Jean Robertson

Deborah S. Hutton

"A more global, flexible way to teach art history. The history of art: a global view is the first major art history survey textbook — written by a team of expert authors — with a global narrative in mind. A chronological organization and 'Seeing connections' features help readers make cross-cultural comparisons, while brief, modular chapters (with on-page definitions) offer instructors unparalleled flexibility. You can assign more than one chapter per week for a fully global course, or skip and reorder chapters, for a more focused syllabus"--

A Global View : Prehistory to the Present

The History of Art

Rebecca M. Brown

Place plays a fundamental role in the structuring of the discipline of Art History. And yet, place also limits the questions art historians can ask and impairs analysis of objects and locations in the interstices of established, ossified categories. The chapters in this interdisciplinary volume investigate place in all of its dynamism and complexity: several call into question traditional constructions regarding place in Art History, while others explore the fundamental role that place plays in lived experience. The particular nexus for this collection lies at the intersection and overlap of two major subfields in the history of art: South Asia and the Islamic world, both of which are seemingly geographically determined, yet at the same time uncategorizable as place with their ever-shifting and contested borders. The eleven chapters brought together here move from the early modern through to the contemporary, and span particular monuments and locations ranging from Asia and Europe to Africa and the Americas. The chapters take on the question of place as it operates in more obvious settings, such as architectural monuments and exhibitionary contexts, while also probing the way place operates when objects move or when the very place they exist in transforms dramatically. This volume engages place through the movement of objects, the evocation of senses, desires, and memories and the on-going project of articulating the parameters of place and location.

Rethinking Place in South Asian and Islamic Art, 1500-Present

"This companion presents new critical views on crucial aspects of the large and varied field of Asian art and architectural history. The essays collected here provide scholars and the pubic with an opportunity to engage with the field in all its diversity - from coinage to monastic spaces to imperial commissions and beyond. Regions and topics covered include Korea, Japan, China, several regions of Southeast Asia, South Asia, global and colonial interactions, as well as art and architecture in the UK and UK diasporas"--

Deborah S. Hutton

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