Richard Leppert

Lawrence Kramer

Daniel Goldmark

Richard D. Leppert

"Put briefly, this is a superb collection of essays. They are lucidly and eloquently written, and make their points with wit and clarity. They are full of perceptive, highly stimulating, and occasionally provocative illustrations of how practice connects to theory (and vice versa) without getting bogged down in academic language. The contributors include a combination of exceptionally admired film music scholars, and of musicologists renowned for their keen insights into the cultural contexts of music production and reception. This book is an excellent resource and compelling read."—Derek B. Scott, author of From the Erotic to the Demonic: On Critical Musicology

Representing Music in Cinema

Beyond the Soundtrack

This unique collection features piano sheet music that accompanied silent movies. Derived from eight rare sources, the music includes compositions by J. S. Zamecnik, M. L. Lake, Joseph Carl Breil, and others.

Photoplay Music from the Days of Early Cinema

Sounds for the Silents

Kevin C. Karnes

Erich Wolfgang Korngold (1897-1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947.

Korngold and His World

David Ake

Charles Hiroshi Garrett

“Jazz/Not Jazz is an innovative and inspiring investigation of jazz as it is practiced, theorized and taught today. Taking their cues from current debates within jazz scholarship, the contributors to this collection open up jazz studies to a transdisciplinarity that is rich in its diversity of approaches, candid in its appraisals of critical worth, transparent in its ideological suppositions, and catholic in its subjects/objects of inquiry.”—Kevin Fellezs, author of Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion. “This collection is a delight. Each essay opens up some previously ignored aspect of jazz history. Anyone who knows the New Jazz Studies and is wise enough to acquire this book will immediately devour it.”—Krin Gabbard, author of Hotter Than That: The Trumpet, Jazz, and American Culture. “This volume is truly one of a kind, eminently readable and filled with new insights. It will make an extremely important contribution to jazz literature.”—Jeffrey Taylor, Director, H. Wiley Hitchcock Institute for Studies in American Music, Brooklyn College.

Daniel Goldmark

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