David Antin

“We got to talking”—so David Antin begins the introduction to Radical Coherency, embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

Selected Essays on Art and Literature, 1966 to 2005

Radical Coherency

Dodie Bellamy

Lisa Jarnot

Nancy Princenthal

Alice Notley

Anne Waldman

C. S. Giscombe

Bernadette Mayer

Kerry E. Sherin

Janet Zweig

Ron Silliman

Memoir/anti-memoir

In this book editor Stephen Fredman provides critical introductions to a selection of talk poems from Antin's now out-of-print collections in conjunction with a new interview with the author.

Selected Talk Poems of David Antin

How Long is the Present

Poet, performance artist, and critic David Antin invented the “talk poem.” He insists that his poems be oral and created in front of a live audience, in a specific time and place, with the transcription of the performance adjusted for print by presenting it not in prose but in clumps of words without justified margins or punctuation, peppered with white spaces that indicate pauses. In this book, editor Stephen Fredman provides a critical introduction to a selection of talk poems from three out-of-print collections, accompanied by a new interview with the author. As Fredman points out, Antin’s work is a form of conceptual writing that has influenced generations of experimental poets and prose writers. His profound and humorous talk poems are essential for classroom and scholarly discussions of the arts in modernism and postmodernism—offering as well an invitation to strengthen the ties between the sciences and the humanities.

How Long Is the Present

what it means to be avant-garde is David Antin's third collection of "talk poems" published by New Directions. As in his earlier talking at the boundaries (1976), and tuning (winner of the 1984 PEN/Los Angeles Literary Award for Poetry), Antin's brilliant improvised disquisitions at once challenge readers' expectations even as they instruct and entertain. A poet, performance artist, art critic, and professor of visual arts, Antin, since his college days in New York in the '50s, has been at the cutting edge of the avant-garde. The avant-garde? Yes, if by this is meant not an image of fashion but the place where art and life intersect, imparting to both a greater urgency - if is meant the place where experience and knowledge find their deepest expression, where the idea of a universal language can find shape, where the price of art is itself, where the fringe is the very center of existence.

What it Means to be Avant-garde

Talking at the Boundaries

Jerome Rothenburg

Some/thing

La obra rupturista, anómala y profundamente renovadora del poeta y crítico norteamericano David Antin (1932-2016), apenas ha circulado en nuestra lengua. Su propuesta (poemas hablados) amalgama poesía y performance, componiendo un reguero de esquirlas orales, agudas, siempre pensantes y fraguadas cadenciosamente de pie, en acto, desafiando todo ordenamiento literario. Como nos advierte el poeta Andrés Anwandter –autor de esta pionera y significativa muestra bilingüe de la obra de Antin– estos poemas-charla nunca nos dejan indiferentes, nos confrontan, nos escandalizan y, a veces, con una sonrisa esbozada en el rostro, destrozan en la práctica algunas de nuestras más arraigadas creencias.

qué estoy haciendo aquí? y otros poemas hablados

In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time--how it's felt, remembered, and recounted. These free-form talk pieces--sometimes called talk poems or simply talks--began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960s onward.

I Never Knew what Time it was

Pamela M. Lee

Jill Dawsey

Benjamin Young

Judith Rodenbeck

The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today. Contributors include David Antin, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young. Published in association with the Museum of Contemporary Art San Diego. Exhibition dates: Museum of Contemporary Art San Diego: September 24, 2016ÐJanuary 2, 2017

Art, Politics, and the Reinvention of a Medium

The Uses of Photography

"The poems in this volume are unforgettable. Richly funny, elegiac, philosophical, contentious, filled with astonishing stories and bizarre characters—some of the finest writing by today's most compelling poet."—Gerald Bruns, author of The Material of Poetry: Sketches for a Philosophical Poetics "These talk poems bring the reader face to face with a great mind. I could hardly bring myself to put the book down."—Hannah Higgins, author of Fluxus Experience "Just keep talking, like they say, and with luck and genius maybe you'll get to be like extraordinary David Antin. Not only was he there, wherever—which is a very large place indeed—but he can tell you just what happened. I must believe it's all in knowing how to listen."—Robert Creeley, author of If I Were Writing This "For thirty years now, David Antin has been producing fascinating meditations that he calls ‘talk poems.’ Beginning in actual talk, they take their textual form from strenuous thinking about a given set of puzzles or problems, tackling "ideas" via narrative networks, as poignant and profound as they are hilarious. The situations are always taken from everyday life, but the mode is one of intense defamiliarization. In these, the most recent of his ruminations on time, space and human fallibility, Antin shows himself, once again, to be our truest philosopher-poet."—Marjorie Perloff, author of Wittgenstein’s Ladder "David Antin has been one of our savviest cultural critics for over four decades. In i never knew what time it was Antin takes us on a voyage through his mind. Get on board for a lively and insightful trip."—Irving Sandler, art critic, historian, and author of A Sweeper-Up After Artists: A Memoir

David Antin

Books

Your next favorite book is out there