Maksim Gorky

Edward Garnett

Dora B. Montefiore

Maxim Gorky, like Leo Tolstoy, was primarily an autobiographical author, and the material here is considered amongst the greatest of his writings. Not only do they give the astonishingly varied life of Gorky from childhood through youth, but they also provide us with an unforgettable picture of one of the most crucial generations in Russian life and history ? the late 19th and early 20th centuries. The autobiography begins at the age of five and ends with Gorky secure in his position as one of the leading Russian writers. From the beginning, the story is organized as a quest for knowledge and understanding, of oneself and the world one lives in. This quest brings Gorky into contact with the harsh realities of life in late 19th century Russia - the life that was to constitute his ?universities?. We follow him as he turns from one job to another in an effort to make a living for himself - rag picker, errand and stock boy, junior clerk, bird catcher, cabin boy on a Volga steamer, apprentice in an icon factory, baker, watchman and freight handler at railroad stations. We move with Gorky in his life of wandering from one part of Russia to the next, and, in the course of the journey, we meet some of the most extraordinary characters in literature. The people that crowd the pages of his life history are as interesting as they are varied. Peasants, artisans, scholars, writers, teachers, policemen, government officials - they passed in and out of Gorky?s strange, sad life, leaving each one of them a vivid imprint on his keen mind. Through them he learned to build for himself a philosophy of life, and with the memory of them he painted for us those stark, vital pictures which make the unforgettable character of his book. Each character is sharply individualized, mountingly alive, fascinating. There is Gorky?s grandmother with her strength, her idealism, her superstition, her sympathy. Herself a folk bard, she passed on to Gorky the impulse to hearten others and a rich store of folk song and folk story. There is Smoury, the chef of the Volga steamer, whom Gorky was later to call one of his outstanding teachers. There is also Olga, the woman with whom Gorky had his first love affair; eccentric, irresponsible, flirtatious, but charming and kind. In his portrait of these and many other fascinating characters in the book, Gorky has given us his greatest - and one of the greatest life stories in literature.

And Other Stories

Twenty-six Men and a Girl

G.K. Chesterton

G.H. Perris

"Leo Tolstoy" by Edward Garnett, G.K. Chesterton, G.H. Perris. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Leo Tolstoy

In "Turgenev: A Study," Edward Garnett provides an astute and nuanced analysis of the life and works of Ivan Turgenev, a pivotal figure in 19th-century Russian literature. Garnett employs a rich and engaging literary style to dissect Turgenev'Äôs major themes, including the complexities of love, existential despair, and the shifting socio-political landscape of Russia. With a keen eye for detail, Garnett contextualizes Turgenev within the broader spectrum of Russian literary traditions, highlighting his influence on contemporary authors while simultaneously addressing the universal human experiences that permeate his writing. Edward Garnett, a prominent literary critic and translator, was deeply entrenched in the cultural currents of his time, which undoubtedly informed his insights into Turgenev's literary legacy. His extensive exposure to Russian literature, coupled with his close friendships with several Russian writers, likely shaped Garnett'Äôs understanding of Turgenev'Äôs nuanced perspectives on Russian society. This study is a reflection of Garnett'Äôs lifelong commitment to fostering appreciation for Russian literature among English-speaking audiences. Highly recommended for scholars and enthusiasts alike, "Turgenev: A Study" is an essential text that illuminates the depth of Turgenev's artistry while offering a compelling exploration of the philosophical underpinnings of his work. Garnett'Äôs meticulous examination enriches our understanding of Turgenev, making this book a vital addition to any literary library.

Exploring the Legacy of a Russian Literary Giant

Turgenev: A Study

Friday nights, literary criticisms and appreciations

Literary Criticisms and Appreciations

Friday Nights

A Novel

Light and Shadow

Papa's War & Other Satires

Ivan Sergeevich Turgenev

First published in the original Russian in 1860.

On the Eve

DigiCat Publishing presents to you this special edition of "Turgenev: A Study" by Edward Garnett. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"Leo Tolstoy" is an analysis of Tolstoy's works, life, and philosophy prepared by G. K. Chesterton, George Herbert Perris, and Edward Garnett. The work aims to reflect the peculiar personality of the great author, based on the extracts of Tolstoy's quotes on different subjects and lesser-known biographical facts.

The Paradox Club

G K Chesterton

George Herbert Perris

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gilbert Keith Chesterton

Reproduction of the original: Turgenev by Edward Garnett

Turgenev

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Edward Garnett

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