Julienne van Loon

David Carlin

Francesca Rendle-Short

Stayci Taylor

Deborah Wardle

Peta Murray

The A to Z of Creative Writing Methods is an alphabetical collection of essays to prompt consideration of method within creative writing research and practice. Almost sixty contributors from a range of writing traditions and across multiple forms and genre are represented in this volume: from poets, essayists, novelists and performance writers, to graphic novelists, illustrators, and those engaged in multi-media writing or writing-related arts activism. Contributors bring to this collection their distinct and diverse literary and cultural contexts, defining, expanding and enacting the methods they describe, and providing new possibilities for creative writing practice. Accessible and provocative, A to Z of Creative Writing Methods lays bare new developments and directions in the field, making it an invaluable resource for the teachers, research students and scholar-practitioners in the field of creative writing studies.

to Z of Creative Writing Methods

This glossary collates and summarizes over fifty recent developments in methods research within the discipline of creative writing, enabling readers to understand the different methodologies available before inviting them to implement them and extend their own practices. Accessible and provocative in encouraging readers to reflect on how they practice and create what they do, each entry uses carefully constructed apparatus to introduce the reader to these exciting new approaches: -A descriptive summary that offers a clear definition of each term -A short essay contextualizing the approach, mapping out the scholarly and literary territory surrounding it, presenting cases studies and suggesting generative ways of knowing, doing, practicing or creating using that method -further reading Providing introductions to key conversations in creative writing methodology, A to Z of Creative Writing Methods also offers a selection and treatment of topics and subject matter, authorship and references, that emphasize and celebrate diversity and intersectionality, as well as the exploring the present-day concerns, preoccupations, limits, and possibilities of different approaches. Not exhaustive but designed to be experimental - offering hypothesis, testing, and generating further inquiry by readers - this book lays bare developments which may otherwise have remained relatively fugitive in the pages of journals, making it an invaluable resource for the field of creative writing studies.

Deborah Wardle

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