Miwon Kwon

Andrea Glauser

Susan Hapgood

Daniela Zyman

Since 2016 AWAY - a project around residencies, under the leadership of Alexandra Grausam, has been highlighting the renowned Artists Residency Program, in which the Federal Chancellery of Austria has been sending local artists into the world since the 1970s. With the exhibition Stories from abroad, in the same year, this important area of Austrian art funding was made visibile to the broader public for the first time. A theoretical examination of the topic took place in talks and a symposium with experts, comprised in the Laboratory, AWAY's discursive program.0The book is divided into five parts, each containing a theoretical text as well as an artistic contributions, statements and diary entries of the participating scholarship holders. While the first chapter is devoted to the historical development of residence programs and the studio program of the Federal Chancellery, the following section describes the extensive and diverse concept of AWAY - a project around residencies. The third part focuses on different destinations and the associated mobility of artists. The last two chapters explore the questions of dealing with the particular location and its concrete retrospective effect on the artistic work.00Exhibition: c/o Wien, Austria (10.11. - 10.12.2018).

The Book about Residencies

AWAY

Gabrielle Cram

Albert Einstein once said, "A human being is part of a whole, called by us the 'Universe, ' a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest-a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty." Taking as its point of departure the paradoxical nature of the self, this volume features substantial essays on and supporting images by such provocative international artists as Janet Cardiff, Maurizio Cattelan, Emanuel Danesch and David Rych, Mario García Torres, Amos Gitai, Jenny Holzer, Dennis Hopper, Jonathan Horowitz, Sanja Ivekovic, Amar Kanwar, David Lamelas, Ján Mancuska, Paul McCarthy, Boris Ondreicka, Sergio Prego, Pipilotti Rist, Hans Schabus, Cindy Sherman, Roman Signer, Monika Sosnowska, Salla Tykkä and Slaven Tolj.

An Investigation Between Inner and Outer Space

Other Than Yourself

Eva Ebersberger

A semi-fictional performative account of the lives and archives of a legendary Spanish art collection How does a private art collection become public? Who was Hans Heinrich Thyssen-Bornemisza? These questions are at the heart of Cotton under My Feet, a new project by New York-based Lebanese artist Walid Raad (born 1967) conceived for the Museo Nacional Thyssen-Bornemisza, coinciding with the centennial of its original founder. From the depths of the museum's archives, Raad unearthed fragments of stories, fictional documents and puzzling artifacts. Brought to life through a slippery narrative--a lavishly illustrated performance script forms the centerpiece of the volume--Raad invites readers to follow him into the tunnels of conjecture he has constructed, offering a vertiginous reflection on the potential legacy of the Thyssen-Bornemisza collections and their relation to the histories of Western and non-Western art.

Walid Raad: Cotton Under My Feet

This catalogue is an extension of an ongoing research and exhibition project that TBA21 has supported since its inception in 2006. The Sovereign Forest renders visible and collects evidence of what has hitherto been hidden and suppressed within the site of a “modern war,” in which industrial interventions have reshaped and permanently destroyed parts of the landscape of the Indian state of Odisha for over a decade, leaving villagers in suffering and devastation. The ambitious catalogue attempts to reopen and deepen discussions posed by the exhibition by bringing together a variety of voices from academic and activist backgrounds, factual and intimate narratives and interviews, image documentation, and additional documents. Equally, these complex and varied narratives help to unfold a multiplicity of different knowledges and testimonies on this obscured and intricate conflict. Copublished with Thyssen Bornemisza Art Contemporary and Yorkshire Sculpture Park on the occasion of the eponymous Vienna exhibition, November 23, 2013–March 23, 2014. Contributors Sudha Bharadwaj, Vrinda Grover, Monika Halkort, Amar Kanwar, Hans Ulrich Obrist, Sudhir Pattnaik, Usha Ramanathan, James C. Scott, Shiv Visvanathan

The Sovereign Forest

Amar Kanwar

A massive anthology of texts, visual material, and research on TBA21's commissions and the foundation's vast collection of over 700 artworks. "What survives after the artwork?" asks curator and researcher Natasha Ginwala in one of the essays in Thyssen-Bornemisza Art Contemporary: The Commissions Book, a new and comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21), founded by Francesca Thyssen-Bornemisza in Vienna, Austria, in 2002. "The artwork is not just the thing in itself, but also the metaphysical infrastructure and unfinished relationships that produce it," Ginwala writes. In that sense, this anthology of texts, visual material, and research on TBA21's commissions and the foundation's vast collection of over 700 artworks serves as vivid testimony to the processes and relationships that enabled them. In over 1,300 pages The Commissions Book engages with more than 100 works of art, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images. The stories embedded in these works, as well as in TBA21 and TBA21-Academy's practice--an itinerant site of transdisciplinary research and cultural production engaging with the oceans--is a story of making new connections, or rather creating interconnections. Bringing together visual and written material from TBA21's commissioning practice and vast history of exhibitions and live events, The Commissions Book also goes beyond the foundation's archives to present new works and commissions by Cecilia Bengolea, Claudia Comte, SUPERFLEX, and Territorial Agency, amongst many others. New essays by Natasha Ginwala's and such transdisciplinary feminist thinkers as Astrida Neimanis and Eva Hayward transcend individual artistic positions and ask questions that lie at the core of TBA21's program.

The Commissions Book

Thyssen-Bornemisza Art Contemporary

In Jorge Otero-Pailos' installations, the act of preservation is freed from its historic investment in stabilizing architecture. In The Ethics of Dust, he employs the cutting edge of conservation science to probe cultural, political, ethical and aesthetic definitions of architecture as it intersects with science and psychoanalysis.

Daniela Zyman

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