Dieter Riemenschneider

"Range of readings by Indian and international critics over a period of six decades, or from the beginnings of a critical discourse in the 1930s until the present time. The four chapters of the book offer a critical investigation into the reception of the novel genre as such and of the works of its three `founding fathers`, viz., Mulk Raj Anand, R.K. Narayan and Raja Rao. The latter chapters are supplemented by a list of the respective author`s novels, the most comprehensive critical bibliography to date and a list of critics that includes their publications dates. Following the development of both the emergence of the modern Indian novel in English since the mid-1930s and its critical evaluation, Riemenschneider illustrates the, at times controversial reaction to a `new` literary genre, as well as the national and international shifts of the critical literary discourse from the earlier close-reading approach of New Criticism to the more recent employment of postmodern and postcolonial theorems. The Indian Novel in English thus offers the reader insight into the development of a particular regional critical scene, as well as into the general critical concern with what is now referred to as postcolonial literature. No serious student of the Indian novel in English should miss this comprehensive, informative and balanced critical study."

Its Critical Discourse, 1934-2004

The Indian Novel in English

Frank Schulze-Engler

African Literatures in the Eighties

Geoffrey V. Davis

ARATJARA is the first collection of essays on Australian Aboriginal culture published and edited from Germany. A group of internationally renowned scholars and specialists in their fields have contributed original essays on political and cultural aspects of Aboriginal life today. These various essays treat the struggle of Aboriginal peoples for land rights, their music, and their achievements in theatre, in literature and in the creation of Aboriginal literary discourses, as well as Aboriginal film and television productions and the representation of Australia's indigenous peoples in the white media. Among Aboriginal writers who have contributed to ARATJARA are the politician Neville T. Bonner, the dramatist Bob Maza, the story-teller David Mowaljarlai and the poet Lionel Fogarty, who has been called the most authentic Aboriginal voice among writers using English as their medium of creative expression. The volume is dedicated to Oodgeroo (formerly Kath Walker, 1920-1993), one of the foremost Aboriginal political and cultural personalities, and also contains a number of poems by Lionel Fogarty.

Dieter Riemenschneider

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