Dennis Walder

Ted Hughes

Marcia Blumberg

One of the most striking features of cultural life in South Africa has been the extent to which one area of cultural practice - theatre - has more than any other testified to the present condition of the country, now in transition between its colonial past and a decolonized future. But in what sense and how far does the critical force of theatre in South Africa as a mode of intervention continue? In the immediate post-election moment, theatre seemed to be pursuing an escapist, nostalgic route, relieved of its historical burden of protest and opposition. But, as the contributors to this volume show, new voices have been emerging, and a more complex politics of the theatre, involving feminist and gay initiatives, physical theatre, festival theatre and theatre-for-education, has become apparent. Both new and familiar players in South African theatre studies from around the world here respond to or anticipate the altered conditions of the country, while exploring the notion that theatre continues to 'intervene.' This broad focus enables a wide and stimulating range of approaches: contributors examine strategies of intervention among audiences, theatres, established and fledgling writers, canonical and new texts, traditional and innovative critical perspectives. The book concludes with four recent interviews with influential practitioners about the meaning and future of theatre in South Africa: Athol Fugard, Fatima Dike, Reza de Wet, and Janet Suzman.

South African Theatre As/and Intervention

Sylvia Plath

Abdulrazak Gurnah

Simon Gikandi

Catherine Lynette Innes

Bryan Cheyette

Firdous Azim

English Association

Denise DeCaires Narain

Briar Wood

Essays on the contribution of African, Caribbean, Asian and diaspora writers to 'English' literature.

Reading the 'new' Literatures in a Postcolonial Era

This book offers an original and informed critique of a widespread yet often misunderstood condition — nostalgia, a pervasive human emotion connecting people across national and historical as well as personal boundaries. Often seen as merely escapist, nostalgia also offers solace and self-understanding for those displaced by the larger movements of our time. Walder analyses the writings of some of those entangled in the aftermath of empire, tracing the hidden connections underlying their yearnings for a common identity and a homeland, and their struggles to recover their histories. Through a series of comparative reflections upon the representation in literary and related cultural forms of memory, he shows how admitting the past into the present through nostalgia enables former colonial or diasporic subjects to gain a deeper understanding of the networks of power within which they are caught in the modern world — and beyond which it may yet be possible to move. Considering authors as varied as V.S Naipaul, J.G. Ballard, Doris Lessing, W.G. Sebald, and Chimamanda Ngozi Adichie, as well as versions of ‘Bushman’ song, Walder pursues the often wayward, ambiguous paths of nostalgia as it has been represented beyond, but also within, Europe, so as to identify some of those processes of communal and individual experience that constitute the present and, by implication, the future.

Writing, Representation and Memory

Postcolonial Nostalgias

The Nineteenth-Century Novel: Identities provides an ideal starting point for understanding gender in the novels of this period. It explores the place of fiction in constructing gender identity within society at large, considering Madame Bovary, Portrait of a Lady and The Woman in White. The book continues with a consideration of the novel at the fin de siecle, examining Dracula, The Awakening and Heart of Darkness. These fascinating essays illuminate the ways in which the conventions of realism were disrupted as much by anxieties surrounding colonialism, decadence, degeneration and the 'New Woman' as by those new ideas about human psychology which heralded the advent of psychoanalysis. The concepts which are crucial to the understanding of the literature and society of the nineteenth century are brilliantly explained and discussed in this essential volume.

The Nineteenth-Century Novel: Identities

Identities

The Nineteenth-century Novel

This book guides the student through the fundamentals of this enduring literary form. By using carefully selected novels and discussing a wide range of authors including Emily Dickinson and John Kincaid, the authors provide a lively examination of the particular themes and modes of realist novels of the period. This is the only book currently available to provide such a wide range of primary and secondary material and is the prefect resource for a literature degree.

The Realist Novel

Literature in the Modern World offers a unique combination of English, European, feminist and 'new writing', or 'Commonwealth', perspectives on literary studies from the 1920s to the 1980s. It is designed to enable students to gain an understanding of the main theoretical issues involved inthe study of modern literary texts. The texts upon which the critical essays here focus are - chiefly, but not exclusively, in English. The book includes the view of leading critics and theorists such as Marilyn Butler, Frank Kermode, Helene Cixous, and Edward Said, as well as the originating voices of Wole Soyinka, Toni Morrison, Seamus Heaney, and Virginia Woolf, and focuses on major critical topics including genre,interpretation, history and criticism, gender, race, and the notion of 'Englishness'. This approach derives from a perceived change in what constitutes 'English literature' in a period of British imperial decline and takes account of the rise of a radical, questioning critical and literary practiceat home and abroad. The more abstract and abstruse contemporary critics are eschewed in favour of extracts of sufficient length, force, and clarity to offer relative newcomers the opportunity of engaging with a wide range of current issues. The book covers the Open University course A319.

Dennis Walder

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