David L. Hoover

Language and Style in The Inheritors; links the linguistic characteristics of the language of William Golding's underappreciated second novel with larger stylistic and thematic issues to achieve a satisfying and persuasive interpretation while also demonstrating the usefulness and effectiveness(and some of the limitations) of linguistic and computer-assisted approaches, without being overwhelmingly theoretical or technical. This analysis uses comparative data from a corpus of more than thirty British and American novels to compare and contrast with the contents of The Inheritors. It begins with a discussion of point of view, style, and interpretation and moves into an examination of The Inheritors in regard to other works that focus on it. The author then provides a discussion of Golding's manipulation of transitivity to produce the animistic character of the novel, and a statistical analysis of its readability, sentence complexity, and vocabulary complexity, followed by an analysis of diction. He concludes with an integration of the linguistic discoveries with important thematic issues, and a consideration of altered versions of The Inheritors.

Language and Style in The Inheritors

Sharon Lattig

Stylistics: Prospect & Retrospect looks backward toward classic and foundational approaches and texts that helped to establish the field of stylistics. It also looks forward by examining recent innovations that seem likely to alter the ways in which style is studied in the years to come. The essays presented here, written by an array of experts from nine countries on four continents, employ a wide range of approaches to works that range from romantic poetry to contemporary fiction and from traditional folktales and nursery rhymes to contemporary film. The variety of authors, approaches, and works found here testifies to the vitality of the field of stylistics, and these essays should appeal to all those interested in the nature of style and in the history and future of stylistics.ContentsAcknowledgements Notes on ContributorsDavid L. HOOVER: PrefaceDavid L. HOOVER & Sharon LATTIG: IntroductionPart I: Foregrounding, Estrangement, and PatternWillie VAN PEER, Sonia ZYNGIER & Jemeljan HAKEMULDER: Foregrounding: Past, Present, FutureAnne BIRIEN: Modernist Poetics of Estrangement: Ezra Pound's Answer to Stephane MallarmeRobin J. SOWARDS: Local Interpretation and the Syntax of Keats's `To Autumn?Part II: Formal Analysis and the Analysis of FormHenrik SCHARFE: Story Elements as SetsYuchau E. HSIAO: The Metrical Structure of Taiwanese Nursery Rhymes: A Corpus StudyUlf CRONQUIST: Embodiment and the Irreducible Sign: Towards a Theoretical Anthropo-Semiotic Grounding for Literary Textual AnalysisPart III: Speech and Thought PresentationVioleta SOTIROVA: Historical Transformations of Free Indirect StyleJohn DOUTHWAITE: Using Speech and Thought Presentation to Validate Hypotheses Regarding the Nature of the Crime Novels of Andrea CamilleriMick SHORT: How to Make a Drama out of a Speech Act: The Speech Act of Apology in the Film A Fish Called WandaBibliographyIndex

Prospect & Retrospect

Stylistics

Jonathan Culpeper

Kieran O'Halloran

Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O’Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways.

David L. Hoover

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