David Lindley

An in-depth analysis of the uncertainty principle, first introduced by German physicist Werner Heisenberg in 1927, discusses the birth, evolution, and impact of this important idea, as well as the clash in personalities and ideas that it provoked between Einstein's theories and the new generations of physicists who espoused quantum theory. 35,000 first printing.

Einstein, Heisenberg, Bohr, and the Struggle for the Soul of Science

Uncertainty

مبدأ الريبة 

Vom Mythos der Großen Vereinheitlichten Theorie

Das Ende der Physik

A concise introduction to the art of the haiku, taking the beginner through the process of capturing the fleeting moment. This practical guide gives examples of haiku newly translated from the Japanese, as well as original haiku in English.

HT WRITE A HAIKU

A portrait of the Austrian physicist goes back to the turn of the century, when the existence of the atom was still largely theoretical and two men, Ludwig Boltzmann and Ernst Mach, competed for accolades amid a growing field of scientists.

The Great Debate that Launched a Revolution in Physics

Boltzmann's Atom

The gripping, entertaining, and vividly-told narrative of a radical discovery that sent shockwaves through the scientific community and forever changed the way we understand the world. Werner Heisenberg’s “uncertainty principle” challenged centuries of scientific understanding, placed him in direct opposition to Albert Einstein, and put Niels Bohr in the middle of one of the most heated debates in scientific history. Heisenberg’s theorem stated that there were physical limits to what we could know about sub-atomic particles; this “uncertainty” would have shocking implications. In a riveting and lively account, David Lindley captures this critical episode and explains one of the most important scientific discoveries in history, which has since transcended the boundaries of science and influenced everything from literary theory to television.

The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century. This selection of 18 masques traces the evolution of the genre from Jonson's early masques for King James I to Davenant's 1640 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque. Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on topical political issues. In this, the most substantial available selection, readers are offered the annotation necessary to gain an understanding of the complexities of the individual texts. Under the General Editorship of Michael Cordner of the University ofYork, the texts have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students of Renaissance drama and court culture.

Jacobean and Caroline Entertainments, 1605-1640

Court Masques

This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.

Shakespeare And Music

Rob DeSalle

Guide to the science used in Steven Spielberg's films Jurassic Park and The Lost World. Could modern scientists recreate dinosaurs from 85 million-year-old DNA?

The Science of Jurassic Park and the Lost World, Or, How to Build a Dinosaur

Few revolutions in science have been more far-reaching--but less understood--than the quantum revolution in physics. Everyday experience cannot prepare us for the sub-atomic world, where quantum effects become all-important. Here, particles can look like waves, and vice versa; electrons seem to lose their identity and instead take on a shifting, unpredictable appearance that depends on how they are being observed; and a single photon may sometimes behave as if it could be in two places at once. In the world of quantum mechanics, uncertainty and ambiguity become not just unavoidable, but essential ingredients of science--a development so disturbing that to Einstein "it was as if God were playing dice with the universe." And there is no one better able to explain the quantum revolution as it approaches the century mark than David Lindley. He brings the quantum revolution full circle, showing how the familiar and trustworthy reality of the world around us is actually a consequence of the ineffable uncertainty of the subatomic quantum world--the world we can't see.

Why Quantum Mechanics Is Strange, But Not As Strange As You Think

Where Does The Weirdness Go?

The First Quarto of The Merry Wives of Windsor is the most fascinatingly problematic of all the early Shakespearean texts. Was it an authorial first draft? Or a cut-down version of the better-known Folio text designed for acting? Or a text put together from faulty actors' memories? Or a reported text assembled by notetakers from attendance at the theatre? None of these theories, though advanced and interrogated for the last 250 years, is totally convincing. The Introduction to this edition explores the various attempts to make sense of the short version of the play, demonstrating the ways in which preferences for one theory or another reflect the changes in editorial theory and fashion over the centuries. The modernised text and its commentary enable the reader to enter into this ongoing and endlessly intriguing debate.

The First Quarto of ‘The Merry Wives of Windsor'

"Death proves them all but toyes": Nashe's unidealising show / Elizabeth Cook -- "In those figures which they seeme": Samuel Daniel's Tethys' festival / John Pitcher -- Music, masque and meaning in The tempest / David Lindley -- Sounding to present occasions: Jonson's masques of 1620-5 / Sara Pearl -- To that secure fix'd state': the function of the Caroline masque form / Jennifer Chibnall -- The reformation of the masque / David Norbrook -- The present aid of this occasion': the setting of Comus / John Creaser -- Location and meaning in masque, morality, and royal entertainment / Helen Cooper -- The French element in Inigo Jones's masque designs* / John Peacock -- Dryden's Albion and Albanius: the apotheosis of Charles II / Paul Hammond.

The Court Masque

Bill Barclay

This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.

Shakespeare, Music and Performance

A modernised edition of one of the most controversial early texts of a Shakespeare play. With a full introduction discussing the various theories of its origins.

The Tempest is a strange and elusive play; which critics have interpreted in very different ways: as a drama of forgiveness and reconciliation, as an exploration of the limits of theatrical art, or as a play complicit with colonial exploitation. Prospero's island is a fearful yet enchanting place; a place suffused with music, and its storm, disappearing banquet and elaborate betrothal masque demand imaginative stagecraft. Stratford productions have steered their way through the play's complex, even contradictory potential, in fascinatingly varied fashion, and Daivd Lindley explores that variety both as evidence of the evolution of theatrical styles, and as a response to the changing critical fortunes of the play.

Shakespeare at Stratford Series

Tempest

William Shakespeare

The Tempest South Asian Edition

Describes the author's success in isolating some of the oldest DNA ever discovered, cites humorous bloopers from "Jurassic Park," and details the ongoing search for the perfect egg

The Science of Jurassic Park and the Lost World

David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.

Fact and Fiction at the Court of King James

The Trials of Frances Howard

A vivid and captivating narrative about how modern science broke free of ancient philosophy, and how theoretical physics is returning to its unscientific roots In the early seventeenth century Galileo broke free from the hold of ancient Platonic and Aristotelian philosophy. He drastically changed the framework through which we view the natural world when he asserted that we should base our theory of reality on what we can observe rather than pure thought. In the process, he invented what we would come to call science. This set the stage for all the breakthroughs that followed--from Kepler to Newton to Einstein. But in the early twentieth century when quantum physics, with its deeply complex mathematics, entered into the picture, something began to change. Many physicists began looking to the equations first and physical reality second. As we investigate realms further and further from what we can see and what we can test, we must look to elegant, aesthetically pleasing equations to develop our conception of what reality is. As a result, much of theoretical physics today is something more akin to the philosophy of Plato than the science to which the physicists are heirs. In The Dream Universe, Lindley asks what is science when it becomes completely untethered from measurable phenomena?

David Lindley

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