Darryl Jones

The modern horror story grew and developed across the nineteenth century, embracing categories as diverse as ghost stories, the supernatural and psychological horror, medical and scientific horror, colonial horror, and tales of the uncanny and precognition. This anthology brings together twenty-nine of the greatest horror stories of the period, from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century -- Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, and Zola -- as well as established genre classics from M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman, and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible, stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified

Classic Tales from Hoffmann to Hodgson

Horror Stories

Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seemsalmost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that.As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the keytropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded withsuspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romanticvampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

The Unsettling Story of Horror

Sleeping with the Lights On

Very Short Introductions: Brilliant, Sharp, Inspiring Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies? Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. First published in hardback as Sleeping with the Lights on.

Horror: A Very Short Introduction

Fear is one of the most primal emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? Delving into the darkest corners of horror literature, films, and plays, Darryl Jones explores its monsters and its psychological chills, discussing why horror stories disturb us, and how they reflect society's taboos.

Horror: a Very Short Introduction

Horror is an established tradition in literature, contemporary fiction and film. From books such as Frankenstein and Dracula to films such as Seven and The Blair Witch Project, the genre has held an irresistible appeal for audiences. Is the horror genre inherently anti-establishment and an argument for social revolution? Is it a liberating expose of human nature and a peek at the dark side of the unconscious? Or is it pure evil, solely designed to corrupt and deprave? Starting from such questions about the nature of horror, this book offers an accessible history of the genre. Using examples from key Gothic texts of the Romantic period, as well as more recent popular novels and films, this book examines its subject thematically. It includes chapters on horror, religion and identity; "mad science," vampires and the undead; madness and psycho-killers; forbidden knowledge and books; narratives of invasion and pestilence; Satanism and demonic possession; ghosts and the ghost-story; and body-horror and metamorphoses.

A Thematic History in Fiction and Film

Horror

Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies? Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

Sleeping With the Lights On

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen's work and an idea of the current state of critical debate.

Jane Austen

Starting with questions about the nature of horror, this book offers a history of the genre. Using exmples from key Gothic texts or the Romantic period and more recent popular novels and films, it includes chapters on 'Mad science'; vampires and the undead; and madness and psycho-killers.

The modern horror story grew and developed across the nineteenth century, embracing categories as diverse as ghost stories, the supernatural and psychological horror, medical and scientific horror, colonial horror, and tales of the uncanny and precognition. This anthology brings together twenty-nine of the greatest horror stories of the period, from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century — Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, and Zola — as well as established genre classics from M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman, and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible, stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified!

A Clouded Leopard in the Middle of the Road is an eye-opening introduction to the ecological impacts of roads. Drawing on over ten years of active engagement in the field of road ecology, Darryl Jones sheds light on the challenges roads pose to wildlife—and the solutions taken to address them. One of the most ubiquitous indicators of human activity, roads typically promise development and prosperity. Yet they carry with them the threat of disruption to both human and animal lives. Jones surveys the myriad, innovative ways stakeholders across the world have sought to reduce animal-vehicle collisions and minimize road-crossing risks for wildlife, including efforts undertaken at the famed fauna overpasses of Banff National Park, the Singapore Eco-Link, "tunnels of love" in the Australian Alps, and others. Along the way, he acquaints readers with concepts and research in road ecology, describing the field's origins and future directions. Engaging and accessible, A Clouded Leopard in the Middle of the Road brings to the foreground an often-overlooked facet of humanity's footprint on earth.

New Thinking about Roads, People, and Wildlife

A Clouded Leopard in the Middle of the Road

Bernice M. Murphy

Elizabeth McCarthy

An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.

Popular Culture, Popular Anxieties

It Came From the 1950s!

Donald E. Pitzer

In words and images, this book surveys the history and contemporary everyday life in New Harmony, Indiana.

