David S. Nash

Originally published in 1999, this book deals with the cultural and legal debates which have counterposed the right to free speech and the need to protect Christian sensibilities in Britain from the time of the French Revolution to the present day. Central to the book is a close study of the content and public reception of the anti-Christian literature of the 19th century associated with the names G.W.Foote and J.W. Gott, the Freethinker and The Truthseeker. David Nash here also examines a variety of critical-theoretical approaches to blasphemy and blasphemous writing, including postmodernism and the work of Foucault and Said. The book concludes with a detailed examination of 20th-century blasphemy cases, up to and including the Gay News case, The Last Temptation of Christ and Visions of Ecstasy.

1789 to the Present

Blasphemy in Modern Britain

Anne-Marie Kilday

This book argues that traditional images and practices associated with shame did not recede with the coming of modern Britain. Following the authors’ acclaimed and successful nineteenth century book, Cultures of Shame, this new monograph moves forward to look at shame in the modern era. As such, it investigates how social and cultural expectations in both war and peace, changing attitudes to sexual identities and sexual behaviour, new innovations in media and changing representations of reputation, all became sites for shame’s reconstruction, making it thoroughly modern and in tune with twentieth century Britain’s expectations. Using a suite of detailed micro-histories, the book examines a wide expanse of twentieth century sites of shame including conceptions of cowardice/conscientious objection during the First World War, fraud and clerical scandal in the interwar years, the shame associated with both abortion and sexual behaviour redefined in different ways as ‘deviant’, shoplifting in the 1980s and lastly, how homosexuality shifted from ‘Coming Out’ to embracing ‘Pride’, finally rediscovering the positivity of shame with the birth of the ‘Queer’.

David S. Nash

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