Evelyn Edson

A history of the development of world maps during the later medieval period in the centuries leading up to Columbus’s journey. In the two centuries before Columbus, mapmaking was transformed. The World Map, 1300–1492 investigates this important, transitional period of mapmaking. Beginning with a 1436 atlas of ten maps produced by Venetian Andrea Bianco, Evelyn Edson uses maps of the fourteenth and fifteenth centuries to examine how the discoveries of missionaries and merchants affected the content and configuration of world maps. She finds that both the makers and users of maps struggled with changes brought about by technological innovation?the compass, quadrant, and astrolabe?rediscovery of classical mapmaking approaches, and increased travel. To reconcile the tensions between the conservative and progressive worldviews, mapmakers used a careful blend of the old and the new to depict a world that was changing?and growing?before their eyes. This engaging and informative study reveals how the ingenuity, creativity, and adaptability of these craftsmen helped pave the way for an age of discovery. “A comprehensive and complex picture of the changing face of medieval geography. With the mastery of a formidable palette of historiographic knowledge and well-reasoned discussions of the sources, The World Map, 1300–1492 will certainly remain an important work to consult for both medieval and early modern scholars for many years to come.” —Ian J. Aebel, Terrae Incognitae

The Persistence of Tradition and Transformation

The World Map, 1300–1492

Medieval world maps are often seen today as quaint and amusing artefacts that are hopelessly wrong. Evelyn Edson demonstrates that the medieval world view, as expressed in maps, was not simply a matter of physical measurements, but of placing the earth in a philosophical and religious context. Hence many medieval maps show the passage of time and a narrative of human spiritual development including creation, the coming of Christ, and the Last Judgement. Professor Edson makes clear that modern assumptions concerning maps are of little value, and one cannot assume that the maps were used for the same purpose or had the same meaning as they have today. In fact the differences in structure and content can give us an intriguing view of how medieval makers and readers saw their world. A wide range of manuscripts are surveyed including works of history (both 'universal histories' and more locally-focused chronicles), Easter and calendar manuscripts, individual maps including such famous wall maps as the Ebstorf Map and the Hereford Mappa Mundi, and lastly maps which were designed to illustrate religious visions.

How Medieval Mapmakers Viewed Their World

Mapping Time and Space

Emilie Savage-Smith

The medieval view of the wider world around them and their portrayal of it in maps, charts, illuminations and paintings had very little to do geography. This beautifully illustrated volume examines and celebrates the medieval vision of the cosmos as a strictly hierarchial and heavenly sequence of spheres, and of a world, protected by a sky filled with an elaborate array of constellations, with Jerusalem in the centre and mythical beasts on the edge. The scholarly and very accessible discussion is accompanied by many colour illustrations of Christian and Islamic works of art and science, mostly dating from the 12th century to the revolutionary ideas of the 16th. The foreword is by Terry Jones.

Medieval Views of the Cosmos

In the two centuries before Columbus, mapmaking was transformed. The World Map, 1300--1492 investigates this important, transitional period of mapmaking. Beginning with a 1436 atlas of ten maps produced by Venetian Andrea Bianco, Evelyn Edson uses maps of the fourteenth and fifteenth centuries to examine how the discoveries of missionaries and merchants affected the content and configuration of world maps. She finds that both the makers and users of maps struggled with changes brought about by technological innovation -- the compass, quadrant, and astrolabe -- rediscovery of classical mapmaking approaches, and increased travel. To reconcile the tensions between the conservative and progressive worldviews, mapmakers used a careful blend of the old and the new to depict a world that was changing -- and growing -- before their eyes. This engaging and informative study reveals how the ingenuity, creativity, and adaptability of these craftsmen helped pave the way for an age of discovery.

Evelyn Edson

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