Eugenia Leigh

"I thought I forgave you," Eugenia Leigh tells the specter of her father in Bianca. "Then I took root and became / someone's mother." Leigh's gripping second collection introduces us to a woman managing marriage, motherhood, and mental illness as her childhood abuse resurfaces in the light of "this honeyed life." Leigh strives to reconcile the disconnect between her past and her present as she confronts the inherited violence mired in the body's history. As she "choose[s] to be tender to [her] child--a choice / [her] mangled brain makes each day," memories arise, asking the mother in her to tend, also, to the girl she once was. Thus, we meet her manic alter ego, whose history becomes the gospel of Bianca: "We all called her Bianca. My fever, my havoc, my tilt." These poems recover and reconsider Leigh's girlhood and young adulthood with the added context of PTSD and Bipolar Disorder. They document the labyrinth of a woman breaking free from the cycle of abuse, moving from anger to grief, from self-doubt to self-acceptance. Bianca is ultimately the testimony of one woman's daily recommitment to this life. To living. "I expected to die much younger than I am now," Leigh writes, in awe of the strangeness of now, of "every quiet and colossal joy."

Bianca

In this striking debut, Leigh's poems seek again and again to reconcile faith and beauty with the violent realities of trauma

Blood, Sparrows and Sparrows

Amy Reed

Bhanu Kapil

Natalie Baszile

Alexis Coe

Jacob M. Appel

Quincy Troupe

Judy Grahn

Eric Gamalinda

Susanna Sonnenberg

Tony Phillips

Tsering Wangmo Dhompa

Ajuan Mance

Indira Allegra

Kris Brandenburger

Chip Goldstein

Lisa Grey

John Pleucker

Liana Scalettar

Cindy Shearer

Margaret Porter Troupe

Interdisciplinary arts print magazine published annually by the MFA program at California Institute of Integral Studies

Mission at Tenth

Eugenia Leigh

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