Mark Strand

Eavan Boland

Provides a detailed explanation of the different forms of poetry--sonnet, ballad, villanelle, sestina, etc.--and explains their origin, traces their history, and provides examples for each form. Reprint.

A Norton Anthology of Poetic Forms

The Making of a Poem

A collection of poems exploring "the unspoken." To paraphrase The Parcel: "There are dying arts and one of them is the way my mother used to make up a parcel. Paper first, mid-brown and coarse, then the scissors, not a glittering let-up, but a dour pair. Ball of twine, flame, sealing wax, melted and spread into a brittle terracotta medal. Names and places, crayon and fountain pen, town underlined once, country twice. It's ready for the post."

In a Time of Violence: Poems

An Irish poet with an international following unites personal history with national legend in a collection of powerful poems set in a ghostly terrain somewhere between earthly existence and the land of dreams. Reprint.

The Lost Land

A collection of poems about marriage by one of our most celebrated poets.

Against Love Poetry

Alice Oswald

“The most remarkable and affecting book of poetry I encountered this year.”—James Wood, The New Yorker In this daring new work, the poet Alice Oswald strips away the narrative of the Iliad—the anger of Achilles, the story of Helen—in favor of attending to its atmospheres: the extended similes that bring so much of the natural order into the poem and the corresponding litany of the war-dead, most of whom are little more than names but each of whom lives and dies unforgettably and unforgotten in the copious retrospect of Homer’s glance. The resulting poem is a war memorial and a profoundly responsive work that gives new voice to Homer’s level-voiced version of the world. Through a mix of narrative and musical repetition, the sequence becomes a meditation on the loss of human life.

Memorial: A Version of Homer's Iliad

The author recounts her life growing up in Ireland, describes the attitudes toward women and poets, and discusses her career as a writer

Object Lessons: The Life of the Woman and the Poet in Our Time

Winner of the Costa Poetry Award 2020 A Times Literary Supplement Book of the Year 2020 A forceful and moving final volume from one of the most masterful poets of the twentieth century. Throughout her nearly sixty-year career, acclaimed poet Eavan Boland came to be known for her exquisite ability to weave myth, history, and the life of an ordinary woman into mesmerizing poetry. She was an essential voice in both feminist and Irish literature, praised for her 'edgy precision, an uncanny sympathy and warmth, an unsettling sense of history' ( J.D. McClatchy). Her final volume, The Historians, is the culmination of her signature themes, exploring the ways in which the hidden, sometimes all-but-erased stories of women's lives can powerfully revise our sense of the past. Two women burning letters in a back garden. A poet who died too young. A mother's parable to her daughter. Boland listens to women who have long had no agency in the way their stories were told; in the title poem, she writes: 'Say the word history: I see / your mother, mine. / ... Their hands are full of words.' Addressing Irish suffragettes in the final poem, Boland promises: 'We will not leave you behind', a promise that animates each poem in this radiant collection. These extraordinary, intimate narratives cling to the future through memory, anger, and love in ways that rebuke the official record we call history.

The Historians

A poet's Dublin

Mary O'Malley

Paula Meehan

Three Irish Poets

becoming a woman poet

A journey with two maps

Presents the author's poems on Irish landscapes and families, touching on subjects ranging from the erotic to the political.

Poems

Domestic Violence

Winner of the 2020 Costa Poetry Award A forceful and moving final volume from one of the most masterful poets of the twentieth century. Throughout her nearly sixty-year career, acclaimed poet Eavan Boland came to be known for her exquisite ability to weave myth, history, and the life of an ordinary woman into mesmerizing poetry. She was an essential voice in both feminist and Irish literature, praised for her "edgy precision, an uncanny sympathy and warmth, an unsettling sense of history" (J. D. McClatchy). Her final volume, The Historians, is the culmination of her signature themes, exploring the ways in which the hidden, sometimes all-but-erased stories of women’s lives can powerfully revise our sense of the past. Two women burning letters in a back garden. A poet who died too young. A mother’s parable to her daughter. Boland listens to women who have long had no agency in the way their stories were told; in the title poem, she writes: "Say the word history: I see / your mother, mine. / … / Their hands are full of words." Addressing Irish suffragettes in the final poem, Boland promises: "We will not leave you behind," a promise that animates each poem in this radiant collection. These extraordinary, intimate narratives cling to the future through memory, anger, and love in ways that rebuke the official record we call history.

