Trevor Keeble

Fiona Fisher

Brenda Martin

Patricia Lara-Betancourt

Performance, Fashion and the Modern Interior examines the interior as a "stage" upon which modern life and lifestyles are consciously fashioned and "performed", and from which modern identities are projected by and through design. Scholars from Europe, Canada, America and Australia present a range of interior environments--domestic interiors, sets for stage and film, exhibition spaces, art galleries, hotel lobbies, cafes and retail spaces--to explore each as an intersection of fashion, lifestyle and performance. Sharing the thesis that the fashionably dressed body and the interior can be seen as part of the same creative and expressive continuum, the essays highlight the ways in which interiors can give shape to and dramatize modern life.

From the Victorians to Today

Performance, Fashion and the Modern Interior

Pat Kirkham

Penny Sparke

Jana Scholze

Ersi Ioannidou

Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design. Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK. These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions. With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.

Spaces of Display within and beyond the Museum and Gallery

Exhibition as Interior, Interior as Exhibition

Since the 1990s, in response to dramatic transformations in the worlds of technology and the economy, design - a once relatively definable discipline, complete with a set of sub-disciplines - has become unrecognizable. Consequently, design scholars have begun to address new issues, themes and sub-disciplines such as: sustainable design, design for well-being, empathic design, design activism, design anthropology, and many more. The Routledge Companion to Design Studies charts this new expanded spectrum and embraces the wide range of scholarship relating to design - theoretical, practice-related and historical - that has emerged over the last four decades. Comprised of forty-three newly-commissioned essays, the Companion is organized into the following six sections: Defining Design: Discipline, Process Defining Design: Objects, Spaces Designing Identities: Gender, Sexuality, Age, Nation Designing Society: Empathy, Responsibility, Consumption, the Everyday Design and Politics: Activism, Intervention, Regulation Designing the World: Globalization, Transnationalism, Translation Contributors include both established and emerging scholars and the essays offer an international scope, covering work emanating from, and relating to, design in the United Kingdom, mainland Europe, North America, Asia, Australasia and Africa. This comprehensive collection makes an original and significant contribution to the field of Design Studies.

The Routledge Companion to Design Studies

Christopher Breward

Ghislaine Wood

Spaces & Places: British Design 1948 - 2012 provides a much needed series of new perspectives on British Design's recent history.

Tradition and Modernity After 1948

British Design

British Design brings together leading international scholars, designers and journalists to provide new perspectives on British design in the last sixty years, and how it at once looked back to the past with the continuation of traditions that spoke to Britain's design heritage, and looked forwards with the embrace of modernist and postmodernist style. The book responds to and develops new ways of understanding the recent history of design in Britain, with case studies on designed spaces and objects, including domestic interiors, retail spaces, schools and university buildings and transport. The contributors address significant moments and phenomena in the historical and social history of British design, from the rise and fall of the English Country House style and the Brutalist architectural boom of the 1960s to the modern shopping space, and consider the work of key contemporary designers ranging from Tommy Roberts to Thomas Heatherwick. British Design provides new criticism and analysis on how design, from the immediate post-war period to the present day, has developed and changed how we live and how we interact with the spaces in which we live. British Design is split into 13 chapters and is richly illustrated with 65 images, 16 of which are in full colour.

Fiona Fisher

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