Wendy Pfeffer

Joan Tasker Grimbert

Elizabeth Aubrey

Eglal Doss-Quinby

This groundbreaking anthology brings together for the first time the works of women poet-composers, or trouveres, in northern France in the twelfth and thirteenth centuries. Refuting the long-held notion that there are no extant Old French lyrics by women from this period, the editors of the volume present songs attributed to eight named female trouveres along with a varied selection of anonymous compositions in the feminine voice that may have been composed by women. The book includes the Old French texts of seventy-five compositions, extant music for eighteen monophonic songs and nineteen polyphonic motets, English translations, and a substantial introduction.

Songs of the Women Trouvères

Samuel N. Rosenberg

The major compilation of Old French lyrics included in Oxford, Bodleian Library, MS Douce 308 (Lorraine, ca. 1310) is the only trouvère chansonnier that groups its songs by genre, to the exclusion of other organizing criteria. Under the rubric "Ci en comancent les balletes," the manuscript presents 188 texts, most with a refrain though none with music, meant to accompany dancing. The ballettes are of the utmost interest for their place within the development of medieval lyric, especially for their relation to the formes fixes of the 14th century. Consisting mainly of unica, the collection represents a lyric tradition fostered in Lorraine, contemporaneous with the courtly compositions of the trouvères, yet unacknowledged by compilers of mainstream songbooks in northern France in the 13th century. Eglal Doss-Quinby, Samuel N. Rosenberg, and Elizabeth Aubrey offer a critical edition of the texts in Douce 308, facing English versions, the music surviving in other sources for 26 of the songs, and an extensive introduction.

Oxford, Bodleian Library, MS Douce 308

The Old French Ballette

"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover.

Elizabeth Aubrey

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