Cynthia Burlingham

Allegra Pesenti

Focusing on the little-known but remarkable drawings of Victor Hugo, this book sheds light on the novelist, poet, and playwright's artistic practice and creative brilliance. Accompanying a major exhibition, this book brings together around 120 of the most significant examples of Victor Hugo's works on paper. It features previously unpublished drawings and insightful texts that reveal Hugo's extraordinary talents as a draftsman. Remarkably spontaneous and receptive to the myriad possibilities of medium and materials, Hugo produced experimental and enigmatic compositions, from haunting renditions of castles and ruins to ethereal and abstract forms and stains. This volume includes essays which place Hugo's drawings within the context of artistic movements in 19th-century France, closely examine his cosmic landscapes and visions of the night, delve into Hugo's processing of ideas and imagination, and analyze a central pair of opposing forces in his work--stones and stains. This lavishly illustrated book presents the full breadth of Hugo's talent. Hugo's drawings afford a greater insight into the creative brilliance that brought forth some of the most indelible stories of all time.

The Drawings of Victor Hugo

Stones to Stains

Marc Treib

Victoria Steele

Claudine Dixon

For nearly thirty years, starting in the 1960s, Franklin D. Murphy was a dominant figure in the cultural development of Los Angeles. As chancellor of UCLA and later as chief executive of the "Times Mirror "company, Murphy channeled more than a billion dollars into the city's universities, museums, concert halls, and libraries. The Franklin D. Murphy Sculpture Garden, one of his landmark projects, is also one of the UCLA campus's great treasures. Standing as a model for sculpture gardens internationally since its dedication in 1967, the Murphy Garden features seventy-two important modern and contemporary sculptures in a five-acre site designed by landscape architect Ralph Cornell. This fully-illustrated catalog documents the entire Murphy Garden collection and provides a scholarly entry for each artist--a sampling of which includes Deborah Butterfield, Alexander Calder, Henri Matisse, Joan Miro, Henry Moore, Isamu Noguchi, Auguste Rodin, and David Smith. Three essays--by Victoria Steele, Cynthia Burlingham, and Marc Treib-- focus respectively on the role of Franklin Murphy in the garden's planning and execution, the acquisition of the sculptures, and the garden's significance within the history of sculpture garden design.

The Franklin D. Murphy Sculpture Garden at UCLA

Steve Martin

Karen Quinn

Andrew Hunter

This generously illustrated book examines the most significant period in the work of Lawren Harris, who was central to defining a distinctive Canadian art in the 20th century. Sparse landscapes of Lake Superior's northern shores, bold visions of the Rocky Mountains and haunting landscapes from the Eastern Arctic are hallmark themes of Lawren Harris's paintings. He was a founding member of the renowned "Group of Seven" artists' group, who believed that the Canadian landscape was central to the foundation of a national identity. Focusing on Harris's most important work of the 1920s through the early 1930s, this monograph features a selection of major works that are as iconic in Canada as those of Georgia O'Keeffe and Edward Hopper in the U.S. His remarkable use of color, light, and composition resulted in powerful scenes that reflect his progress toward a universal vision of nature's spiritual power. Drawn from the Art Gallery of Ontario's substantial holdings as well as other public collections throughout Canada, this publication repositions Harris's work and establishes him as major figure within the wider context of 20th-century modern painting in the Americas.

The Paintings of Lawren Harris

The Idea of North

Cynthia Burlingham

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