David Seed

David Seed examines how science fiction has emerged as a popular genre of literature in the 20th century, and discusses it in relation to themes such as science and technology, space, aliens, utopias, and gender. Looking at some of the most influential writers of the genre he also considers the wider social and political issues it raises.

Science Fiction: A Very Short Introduction

Several of the writers discussed (Mary Shelley, Poe, Verne, Wells) have been proposed by literary historians as the founders of science fiction. The aim in these essays, however, is not to privilege one individual, but rather to look at the gradual convergence of a number of different genres and at the process of continuing influence of one writer on his/her successor.

Essays on Early Science Fiction and its Precursors

Anticipations

The Fictional Labyrinths of Thomas Pynchon

American Science Fiction - in both literature and film - has played a key role in the portrayal of the fears inherent in the Cold War. The end of this era heralds the need for a reassessment of the literary output of the forty-year period since 1945. Working through a series of important texts, David Seed investigates the political inflexions put on American narratives in the post-war decades by Cold War cultural circumstances. Nuclear holocaust, Russian invasion, and the perceived rise of totalitarianism in American society are key elements in the author'sexploration of science fiction narratives which include Fahrenheit 451, Invasion of the Body Snatchers and Dr Strangelove. Written in a lively and engaging style, the author's approach draws on the significant body of Nuclear Criticism and the historicism of Hayden White and others in order to bring out the ideological tensions and urgencies in this fiction. Relating the theory to a range of popular novels, stories and films makes this book accessible to students, academics and general readers alike.

Literature and Film

American Science Fiction and the Cold War

Stephen Christopher Kenny

Stephen C. Kenny

Chris Williams (Research and knowledge exchange impact officer)

The contemporary perspectives - fiction, first-hand accounts, reportage and photographs - found in the pages of this collection give a unique insight into the experiences and suffering of those affected by the American Civil War. The essays and recollections detail some of the earliest attempts by medical professionals to understand and help the wounded, and look at how writers and poets were influenced by their own involvement as nurses, combatants and observers. So alongside the medical observations of figures such as Silas Weir Mitchell and William Keen, you'll find memoirs of writers including Louisa May Alcott, Ambrose Bierce and Walt Whitman. By presenting the wide range of frequently traumatic experiences by writers, medical staff, and of course the often ignored common foot soldiers on both sides, this volume will complement the older emphasis on military history and will appeal to readers of the evolution of medicine, of the literature the time, of social anthropology, and of the whole complex issue of how the war was represented and debated from many different perspectives. While a century and a half of developments in medicine, social care and science mean that the level of support and technology available to amputees is now incomparable to that in the mid-nineteenth century, the insights into the lives and thoughts of those devastated by psychological traumas, complex emotions and difficulties in adjusting to life after limb loss remain just as relevant today. Phenomena explored in the book, such as 'Phantom Limb Syndrome', continue to be the subject of medical and academic research in the twenty-first century.

Perspectives on the American Civil War

Life and Limb

Andy Sawyer

This wide-ranging volume explores the various dialogues that flourish between different aspects of science fiction: academics and fans, writers and readers; ideological stances and national styles; different interpretations of the genre; and how language and 'voices' are used in constructing SF. Introduced by the acclaimed novelist Brian W. Aldiss, the essays range from studies of writers such as Robert A. Heinlein, who are considered as the 'heart' of the genre, to more contemporary writers such as Jack Womack and J. G. Ballard.

Dialogues and Interpretations

Speaking Science Fiction

This timely book investigates fiction that speculates about wars likely to break out in the near or distant future. Ranging widely across periods and conflicts real and imagined, Future Wars explores the interplay between politics, literature, science fiction, and war in a range of classic texts. Individual essays look at Reagan's infamous “Star Wars” project, nuclear fiction, Martian invasion, and the Pax Americana. The use of future war scenarios in military planning dates back to the nineteenth century, and Future Wars concludes with a US Army officer's assessment of the continuing usefulness of future wars fiction.

The Anticipations and the Fears

Future Wars

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Fiction of Joseph Heller: Against the Grain

Professor of English David Seed

An examination of the literary and cinematic representations of brainwashing during the Cold War era. CIA operative who was a tireless campaigner against communism. it took hold quickly and became a means to articulate fears of totalitarian tendencies in American life. David Seed traces the assimilation of the notion of brainwashing into science fiction, political commentary, and conspiracy narratives of the Cold War era. He demonstrates how these works grew out of a context of political and socail events and how they express the anxieties of the time. The Manchurian Candidate. Seed provides new interpretations of writers such as Orwell and Burroughs within the history of psychological manipulation for political purposes, using declassified and other documents to contextualise the material. he explores the shifting view points of how brainwashing is represented, changing from an external threat to American values to an internal threat against individual American liberties by the U.S. government. will welcome this study.

The Fictions of Mind Control : a Study of Novels and Films Since World War II

Brainwashing

Through a wide-ranging series of essays and relevant readings, A Companion to Twentieth-Century United States Fiction presents an overview of American fiction published since the conclusion of the First World War. Features a wide-ranging series of essays by American, British, and European specialists in a variety of literary fields Written in an approachable and accessible style Covers both classic literary figures and contemporary novelists Provides extensive suggestions for further reading at the end of each essay

A Companion to Twentieth-Century United States Fiction

As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors. David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews. Mining Bradbury's classics and hard-to-find archival, literary, and cultural materials, Seed analyzes how the author's views on technology, authoritarianism, and censorship affected his art; how his Midwest of dream and dread brought his work to life; and the ways film and television influenced his creative process and visually-oriented prose style. The result is a passionate statement on Bradbury's status as an essential literary writer deserving of a place in the cultural history of his time.

Ray Bradbury

This new study of "A Portrait of the Artist ..." uses Bakhtin's theory of dialogics to explore the ways in which Joyce dramatizes the growth of Stephen Dedalus through his interactions with the "voices" of his culture. A number of overlapping sections consider the different phases to this growth starting with Stephen's attempts to locate himself in relation to the voices of his fellow pupils and his masters. Bakhtin's notion of "heteroglossia", which asserts the multivocal nature of novelistic texts, is used to look at questions of the Church's authority, of gender and of culture in the novel. Attention is also given to the novel's concern with the linguistic ferment in Ireland in 1890 and to Stephen's attempts at poetic composition. Stephen's growing interest in the theatre is explored, and his efforts to control his dialogues with fellow students are analyzed. The study concludes with an examination of Stephen's diary as an internalized dialogue with himself. -- Back cover.

James Joyce's A Portrait of the Artist as a Young Man

This study examines the US fiction and related films which makes a series of interventions in the cultural debate over the threat of nuclear terrorism. It traces the beginnings of this anxiety from the 1970s, which increased during the 1990s after the collapse of the Soviet Union. The traumatic events of 9/11 became a major reference point for this fiction, which expressed the fear that of a second and worse 9/11. The study examines narratives of conspiracies which are detected and forestalled, and of others which lead to the worst of all outcomes – nuclear detonations, sometimes delivered by suitcase nukes. In some of these narratives the very fate of the nation hangs in the balance in the face of nuclear apocalypse. The discussion considers cases of attacks by electromagnetic pulse (EMP), cyberterrorism and even bioterrorism. Some of the authors examined are present or former politicians, members of the CIA, and former president, Bill Clinton.

Worst-Case Scenarios

US Narratives of Nuclear Terrorism Since 9/11

The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.

David Seed

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