Dylan Trigg

a phenomenology of the uncanny

The memory of place

Eugene Thacker

James Harris

Simon Critchley

Brad Baumgartner

Drew Daniel

Edia Connole

Charlie Blake

Assistant Professor of English Drew Daniel

Dominik Irtenkauf

Brooker Buckingham

Heather Masciandaro

Katherine Foyle

Caoimhe Doyle

Nicola Masciandaro

Daniel Barber

Jeremy Dyer

Teresa Gillespie

Niall Scott

Hunter Hunt-Hendrix

Gary Shipley

Oyku Tekten

Essays and artworks related to Mors Mystica, a black metal theory symposium on the theme of mystical death. "Only that person who says: 'My soul chooses hanging, and my bones death' can truly embrace this fire . . . for it is absolutely true that 'no one can see me and live.'" -- Bonaventure, Itinerarium Mentis in Deum CONTENTS Introduction: On "Heroes/Helden" Edia Connole & Nicola Masciandaro Following the Stench: Watain and Putrefaction Mysticism Drew Daniel Ablaze in the Bath of Fire Brad Baumgartner Mycelegium James Harris dying to find I was never there Teresa Gillespie On the Ecstasy of Annihilation: Notes towards a Demonic Supplement Charlie Blake Autonomy of Death, Nothing Like This Daniel Colucciello Barber "It's a suit! It's ME!": Hyper-Star and Hyper-Hero through Black Sabbath's Iron Man Caoimhe Doyle & Katherine Foyle The Tongue-Tied Mystic: Aaaarrrgghhh! Fuck Them! Fuck You! Gary J. Shipley These Flames Will Lick the Feet of God Heather Masciandaro Mystical Anarchism Simon Critchley Die Maske des Black Metals Dominik Irtenkauf Xenharmonic Black Metal: Radical Intervallics as Apophatic Ontotheology Brooker Buckingham The Perichoresis of Music, Art, and Philosophy Hunter Hunt-Hendrix On Darkness Itself Niall Scott Haemal Jeremy Dyer From Black Bile Eugene Thacker "This Place is a Tomb": Infinite Terror in Darkspace Dylan Trigg Seven Propositions On The Secret Kissing Of Black Metal: OSKVLVM Edia Connole Wings Flock to My Crypt, I Fly to My Throne: On Inquisition's Esoteric Floating Tomb Nicola Masciandaro Symposium Photographs Oyku Tekten APPENDIX Bound to Metal (Interview with Edia Connole for Legacy) Dominik Irtenkauf Theoria e praxis del Black Metal (Interview by Fabio Selvafiorita for L'Intellettuale Dissidente) Nicola Masciandaro"

Black Metal Theory Symposium

Mors Mystica

Tobias Becker

The Routledge Handbook of Nostalgia serves as a guide to the complex and often contradictory concept of nostalgia, as well as the field of “nostalgia studies” more broadly. Nostalgia is an area of intense interest across several disciplines as well as within society and culture more generally. This handbook brings together an international, interdisciplinary team of researchers to survey the current landscape and identify common trends, achievements, and gaps in existing literature. Comprising 45 chapters, the volume covers the following topics: Disciplinary perspectives of nostalgias including philosophy, history, literature, and psychology. Conceptual aspects of nostalgia including homesickness, temporality, affectivity, and memory. Historical and political dimensions such as afro-nostalgia, populism, feminism, and queer nostalgia. Spatial and material aspects of nostalgia including ruins, regionalism, and objects. Media-related nostalgia such as analogue and digital nostalgia, reboots, revivals, gaming, and graphic novels. Essential reading for students and researchers working in nostalgia studies, this book will also be beneficial to related disciplines such as philosophy, anthropology, geography, history, and literature; cultural, media, heritage, museum, and film studies courses; and more generally for readers interested in how the past is represented and used in the present.

The Routledge Handbook of Nostalgia

The Memory of Place offers a lively and original intervention into con temporary debates within "place studies," an interdisciplinary field at the intersection of philosophy, geography, architecture, urban design, and environmental studies. Through a series of provocative investigations, Trigg analyzes monuments in the representation of public memory; "transitional" contexts, such as airports and highway rest stops; and the "ruins" of both memory and place in sites such as AuschWitz.

