Richmond Lattimore

David Grene

Selections from the Complete Greek tragedies, published in 9 v. in 1960 by the University of Chicago Press.

Greek Tragedies

Richmond Alexander Lattimore

three tragedies

Euripides V

Mark Griffith

Greek Tragedies, Volume I contains Aeschylus’s “Agamemnon,” translated by Richmond Lattimore; Aeschylus’s “Prometheus Bound,” translated by David Grene; Sophocles’s “Oedipus the King,” translated by David Grene; Sophocles’s “Antigone,” translated by Elizabeth Wyckoff; and Euripides’s “Hippolytus,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Aeschylus: Agamemnon, Prometheus Bound; Sophocles: Oedipus the King, Antigone; Euripides: Hippolytus

Greek Tragedies 1

The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press.--Amazon.com.

The Suppliant Maidens and the Persians, Seven Against Thebes and Prometheus Bound

Aeschylus II

V. 1. Aeschylus I: Agamemnon. The libation bearers. The Eumenides. Prometheus bound. --v. 3. Sophocles I: Oedipus the King. Oedipus at Colonus. Antigone. --v. 4. Sophocles II: Ajax. The women of Trachis. Electra. Philoctetes.--v. 5. Euripides I: Alcestis. The Medea. The Heracleidae. Hippolytus. The cyclops. Heracles. Iphigenia in Tauris.--v. 6. Euripides II: Helen. Hecuba. Andromache. The Trojan women. Ion. Rhesus. The suppliant women.--v. 7. Euripides III: Orestes. Iphigenia in Aulis. Electra. The Phonecian women. The Bacchae.

The Complete Greek Tragedies

The Complete Greek Tragedies: Sophocles

Glenn W. Most

Outstanding translations of five plays, now updated with informative new content for students, teachers, and lovers of the classics. Greek Tragedies, Volume I contains: Aeschylus’s “Agamemnon,” translated by Richmond Lattimore Aeschylus’s “Prometheus Bound,” translated by David Grene Sophocles’s “Oedipus the King,” translated by David Grene Sophocles’s “Antigone,” translated by Elizabeth Wyckoff Euripides’s “Hippolytus,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy they the for which our English versions are famous. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. Each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a collection destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Greek Tragedies I

Stephanie Nelson

In this pathbreaking book, which includes a powerful new translation of Hesiod's Works and Days by esteemed translator David Grene, Stephanie Nelson argues that a society's vision of farming contains deep indications about its view of the human place within nature, and our relationship to the divine. She contends that both Hesiod in the Works and Days and Vergil in the Georgics saw farming in this way, and so wrote their poems not only about farming itself, but also about its deeper ethical and religious implications. Hesiod, Nelson argues, saw farming as revealing that man must live by the sweat of his brow, and that good, for human beings, must always be accompanied by hardship. Within this vision justice, competition, cooperation, and the need for labor take their place alongside the uncertainties of the seasons and even of particular lucky and unlucky days to form a meaningful whole within which human life is an integral part. Vergil, Nelson argues, deliberately modeled his poem upon the Works and Days, and did so in order to reveal that his is a very different vision. Hesiod saw the hardship in farming; Vergil sees its violence as well. Farming is for him both our life within nature, and also our battle against her. Against the background of Hesiods poem, which found a single meaning for human life, Vergil thus creates a split vision and suggests that human beings may be radically alienated from both nature and the divine. Nelson argues that both the Georgics and the Works and Days have been misread because scholars have not seen the importance of the connection between the two poems, and because they have not seen that farming is the true concern of both, farming in its deepest and most profoundly unsettling sense.

The Metaphysics of Farming in Hesiod and Vergil

God and the Land

Vol. 4, Euripides

Euripides

The Complete Greek Tragedies.

The Complete Greek Tragedies: Euripides

The Complete Greek Tragedies: General introduction

The Complete Greek Tragedies: Aeschylus II. The suppliant maidens

The Complete Greek Tragedies: Aeschylus I. Introduction to the Oresteia

The Complete Greek Tragedies: Sophocles I. General introduction to "The Theban plays"

A Study in the Political Philosophy of Thucydides and Plato

Man in His Pride

Stephanie A. Nelson

"The Works and Days" of Hesiod and Virgil's "Georgics" are fundamental texts in the Greek canon. Here Nelson brings them together with a metaphysical eye, showing how the two writers each viewed the farming lifestyle as a system of belief unto itself. A translation of Hesiod is included.

David Grene

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