Elizabeth Hutton Turner

Josef Helfenstein

"Klee and America" is an exhibition catalogue produced by The Menil Collection, Houston. The book documents the first large-scale exhibition of Klee's work in the United States in almost two decades.

Klee and America

Guy Davenport

Elizabeth Garrity Ellis

During the 1920s, when cultural exchange across the Atlantic suddenly became heady and reciprocal, Americans traveling to Paris found their americanisme embraced. The French avant-garde, fueled by tempos and freedoms, loved jazz and the visual elegance of Machine Age aesthetics. The American fascination with technology, which electrified their work, gave new charge to European art. Paris welcomed Gerald Murphy, whose billboard-sized cubist icon dominated the 1924 Salon des Independants and launched a brief but briliant career; Stuart Davis, who explored the continuity between cubist painting, lithography, and jazz at the atelier Desjobert; Man Ray, who abandoned oils to begin "painting with light" in his movies and rayographs; and Alexander Calder whose wire circuses and portraits inspired critics to acknowledge art's inherent playfulness. Americans in Paris documents the work and influence of these four notables of the avant-garde, who startle and delight us even today.

(1921-1931) : Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder

Americans in Paris

William C. Agee

Arthur Garfield Dove

Addison Gallery of American Art

Debra Bricker Balken

in collaboration with William C. Agee and Elizabeth Hutton Turner The American artist Arthur Dove (1880-1946), purportedly the first artist to have produced an abstract painting, has always occupied a central place in writings on early American modernism. This book accompanies the first major exhibition on Dove since 1974. The exhibition, organized by the Addison Gallery of American Art and the Phillips Collection, covers the period from 1908, the year after Dove took up painting, through 1946, the year of his death. It is comprised of approximately eighty paintings, collages, pastels, and charcoal drawings.Along with Georgia O'Keeffe and John Marin, Dove was touted for more than three decades by photographer and dealer Alfred Stieglitz as an American original, one whose work was prescient in its opposition to the materialism of a newly industrialized America. Essays by Balken, Agee, and Turner discuss Dove's interactions with Stieglitz and others in his circle, including O'Keeffe, Marin, Marsden Hartley, and Paul Strand, and re-examine Dove in the context of early twentieth-century intellectual and cultural history. The book contains color plates of all the works in the exhibition; the essays are profusely illustrated with black-and-white images not included in the exhibition. Apart from an out-of-print catalogue raisonné, this book is the largest and most comprehensive publication to date on Dove's work.Copublished with the Addison Gallery of American Art in association with the Phillips Collection

A Retrospective

Arthur Dove

This major presentation of the work of Pierre Bonnard follows a new line of enquiry reconciling what has previously been seen as two distinct early and creative periods: the Nabis or symbolist Bonnard and the later so-called Impressionist or colorist Bonnard. By uniting representative works from all periods of Bonnard’s life, this book chart’s the artist’s singular pathway and illustrates his highly independent artistic vision. The 130 works illustrated here, including paintings, drawings, prints, photographs, and sculpture, show that Bonnard continually experimented with alternative media and drew from a range of sources, both Eastern and Western. The 130 works here illustrated, including paintings, drawings, prints, photographs and sculpture, show that Bonnard continually experimented with alternative media and drew from a range of sources, both Eastern and Western. Above all, the book demonstrates Bonnard's overriding and lifelong interest in colour. Three introductory essays explore diverse aspects of Bonnard's work: his aesthetic innovations in light and colour stemming from inventions in photography and film; the influence of Japonisme in his early and late work; and the critical role played by Bonnard's early formative education in Parisian Lycees. The resulting volume, which accompanies an exhibition at The Phillips Collection, Washington, D.C., and the Denver Art Museum, is essential for all lovers of the work of Pierre Bonnard and of great value to students and connoisseurs of the history of European modenism.

Early and Late

Pierre Bonnard

Phillips Collection

Georgia O'Keeffe

Dallas Museum of Art

Marjorie P. Balge-Crozier

Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.

The Poetry of Things

Austen Barron Bailly

This volume reproduces Lawrences epic, sixty-panel series of paintings depicting the postWorld War I migration of African Americans from the rural South to the industrial North. A major contribution to African-American history, the book features essays by Henry Louis Gates Jr., Lonnie G. Bunch III, Spencer R. Crew, Deborah Willis, Diane Tepfer, and other distinguished scholars and historians.

Elizabeth Hutton Turner

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