Jeremy Biles

Joshua Dubler

Winnifred Fallers Sullivan

M. Cooper Harriss

Courtney Bender

Erik Thorstensen

Liane Carlson

Hannah C. Garvey

"Min Kamp-or My Struggle in English-is a six-volume novel by Karl Ove Knausgaard and one of the most significant literary works of the young twenty-first century. Published in Norwegian between 2009 and 2011, the year-by-year translation into English of the novels became something of a slow-gathering storm. Ambiguously figured as autobiographical by some, the six volumes present an absorbing first-person narrative of the life of a Norwegian writer, an Everyman of sorts, one with the same name as the author. In its expansiveness, textures, and anti-romanticism, Knausgaard's is a world at once fully disillusioned and thoroughly enchanted. In 2015 a small group of scholars, all admirers of Knausgaard's work, began meeting to discuss the peculiarly "religious" qualities of My Struggle and other writings. Some were interested in Knausgaard's attention to religious topics, his uses of religious histories, objects, and artworks, while others were curious about his capacity to engage various religious moods in ways that were not critical, suspicious, or celebratory. The group wanted to know, in part, what reading these textures of religion in these volumes might say about our times, about writing, about themselves. The Abyss or Life is Simple is the culmination of this collective endeavor-a remarkable collection of interlocking essays on everything from ritual, beauty, writing, and morality to divine plans for the end of the world"--

Reading Knausgaard Writing Religion

The Abyss Or Life Is Simple

An absorbing collection of essays on religious textures in Knausgaard’s writings and our time. Min kamp, or My Struggle, is a six-volume novel by Karl Ove Knausgaard and one of the most significant literary works of the young twenty-first century. Published in Norwegian between 2009 and 2011, the novel presents an absorbing first-person narrative of the life of a writer with the same name as the author, in a world at once fully disillusioned and thoroughly enchanted. In 2015, a group of scholars began meeting to discuss the peculiarly religious qualities of My Struggle. Some were interested in Knausgaard’s attention to explicitly religious subjects and artworks, others to what they saw as more diffuse attention to the religiousness of contemporary life. The group wondered what reading these textures of religion in these volumes might say about our times, about writing, and about themselves. The Abyss or Life Is Simple is the culmination of this collective endeavor—a collection of interlocking essays on ritual, beauty, and the end of the world.

The Abyss or Life Is Simple

The thirteen essays in this volume offer a challenge to conventional scholarly approaches to the sociology of religion. They urge readers to look beyond congregational settings, beyond the United States, and to religions other than Christianity, and encourage critical engagement with religion's complex social consequences. By expanding conceptual categories, the essays reveal how aspects of the religious have always been part of allegedly non-religious spaces and show how, by attending to these intellectual blindspots, we can understand aspects of identity, modernity, and institutional life that have long been obscured. Religion on the Edge addresses a number of critical questions: What is revealed about the self, pluralism, or modernity when we look outside the U.S. or outside Christian settings? What do we learn about how and where the religious is actually at work and what its role is when we unpack the assumptions about it embedded in the categories we use? Religion on the Edge offers groundbreaking new methodologies and models, bringing to light conceptual lacunae, re-centering what is unsettled by their use, and inviting a significant reordering of long-accepted political and economic hierarchies. The book shows how social scientists across the disciplines can engage with the sociology of religion. By challenging many of its long-standing empirical and analytic tendencies, the contributors to this volume show how their work informs and is informed by debates in other fields and the analytical purchase gained by bringing these many conversations together. Religion on the Edge will be a crucial resource for any scholar seeking to understand our post-modern, post-secular world.

De-centering and Re-centering the Sociology of Religion

Religion on the Edge

American spirituality—with its focus on individual meaning, experience, and exploration—is usually thought to be a product of the postmodern era. But, as The New Metaphysicals makes clear, contemporary American spirituality has historic roots in the nineteenth century and a great deal in common with traditional religious movements. To explore this world, Courtney Bender combines research into the history of the movement with fieldwork in Cambridge, Massachusetts—a key site of alternative religious inquiry from Emerson and William James to today. Through her ethnographic analysis, Bender discovers that a focus on the new, on progress, and on the way spiritual beliefs intersect with science obscures the historical roots of spirituality from its practitioners and those who study it alike—and shape an enduring set of modern religious possibilities in the process.

Spirituality and the American Religious Imagination

The New Metaphysicals

How do people practice religion in their everyday lives? How do our daily encounters with people who hold different religious beliefs shape the way we understand our own moral and spiritual selves? In Heaven's Kitchen, Courtney Bender takes a highly original approach to answering these questions. For more than a year she worked in New York City as a volunteer for a nonprofit, nonreligious organization called God's Love We Deliver, helping to prepare home-cooked meals for people with AIDS. Paying close attention to what was said and not said, Bender traces how the volunteers gave voice to their moral positions and religious values. She also examines how they invested their conversations, and mundane activities such as cooking, with personal meaning that in turn affected how they saw their own spiritual lives. Filled with vibrant storytelling and rich theoretical insights, Heaven's Kitchen shows faith as a living practice, reshaping our understanding of the role of religion in contemporary American life.

Courtney Bender

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