Poems deal with experiences of Irish women in love, marriage, motherhood, and modern society

Selected Poems, 1980-1990

Outside History

An essential volume by one of our most esteemed poets. "[Boland is] an original, dazzlingly gifted writer.... Uncompromising intellect, wry perception, and verbal brilliance.... A wonderfully elegant and sensual writer, keenly attuned to the pleasures of form and sound.... She's as musically gifted and as uncompromisingly intelligent as Seamus Heaney, and deserves comparable attention." —David Walker, Field

Outside History: Selected Poems, 1980-1990

At her death in 2020, Eavan Boland left a formidable body of work – poems and prose. Together they transformed Irish poetry and had a considerable influence throughout the English-speaking world. She was also a major essayist, whose potent non-fiction work challenged and changed Irish culture and society. This collection of her most important essays combines autobiographical and critical reflections on the events and influences that shaped her life and work. It includes work never before collected, as well as draft chapters of the memoir Daughter that she was working on when she died. This wise, generous book, published on what would have been Eavan Boland's 80th birthday, tells the intertwined stories of her life and her writing, her work as a writer who was also a mother and a daughter, her sense of Ireland and exile, and her evolving insights into how the poet can earn, widen and share her freedoms. 'As time went on,' Jody Allen Randolph writes, 'Boland's prose grew clearer in focus and purpose; she argued that a poet's work is not just to write their poems, but also to contribute to the critique by which they will eventually be judged.'

New and Selected Essays

Citizen Poet

A collection of poems about marriage by Eavan Boland.

“Boland offers encouragement to women poets of the future. . . . Her vivid imagery will beguile many.”—Publishers Weekly, starred review These inspiring essays from the celebrated poet Eavan Boland are both critical and deeply personal, revealing the adventure, passion, and struggle of becoming a woman poet. In this thematic sequel to her classic Object Lessons, Boland traces her own experiences as a woman, wife, and mother and their effect on her poetry, and she looks to a world where she can change the poetic past as well as the present.

Becoming A Woman Poet

A Journey with Two Maps

A powerful work that examines how—even without country or settled identity—a legacy of love can endure. Eavan Boland is considered “one of the finest and boldest poets of the last half century” by Poetry Review. This stunning new collection, A Woman Without a Country, looks at how we construct one another and how nationhood and history can weave through, reflect, and define the life of an individual. Themes of mother, daughter, and generation echo throughout these extraordinary poems, as they examine how—even without country or settled identity—a legacy of love can endure. From “Talking to my Daughter Late at Night” We have a tray, a pot of tea, a scone. This is the hour When one thing pours itself into another: The gable of our house stored in shadow. A spring planet bending ice Into an absolute of light. Your childhood ended years ago. There is No path back to it.

A Woman Without a Country

Gathers selections from the poet's first five books that illuminate the tensions between literary and suburban lives as well as the entanglement of language, being, and substance

Collected Poems, 1967-1987

An Origin Like Water

A landmark volume of essays from “Ireland’s leading feminist poet” (New York Times Book Review) that celebrates a transformative vision of womanhood, nation, and poetry. Eavan Boland was a trailblazing poet, critic, teacher, and essayist. Carving a path for the next generation, she broke open the male-dominated canon of Irish literature and mapped her poetic journey through the contours of life as a mother, daughter, and citizen. This generous and wise volume contains essays selected from Object Lessons (1995) and A Journey with Two Maps (2011); later writings addressing the changing nature of poetry; and a draft of a reflective memoir called “Daughter,” on which Boland was working at the time of her death. A compelling blend of memoir, analysis, and argument, Citizen Poet traces the arc of Boland’s pioneering view of nationhood through the lens of womanhood.

Eavan Boland

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