Euripides,

The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealing with a grisly event in the Trojan War.

Bacchae and Other Plays

This is the third volume of Euripides plays in new translation. It contains the three great war plays Trojan Women, Hecuba, and Andromache, in which Euripides subjects the sufferings of Troy's survivors to a harrowing examination. The horrific brutality which both women and children undergo evokes a response of unparalleled intensity in the playwright whom Aristotle called the most tragic of poets.

The Trojan Women and Other Plays

Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. This new translation does full justice to Euripides's range of tone and gift of narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world. Contains: Medea; Hippolytus; Electra; Helen About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Medea and Other Plays

Hippolytus is an ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus.

Euripides ; Translated by Robert Bagg

Hippolytos

The first three plays in this volume are typical of Euripides, filled with violence or its threat, while the fourth, Cyclops, is a satyr play, full of crude and slapstick humour. Alcestis shows various reactions to death with pathos and grim humour while the blood-soaked Heracles portrays deep emotional pain and undeserved suffering. Children of Heracles deals with the effects of war on refugees and the consequences of sheltering them.

Heracles and Other Plays

This is the fourth volume of Euripides plays in new translation. The four plays it contains, Ion, Orestes, The Phoenician Women and The Suppliant Women, explore ethical and political themes, contrasting the claims of patriotism with family loyalty, pragmatism with justice, the idea that 'might is right' with the ideal of clemency.

Orestes and Other Plays

This new Student Edition offers a much-needed pedagogical framework to the play, including an overview of the original performance context; the times within which Euripides was writing it; and how it's been understood and adapted since.

The Women of Troy

A Student Edition of Euripides' play, which accessibly unpacks Greek tragedy in its social context, issues of translation and adaptation, and performance approaches over the centuries. Euripides' play Medea was first produced in 431BC and continues to be produced globally to this day. Its power and timeless appeal for audiences rests in its portrait of a woman driven to murder the new wife of the man who abandoned her and to murder her own children. In more recent times, Medea's actions have been taken as a symbol of female power in an otherwise male-dominated society. Will Shüler's commentary in this Student Edition looks at the violence of the play - both onstage and off; the original performance conditions; staging challenges, both then and now (including Medea's exit on a dragon); the notion of myth and how Greek tragedians were telling old stories to get new meanings; and how the play has evolved through translation. It considers a range of productions up to the present day, including the 2014 National Theatre production directed by Carrie Cracknell and starring Helen McCrory; Sophie Okonedo as Medea at the Soho Theatre, London, in 2023; and the 2000 Australian version, Black Medea, which interpreted Medea as an indigenous woman brought to a city by her ambitious husband.

Medea

An industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once Queen, watches as her remaining family are taken from her one by one. The city burns around them. Euripides' great anti-war tragedy is published in Don Taylor's translation to coincide with the National Theatre's production directed by Katie Mitchell in the Lyttelton auditorium. This edition of the play features an introduction by the translator setting the play in its historical and dramaturgical context.

"Euripides, the Athenian playwright who dared to question the whims of wanton gods, has always been the most intriguing of the Greek tragedians. Now, with translations aimed at the stage rather than the page, his restless intellect strikes the chord This volume contains some of Euripides' most famous works: Elektra, which reverses previous notions of 'heroic' behaviour; Orestes, in which almost all the characters are driven by base motives of cowardice or revenge; Iphigeneia in Tauris who presumes her brother Orestes dead and her mother Klytemnestra and stepfather Aigisthos still living, is visited by a surprise guest. Elektra, Oresetes and Iphigeneia in Tauris were performed together as Agamemnon's children at The Gate Theatre in 1995 and show the consequences of Agamemnon's "sacrifice" of his daughter at the start of the Trojan war.

Elektra; Orestes and Iphigeneia in Tauris

Euripides Plays: 4

Regan Professor of English Susan Stewart, MSW

In "Andromache", Euripides depicts the aftermath of the Trojan war, when Andromache, the widow of Hector, has a fruitful, but illicit affair with the son of Achilles. The ensuing power-struggle with Hermione, the wronged wife, is re-told in this collaboration between a poet and a classicist.

Andromache

Alan Shapiro

Peter Burian

This volume collects for the first time four plays of Euripides in the acclaimed Greek Tragedy in New Translations series, each previously published individually: Alcestis, Medea, Helen, and Cyclops.

The Complete Euripides Volume V

A translation of one of Euripides' finest plays by one of Britain's most experienced translators Ion is the story of the abandoned child Ion, reunited with her mother Xouthos

A modern-day version of Euripides' anti-war play, The Trojan Women has been rewritten and is set in a mother-and-baby unit of a prison. The war is over. Beyond the prison walls, Troy and its people burn. Inside the prison, the city's captive women await their fate. Stalking the antiseptic confines of its mother and baby unit is Hecuba, the fallen Trojan queen, whilst the pregnant Chorus is shackled to her bed. But their grief at what has been before will soon be drowned out by the horror of what is to come, as the Greek lust for vengeance consumes everything – man, woman and baby – in its path. This caustic and radical new version of Euripides' classic tragedy comes from one of the UK's most exciting young poets, Caroline Bird. It is an intense, gripping look at what happens when the world collapses.

The Trojan Women

Dionysos, the God of wine and theatre has returned to his native land to take revenge on the puritanical Pentheus who refuses to recognise him of his rites. Remorselessly, savagely and with black humour, the God drives Pentheus and all the city to their shocking fate. This version was specially commissioned by the National Theatre for a production in May 2002, directed by Sir Peter Hall and scored by Sir Harrison Birtwhistle.

Euripides,

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