world became his main artistic reference point. From then on, he positioned himself as an artist in the Japanese tradition in order to gain a reputation with the avant-garde of the day. This gorgeous publication offers a detailed reassessment of the impact Japanese printmaking had on Van Gogh's creative output. Featuring essays by the world's leading Van Gogh experts, this book details the ways in which the artist constructed his understanding of a Japanese aesthetic and his utopian ideal of a so-called primitive society, and incorporated these into his own vision and practice. The size, nature, and importance of Van Gogh's own collection of Japanese prints are also explored. Lavish illustrations include oil paintings and drawings by Van Gogh as well as a selection of the Japanese works that so captured his imagination.

Van Gogh and Japan

John House

St. Louis Art Museum

Richard Thomson

Saint Louis Art Museum

Elizabeth C. Childs

Steven A. Hammer

Published to accompany the exhibition held at the Saint Louis Art Museum, 17 February - 13 May 2001, and the Stadelsches Kunstinstitut und Stadtisches Galerie, Frankfurt, 8 June - 2 September 2001.

Vincent Van Gogh and the Painters of the Petit Boulevard

Odilon Redon (Bordeaux, 1840 - Paris, 1916) was a painter, lithographer, draughtsman and pastellist, as well as a writer, critic and musician. As so many symbolists he was fascinated by synaesthesia, the idea that an experience can be more intense when several senses are solicited together. Redon was masterful at interweaving the expressive powers of literature, music and the visual arts. By addressing some of Redon's favorite themes, this richly illustrated publication shows how he transposed literary and musical motifs into his own work and how he reinvented such themes over and over again creating new associations and meaning. Next to literary themes and subjects linked to classical drama, Redon chose topics that were inspired by, among others, Richard Wagner's and Robert Schumann's music. With more than 200 illustrations of works largely in private collections and the Kröller-Müller Museum, and with essays by renowned experts on Redon and Symbolism, this book provides extensive insight into the importance of literature and music in Odilon Redon's oeuvre. Exhibition: Kröller-Müller-Museum, Otterlo, The Netherlands (02.06.-09.09.2018) / Ny Carlsberg Glyptotek, Copenhagen, Denmark (11.10.2018-20.01.2019).

Odilon Redon: Literature and Music

Paul Smith

Christopher Riopelle

A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.

Painting, Poetry, Music

Neo-Impressionism and the Dream of Realities

Chris Uhlenbeck

Louis Van Tilborgh

Van Gogh et le Japon

Focusing on the last years of the artist's career, a sumptuously illustrated book offers a completely new way of looking at the art of Vincent van Gogh, by exploring the artist's approach to nature through his innovative use of the close-up view.

Up Close

Van Gogh

Elizabeth Childs

The first in-depth investigation of Gauguin's portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways Paul Gauguin (1848-1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career. Bringing together more than 60 of Gauguin's portraits in a wide variety of media that includes painting, works on paper, and sculpture, this handsomely illustrated volume is the first focused investigation of the multifaceted ways the artist approached the subject. Essays by a group of international experts consider how the artist's conception of portraiture evolved as he moved between Brittany and Polynesia. They also examine how Gauguin infused his work with symbolic meaning by taking on different roles like the Christ figure and the savage in his self-portraits and by placing his models in suggestive settings with alluring attributes. This welcome addition to the scholarship on one of the 19th century's most innovative and controversial artists reveals fascinating insights into the crucial role that portraiture played in Gauguin's overall artistic practice.

Portraits

Gauguin

Cornelia Homburg

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