New Harmony Then and Now

Jane Austen remains one of the most popular and widely-read of all great English novelists, attracting and apparently uniting an enormously disparate band of readers, from academics to internet fans to traditional 'Janeites'. This book offers a comprehensive one-volume study of Austen that is both a sophisticated critical introduction and a valuable contribution to the study of her work. Combining rigorous historical scholarship with a keen sense of contemporary critical theory, Darryl Jones produces a series of lively and detailed textual, contextual and ideological interpretations of the complete works of Austen - a novelist whose very familiarity can sometimes blind readers to the fact that her works are often far more complex than they seem. Jones insists on the topicality and political relevance of Jane Austen's writings, both to her own times, and, crucially, to our own, and examines how the author engaged with issues of sexuality, class, and nationalism: issues with which we continue to wrestle today. Providing detailed readings of each one of Austen's six published novels (Northanger Abbey, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion), as well as studies of her early, unfinished or fragmentary work, this is an essential volume for anyone studying the work of one of the most important and enduring writers of the nineteenth century.

Ramona Jones

It was truly a labor of love sharing some of our experiences being married for 35 years with you. In those years we found out that marriage is a groove that always changes. In a marriage groove we have to keep up with the tempo of our own marital beat. One missed beat and everything becomes disheveled. As a couple we must pray together daily against evil forces that may try to destroy our union. Marriage is a gift from God, but we sometimes enter marriage with the misconception that romance or sexual attraction is enough to keep our marriage solid. In marriage there will be many obstacles we will have to navigate those obstacles will either strengthen us or tare us apart.We don't claim to have all the answers but it is our desire to share with you some tools that have been effective in our marriage and has allowed us to communicate and remain in love in spite of the challenges that life sends our way. It is our prayer to see strong marriages thrive and grow. Let the groove begin......

An Old School Groove

Let's Stay 2Gether

Wherever people live in Australia, magpies tend to be found there, too. These very familiar birds are one of our most loved and admired wild birds. Yet, during the breeding season, many magpies become extremely aggressive toward people, sometimes causing serious injury or distress, especially to children. The fact that this is a very common, well loved yet sometimes dangerous neighbor makes solving the magpie-human conflict very complicated. This book provides, for the first time, a comprehensive guide to everything that is known about this bird, why it attacks, and what we can do about it.

Learning to Live with a Wild Neighbour

Magpie Alert

Jane Austen remains one of the most popular and widely-read of all great English novelists, attracting and apparently uniting an enormously disparate band of readers, from MA26s to internet fans to traditional 'Janeites'. This book offers a comprehensive one-volume study of Austen that is both a sophisticated critical introduction and a valuable contribution to the study of her work. Combining rigorous historical scholarship with a keen sense of contemporary critical theory, Darryl Jones produces a series of lively and detailed textual, contextual and ideological interpretations of the complete works of Austen - a novelist whose very familiarity can sometimes blind readers to the fact that her works are often far more complex than they seem. Jones insists on the topicality and political relevance of Jane Austen's writings, both to her own times, and, crucially, to our own, and examines how the author engaged with issues of sexuality, class, and nationalism: issues with which we continue to wrestle today. Providing detailed readings of each one of Austen's six published novels (Northanger Abbey, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion), as well as studies of her early, unfinished or fragmentary work, this is an essential volume for anyone studying the work of one of the most important and enduring writers of the nineteenth century.

Feeding the Birds at Your Table is designed to provide detailed, comprehensive advice and suggestions for people wishing to feed wild birds in Australia from their own backyards and balconies. Millions of Australians feed wild birds in their gardens. Yet there is currently little information or advice on offer to tell them how to do this properly. This book provides the first readily available source of reliable information relevant to Australia. What’s more, it is written by an expert who feeds birds himself. Including profiles on different types of Australian urban birds, what to feed them and the types of feeders to use, it also has advice on how to create a bird-friendly garden. Feeding the Birds at Your Table offers sensible and practical suggestions so feeding doesn’t only benefit us, but benefits the birds themselves. ‘At last, a sensible, science-based guide to safely feeding wild birds in Australia.’ — Paul Sullivan, CEO, BirdLife Australia

Darryl Jones

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