A Phenomenology of the Uncanny

The Memory of Place

What is the human body? Both the most familiar and unfamiliar of things, the body is the centre of experience but also the site of a prehistory anterior to any experience. Alien and uncanny, this other side of the body has all too often been overlooked by phenomenology. In confronting this oversight, Dylan Trigg’s The Thing redefines phenomenology as a species of realism, which he terms unhuman phenomenology. Far from being the vehicle of a human voice, this unhuman phenomenology gives expression to the alien materiality at the limit of experience. By fusing the philosophies of Merleau-Ponty, Husserl, and Levinas with the horrors of John Carpenter, David Cronenberg, and H.P. Lovecraft, Trigg explores the ways in which an unhuman phenomenology positions the body out of time. At once a challenge to traditional notions of phenomenology, The Thing is also a timely rejoinder to contemporary philosophies of realism. The result is nothing less than a rebirth of phenomenology as redefined through the lens of horror.

A Phenomenology of Horror

The Thing

Topophobia: A Phenomenology of Anxiety is a vivid second-person inquiry into how anxiety plays a formative part in the constitution of subjectivity. While anxiety has assumed a central role in the history of philosophy – and phenomenology in particular – until now there has been no sustained study of how it shapes our sense of self and being in the world. This book seeks to address that lacuna. Calling upon the author's own experience of being agoraphobic, it asks a series of critical questions: How is our experience of the world affected by our bodily experience of others? What role do moods play in shaping our experience of the world? How can we understand the role of conditions such as agoraphobia in relation to our normative understanding of the body and the environment? What is the relation between anxiety and home? The reader will gain an insight into the strange experience of being unable to cross a bridge, get on a bus, and enter a supermarket without tremendous anxiety. At the same time, they will discover aspects of their own bodily experience that are common to both agoraphobes and non-agoraphobes alike. Integrating phenomenological inquiry with current issues in the philosophy of mind, Trigg arrives at a renewed understanding of identity, which arranges self, other and world as a unified whole. Written with a sense of vividness often lacking in academic discourse, this is living philosophy.

A Phenomenology of Anxiety

Topophobia

Phenomenology redefined through body horror.

Dorothée Legrand

This book contains a series of essays that explore the concept of unconsciousness as it is situated between phenomenology and psychoanalysis. A leading goal of the collection is to carve out phenomenological dimensions within psychoanalysis and, equally, to carve out psychoanalytical dimensions within phenomenology. The book examines the nature of unconsciousness and the role it plays in structuring our sense of self. It also looks at the extent to which the unconscious marks the body as it functions outside of experience as well as manifests itself in experience. In addition, the book explores the relationship between unconsciousness and language, particularly if unconsciousness exists prior to language or if the concept can only be understood through speech. The collection includes contributions from leading scholars, each of whom grounds their investigations in a nuanced mastery of the traditional voices of their fields. These contributors provide diverse viewpoints that challenge both the phenomenological and psychoanalytical traditions in their relation to unconsciousness.

Unconsciousness Between Phenomenology and Psychoanalysis

In The Aesthetics of Decay, Dylan Trigg confronts the remnants from the fallout of post-industrialism and postmodernism. Through a considered analysis of memory, place, and nostalgia, Trigg argues that the decline of reason enables a critique of progress to emerge. In this ambitious work, Trigg aims to reassess the direction of progress by situating it in a spatial context. In doing so, he applies his critique of rationality to modern ruins. The derelict factory, abandoned asylum, and urban alleyway all become allies in Trigg's attack on a fixed image of temporality and progress. The Aesthetics of Decay offers a model of post-rational aesthetics in which spatial order is challenged by an affirmative ethics of ruin.

Nothingness, Nostalgia, and the Absence of Reason

The Aesthetics of Decay

From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty, Freud, and J. G. Ballard, The Memory of Place charts the memorial landscape that is written into the body and its experience of the world. Dylan Trigg’s The Memory of Place offers a lively and original intervention into contemporary debates within “place studies,” an interdisciplinary field at the intersection of philosophy, geography, architecture, urban design, and environmental studies. Through a series of provocative investigations, Trigg analyzes monuments in the representation of public memory; “transitional” contexts, such as airports and highway rest stops; and the “ruins” of both memory and place in sites such as Auschwitz. While developing these original analyses, Trigg engages in thoughtful and innovative ways with the philosophical and literary tradition, from Gaston Bachelard to Pierre Nora, H. P. Lovecraft to Martin Heidegger. Breathing a strange new life into phenomenology, The Memory of Place argues that the eerie disquiet of the uncanny is at the core of the remembering body, and thus of ourselves. The result is a compelling and novel rethinking of memory and place that should spark new conversations across the field of place studies. Edward S. Casey, Distinguished Professor of Philosophy at Stony Brook University and widely recognized as the leading scholar on phenomenology of place, calls The Memory of Place “genuinely unique and a signal addition to phenomenological literature. It fills a significant gap, and it does so with eloquence and force.” He predicts that Trigg’s book will be “immediately recognized as a major original work in phenomenology.”

Dylan Trigg

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