Edward K. Kaplan

In this first one-volume English-language full biography of Abraham Joshua Heschel, Edward K. Kaplan tells the engrossing, behind-the-scenes story of the life, philosophy, struggles, yearnings, writings, and activism of one of the twentieth century’s most outstanding Jewish thinkers. Kaplan takes readers on a soulful journey through the rollercoaster challenges and successes of Heschel’s emotional life. As a child he was enveloped in a Hasidic community of Warsaw, then he went on to explore secular Jewish Vilna and cosmopolitan Berlin. He improvised solutions to procure his doctorate in Nazi-dominated Berlin, escaped the Nazis, and secured a rare visa to the United States. He articulated strikingly original interpretations of Jewish ideas. His relationships spanned not only the Jewish denominational spectrum but also Catholic and Protestant faith communities. A militant voice for nonviolent social action, he marched with Martin Luther King Jr. (who became a close friend), expressed strong opposition to the Vietnam War (while the FBI compiled a file on him), and helped reverse long-standing antisemitic Catholic Church doctrine on Jews (participating in a secret meeting with Pope Paul VI during Vatican II). From such prodigiously documented stories Heschel himself emerges—mind, heart, and soul. Kaplan elucidates how Heschel remained forever torn between faith and anguish; between love of God and abhorrence of human apathy, moral weakness, and deliberate evil; between the compassion of the Baal Shem Tov of Medzibozh and the Kotzker rebbe’s cruel demands for truth. “My heart,” Heschel acknowledged, is “in Medzibozh, my mind in Kotzk.”

Mind, Heart, Soul

Abraham Joshua Heschel

Professor of French and Comparative Literature Edward K Kaplan

Samuel H. Dresner

Samuel Dresner

Professor Samuel H Dresner

The Teleological Discourse of Barack Obama, by Richard Leeman, provides an in-depth analysis of President Barack Obamas speeches and writings to explain the power of the 44th presidents speaking. Highly regarded for his eloquent and inspiring rhetoric, Obama is often compared to Roosevelt, Kennedy, and Dr. Martin Luther King, Jr. However, Leemans study shows that Obamas teleological philosophy and discourse more closely resembles Ronald Reagans rhetoric.

Prophetic Witness

This ambitious book explores the relationship between time and history and shows how an appreciation of long-term time helps to make sense of the past. For the historian, time is not an unproblematic given but, as for the physicist or the philosopher, a means to understanding the changing patterns of life on earth. The book is devoted to a wide-ranging analysis of the way different societies have conceived and interpreted time, and it develops a theory of threefold roles of continuity, gradual change, and revolution that together form a 'braided' history. Linking the interpretative chapters are intriguing brief expositions on time travel, time cycles, time lines and time pieces, showing readers the different ways in which human history has been located in time. In its global approach the book is part of the new shift towards 'big history', in which traditional period divisions are challenged in favour of looking again at the entire past of the world from start to end. The approach is thematic. The result is a view of world history in which outcomes are shown to be explicable, once they happen, but not necessarily predictable before they do. This book will inform the work of historians of all periods and at all levels, and contributes to the current reconsideration of traditional period divisions (such as Modernity and Postmodernity), which the author finds outmoded.

Abraham Joshua Heschel in America, 1940-1972

Spiritual Radical

A Romantic Philosophy of Nature, Man, & Woman

Michelet's Poetic Vision

Baudelaire's Prose Poems is the first full-length, integral study of the fifty prose poems Baudelaire wrote between 1857 and his death in 1867, collected posthumously under the title Le Spleen de Paris. Edward Kaplan resurrects this neglected masterpiece by defining the structure and meaning of the entire collection, which Kaplan himself has translated as The Parisian Prowler. Engaging in a dialogue with deconstructionists whose critical methods often obscure the meaning of the whole, Kaplan rejects the view of prose poems as a random assemblage of melodic rhapsodies. Instead, he sees a coherent ensemble of "fables of modern life" that join lyricism and critical self-awareness. Kaplan defines three dimensions of experience that inform The Parisian Prowler from beginning to end: the esthetic includes art, ideal beauty, and especially the intense immediacy of sensations, fantasy, and dream; the ethical includes principles of right and wrong, relations between intimates or between individuals and the community; and the religious--not to be confused with church or dogma--points to the province of ultimate reality, whether it be God or an absolute standard of truth, justice, and meaning. These dimensions are explored by a narrator, a complex, highly self-conscious writer whose passion for pure Beauty continually frustrates his yearning for affection. He begins his tour through 1850s Paris alienated from reality, becomes aggravated by conflicts between his "ethical" and "esthetic" drives--to the point of despair--and ends by expressing loyal friendship. Analyzing the fables in relation to one another in pairs or groups, Kaplan demonstrates how later pieces intermingle or even confuse the narrator's esthetic and ethical drives, and how the most advanced "theoretical fables"--through ironic puns on their form--further undermine this simplistic dualism. Baudelaire's fables of modern life radically challenge us to examine our presuppositions, Kaplan argues. Though rarely didactic, the narrator's Socratic irony engages readers in a volatile dialogue, provoking them to form their own judgments. He often betrays self-destructive anger, rebelling against injustice or stupidity--or against women who might love him. At times he insults our complacency and self-deception with vicious glee; at other times, he recognizes his own frailty, nurturing a sense of fellowship with the oppressed. Seeking both to analyze experience objectively and to sympathize with isolated individuals like himself, Baudelaire's narrator joins criticism and poetry in a voyage of self-discovery, finally accepting experience as impure and mixed. Kaplan contends that the "prose poems" constitute a genre parallel to the poems Baudelaire added to the 1861 edition of Les Fleurs du Mal, both of which illustrate fundamental principles of the theory of modernity he developed in his essays on art. The self-reflective fables in The Parisian ProwlerM/i>--depicting a way of thinking beyond ideologies--clarify Baudelaire's development as poet, critic, and thinker.

Edward K. Kaplan

Books

Your next favorite book is out there