Eugen Bacon

Dominique Hecq

Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible.

A Collection of Microlit

Speculate

'The Creativity Market' focuses on creative writing both as a subject in universities around the world and beyond academia. It offers a thought-provoking analysis of creativity in the globalised market place and examines the intersection of the university sector and creative industries.

Creative Writing in the 21st Century

The Creativity Market

From what began as a dialog between two adventurous writers curious about the shape-shifter called a prose poem comes a stunning collection that is a disruption of language-a provocation. Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible. One might describe some pieces as complex, relentless, but above all, speculating or crossing borders in the fantastic playground of language. We invite you to leap onto the stage of your own imaginings, plunge into what Henry James called the house of fiction. This is how we envision ours: A single detached house tossed out of Speculate settles across your dreams. Skin, paper-thin, desiccated and scripted like a collage, covers the absence of doors, thresholds, verandas, stairways and footpaths. But there are windows and louvers that look out to rain-licked grasslands. This is a house unsealed, with the sky art and earth art washed or rolled into each other on adjacent floors and walls. The roof, unlettered, is made of two sliding suns of creamed panels, foundation-like. Round the back is a rope ladder that will win you over. Up, up you go. Enter with care as you would any fiction that blurs the boundaries of genre, mode or form, that goes beyond the written and borrows from the unwritten. Together we can interweave art with language and watch it shape itself anew in an endless process of spontaneity and play because we can be here and there and away, all at once. -Dominique Hecq and Eugen Bacon

This book offers an in-depth study on the poetics of creative writing as a subject in the dramatically changing context of practice as research, taking into account the importance of the subjectivity of the writer as researcher. It explores creative writing and theory while offering critical antecedents, theoretical directions and creative interchanges. The book narrows the focus on psychoanalysis, particularly with regard to Lacan and creative practice, and demonstrates that creative writing is research in its own right. The poetics at stake neither denotes the study or the techniques of poetry, but rather the means by which writers formulate and discuss attitudes to their work.

Dominique Hecq

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