Eleanor Nairne

Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, one of the most successful artists of his time. This XXL-sized monograph gathers Basquiat's major works in pristine reproduction. Texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne introduce us to a legend synonymous with 1980s New York.

Jean-Michel Basquiat and the Art of Storytelling

Basquiat

Décryptez les signes mystérieux et les mots griffonnés de Jean-Michel Basquiat, dont les peintures explosives aux résonances musicales, politiques et personnelles sont aussi pertinentes aujourd'hui que dans le New York des années 1980. Cette monographie format XXL rassemble les oeuvres les plus marquantes de l'artiste dans des reproductions...

Jean-Michel Basquiat

This monograph accompanies the first European retrospective of the work of Lee Krasner (1908-1984). One of the original abstract expressionists, Krasner's importance has for too long been eclipsed by her marriage to Jackson Pollock. In fact, his death in 1956 marked her renaissance as an artist. 0Over the course of more than five decades, Krasner continually scrutinized and reinvented her practice, giving her work formidable energy and impact. Her accomplishments began to be recognized toward the end of her life and in 1984 she became one of the few women artists to be given a solo exhibition at MoMA. As Krasner quipped about her belated recognition: "I was a woman, Jewish, a widow, a damn good painter, thank you, and a little too independent". 0This volume features an outstanding selection of her most important paintings, collages and drawings, contextualized by photography from the post-war period, an illustrated chronology, and includes an unpublished interview with her biographer Gail Levin. Tracing her evolution as an artist - from her earliest self-portraits to the acclaimed `little image' series, from her 1950s collages to epic painterly canvases - this book offers a vivid impression of one of the most tenacious women artists of the 20th century, whose work and life feels more relevant than ever today.00Exhibition: Barbican Art Gallery, London, UK (30.05.-01.09.2019) / Schirn Kunsthalle, Frankfurt, Germany (11.10.2019-12.01.2020) / Zentrum Paul Klee, Bern, Switzerland (07.02.-10.05.2020) / Guggenheim Museum, Bilbao, Spain (29.05.-06.09.2020).

Lee Krasner

Featuring newly commissioned essays and photography of rarely exhibited works, this book highlights the radicalism of Jean Dubuffet, who was one of the most provocative voices of the postwar avant-garde. In 1940s occupied Paris, Jean Dubuffet began to champion a progressive vision for art; one that rejected classical notions of beauty in favor of a more visceral aesthetic. Taking a pioneering approach to materiality and technique, the artist variously blended paint with sand, glass, tar, coal dust, and string. At the same time, he began to assemble a collection of Art Brut--work that was made outside the academic tradition of fine art--even visiting psychiatric wards from 1945 to collect work by patients. This book features texts from leading scholars and is accompanied by images that illuminate Dubuffet's attempts to move beyond the artistic expectations of his time. The works are grouped into six thematic sections that focus on specific series, from his graffiti-inspired "Walls" and his notorious portrait series, "People are Much More Beautiful Than They Think" to the "Corps de dames," a controversial series of "female" landscapes, and his anthropomorphic sculptures, "Little Statues of Precarious Life." Exquisitely produced, this celebration of Dubuffet's work embraces his world view that art is for everyone, not just the elite.

Brutal Beauty

Jean Dubuffet

Amy Tobin

An in-depth look at these two American artists, who explored issues of sexuality and feminism in the 1960s and 1970s in their sculpture and photography. This exhibition and accompanying book offers the first opportunity to appreciate the resonances between the studio practices of Eva Hesse and Hannah Wilke. Both artists found themselves drawn to unconventional materials, such as latex, plastics, erasers, and laundry lint, which they used to make work that was viscerally related to the body. They shared an interest in repetition to amplify the absurdity of their work. These repeated forms--whether Hesse's spiraling breast or Wilke's labial fold--sought to confront the phallo-centricism of twentieth-century sculpture with a texture that might capture a more intimate, psychologically charged experience. Eleanor Nairne, the curator of the exhibition, writes the lead essay, followed by texts by Jo Applin and Anne Wagner. An extensive chronology by Amy Tobin includes primary-source materials, which bring a new history of how both artists' work sits in relation to the wider New York scene. Also included are excerpts of both artists' writing.

Erotic Abstraction

Eva Hesse and Hannah Wilke

Dieter Buchhart

Lotte Johnson

Boom for Real [deutsch]

Now available in paperback, this exciting book charts Jean-Michel Basquiat's groundbreaking career. Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO(c). From there he went on to work with others on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. This book places his collaborations in a wider art historical context and looks at his career through the lens of performance. Six thematic chapters offer compelling research, with essays from poet Christian Campbell on SAMO(c); curator Carlo McCormick on New York/New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz. This insightful survey also features rare archival material and extensive illustrations, demonstrating how Basquiat's legacy remains more powerful and relevant than ever today.

Boom for Real

A condensed edition of the best-selling Basquiat monograph. Pristine reproductions of Basquiat's seminal paintings, drawings, and notebook sketches, as well as texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne, bring us up close and personal to a legend synonymous with 1980s New York.

Basquiat - 40 Years

Focusing on Jean-Michel Basquiat's extraordinary breadth of influences, from graffiti to bebop jazz to Hollywood cinema, this exciting new survey charts his ground-breaking career. Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO(c). He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell on SAMO(c); curator Carlo McCormick on New York / New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz. This insightful new survey also features extended captions, rare archival material, and extensive photography, demonstrating how Basquiat's legacy remains more powerful and relevant than ever today.

Eleanor Nairne

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