Diana Brydon

Series Editors: Bernth Lindfors, University of Texas at Austin; Robert Lecker, McGill University; David OConnell, Georgia State University; David William Foster, Arizona State University; Janet PÃ©rez, Texas Tech University.TWAYNES UNITED STATES AUTHORS, ENGLISH AUTHORS, and WORLD AUTHORS Series present concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volume addresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading the Authors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives.

Timothy Findley

William D. Coleman

Faced with finding a livable response to globalization, many communities are renegotiating their identities and functions and, in some instances, entirely new communities are being formed. Renegotiating Community asks what happens to the autonomy of individuals and communities under the influence of globalization. Original case studies show how a range of communities are renegotiating the meanings of community and autonomy while living with, and sometimes challenging, the processes of globalization. By addressing the coercive and comforting dimensions of community – as well as the need to reconcile conflicting claims to autonomy – this book redraws the conceptual maps through which community, globalization, and autonomy are understood.

Interdisciplinary Perspectives, Global Contexts

Renegotiating Community

First published in 2004. This is Volume V of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part eleven on Globalization, Transculturation and Neo-Colonialism; and part twelve on Postcolonial Theory and The Disciplines.

Critical Concepts Volume V

Postcolonlsm

Stead's novels have gained growing readership and critical attention in recent years. This feminist reading of the life and work of Christina Stead focuses on her characters and themes that question established assumptions about gender and class relations and the aesthetic values they support.

Christina Stead

Marta Dvořák

What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement today. Individual chapters present a range of methodological approaches to understanding national culture and creative labour in global contexts. Through their collective enactment of methodological crosstalk, they demonstrate the productivity of scholarly debate across differences of outlook, culture, and training. In highlighting convergences and disagreements, the book sharpens our understanding of how literary and critical conventions and theories operate within and across cultures.

Canadian and Global Imaginaries in Dialogue

Crosstalk

Peter Forsgren

Gunlög Fur

Brydon, Forsgren, and Fur’s edited collection, Concurrent Imaginaries, Postcolonial Worlds, demonstrates the productivity of reading for concurrences in studying archives, voices, and history in colonial and postcolonial contexts. This multidisciplinary volume situates Nordic colonial practices within transworld contexts.

Toward Revised Histories

Concurrent Imaginaries, Postcolonial Worlds

Irene Rima Makaryk

Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.

Diana Brydon

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