Daniel Henry Kahnweiler

John Golding

Sir Roland Penrose

Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.

Picasso, 1881-1973

Les années héroïques du cubisme

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Der Weg Zum Kubismus

Pablo Picasso

This luxurious publication presents the sculptures of Picasso photographed by Brassai, one of the most important photographers of the 20th century. Includes an insightful text written for this work in 1948 by Daniel-Henry Kahnweiler, a major Picasso art dealer. Brassai met Picasso in 1932 when he was commissioned to take a series of pictures of the artist's studio; between 1932 and 1946, Brassai photographed all of Picasso's sculpted works. This long-term working relationship led to a fruitful exchange between the two artists on the respective nature of photography and sculpture, which is reflected in this volume.

Daniel Henry Kahnweiler

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