Ellen Meloy

In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape.

From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of their homeland, as well as to Persians who consider turquoise the life-saving equivalent of a bullet-proof vest. Throughout, Meloy invites us to appreciate along with her the endless surprises in all of life and celebrates the seduction to be found in our visual surroundings.

Reflections on Desert, Sea, Stone, and Sky

The Anthropology of Turquoise

A close-up portrait of a year in the life of a herd of rare desert bighorn sheep follows these enigmatic animals and their behavior, life cycles, and habitat, and offers an evocative celebration of the desolate splendor of their rugged high desert environment. Reprint.

Imagination and the Loss of the Wild

Eating Stone

Annie Proulx

Seasons

More than a century after John Wesley Powelllaunched his boat on the Green River, Ellen Meloy spent eight years of seasonal floats through Utah's Desolation Canyon with her husband, a federal river ranger. She came to know the history and natural history of this place well enough to call it home, and has recorded her observations in a book that is as wide-ranging as the river and as wild as the wilderness through which it runs.

A Season on the Green River

Raven's Exile

Stephen Strom

This Desert Hides Nothing

In this abundant space and isolation, the energy lords extract their bounty of natural resources, and the curators of mass destruction once mined their egregious weapons and reckless acts. It is a land of absolutes, of passion and indifference, lush textures and inscrutable tensions. Here violence can push beauty to the edge of a razor blade. . . . Thus Ellen Meloy describes a corner of desert hard by the San Juan River in southeastern Utah, a place long forsaken as implausible and impassable, of little use or valueÑa place that she calls home. Despite twenty years of carefully nurtured intimacy with this red-rock landscape, Meloy finds herself, one sunbaked morning, staring down at a dead lizard floating in her coffee and feeling suddenly unmoored. What follows is a quest that is both physical and spiritual, a search for home.

Beauty and Violence in the Desert Southwest

The Last Cheater's Waltz

There is a swim across the Mojave, a harrowing error on a solo trip down a wild river, and a birthday party with wild sheep."--BOOK JACKET.

Antropologia del turchese. Riflessioni su deserto, mare, pietra e cielo

Sandra Chisholm de Yonge

The long search by a bear and his animal friends for land, water, and food that has not been polluted or destroyed by man ends in their discovery of a national park.

A Fable

The Last Bit Bear

From the recipient of the 1997 Whiting Award. Feeling disconnected from the wildly beautiful desert that she has known intimately for twenty years, award-winning writer Ellen Meloy embarks on a search for home that is historical, scientific, and spiritual. Her "Map of the Known Universe," devised to guide her quest, reveals extraordinary details of a physical link between the atomic age and her home on Utah's San Juan River. The Map grows to include Los Alamos, the Trinity A-test site, White Sands Missile Range, and primary sources of uranium. Meloy casts her naturalist's eye on the Southwest's "geography of consequence," where she finds unusual local bestiaries, the bodies of long-buried neighbors, an underground bubble of nuclear physics in a national forest, and the rich textures of nature on her own eight acres of land. The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest is multilayered and far-reaching, yet always infused with Meloy's prodigious research, finely tuned prose, and wry humor.

"Sharp as the needles on a pinyon pine, these essays will make you rethink your view of the American West. Meloy's wise and unexpected observations are a pure delight." —MINNEAPOLIS STAR TRIBUNE The late writer and naturalist Ellen Meloy wrote and recorded a series of audio essays for KUER, NPR Utah in the 1990s. Every few months, she would travel to their Salt Lake City studios from her red rock home of Bluff to read an essay or two. With understated humor and sharp insight, Meloy would illuminate facets of human connection to nature and challenge listeners to examine the world anew. Seasons: Desert Sketches is a compilation of these essays, transcribed from their original cassette tape recordings. Whether Meloy is pondering geese in Desolation Canyon or people at the local post office, readers will delight in her signature wit and charm—and feel the pull of the desert she loves and defends. With a foreword by Annie Proulx. ELLEN MELOY was a native of the West and lived in California, Montana, and Utah. Her book The Anthropology of Turquoise (2002) was a finalist for the Pulitzer Prize and won the Utah Book Award and the Banff Mountain Book Festival Award in the adventure and travel category. She is also the author of Raven’s Exile: A Season on the Green River (1994), The Last Cheater’s Waltz: Beauty and Violence in the Desert Southwest (2001), and Eating Stone: Imagination and the Loss of the Wild (2005). Meloy spent most of her life in wild, remote places; at the time of her sudden death in November 2004 (three months after completing Eating Stone), she and her husband were living in southern Utah.

Ellen Meloy

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