Francine Prose

Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose. In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart.

A Guide for People Who Love Books and for Those Who Want to Write Them

Reading Like a Writer

"Francine Prose is a powerhouse. The Vixen will fascinate and complicate the histories that haunt our present moments. Like Coney Island's Cyclone, this story tumbles and tangles a reader's grip of reality. It's told with the heart, humor and daring of a true artist. Prose's Vixen is a triumph and a trip though the solid magic that books make real."--Samantha Hunt "A rollicking trickster of a novel, wondrously funny and wickedly addictive."--Maria Semple Critically acclaimed, bestselling author Francine Prose returns with a dazzling new novel set in the glamorous world of 1950s New York publishing, the story of a young man tasked with editing a steamy bodice-ripper based on the recent trial and execution of Ethel and Julius Rosenberg--an assignment that will reveal the true cost of entering that seductive, dangerous new world. It's 1953, and Simon Putnam, a recent Harvard graduate newly hired by a distinguished New York publishing firm, has entered a glittering world of three-martini lunches, exclusive literary parties, and old-money aristocrats in exquisitely tailored suits, a far cry from his loving, middle-class Jewish family in Coney Island. But Simon's first assignment--editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm's failing finances--makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg's. His parents mourn Ethel's death. Simon's dilemma grows thornier when he meets The Vixen's author, the startlingly beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. As mysteries deepen, as the confluence of sex, money, politics and power spirals out of Simon's control, he must face what he's lost by exchanging the loving safety of his middle-class Jewish parents' Coney Island apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot--and that these crises may steer him toward a brighter future. At once domestic and political, contemporary and historic, funny and heartbreaking, enlivened by surprising plot turns and passages from Anya's hilariously bad novel, The Vixen illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of love, family, art, life and loss?

A Novel

The Vixen

A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, exploring the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself. Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club’s loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes—and the world itself—evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis—sparked by tumultuous events—that will warp her earnest desire for love and approval into something far more.

Lovers at the Chameleon Club, Paris 1932

"A teen boy becomes the babysitter for two very peculiar children on a haunted island in this modern retelling of The Turn of the Screw"--

The Turning

The acclaimed New York Times bestselling author weaves an ingenious, darkly humorous, and brilliantly observant story that follows the exploits and intrigue of a constellation of characters affiliated with an off-off-off-off Broadway children’s musical. Mister Monkey—a screwball children’s musical about a playfully larcenous pet chimpanzee—is the kind of family favorite that survives far past its prime. Margot, who plays the chimp’s lawyer, knows the production is dreadful and bemoans the failure of her acting career. She’s settled into the drudgery of playing a humiliating part—until the day she receives a mysterious letter from an anonymous admirer . . . and later, in the middle of a performance, has a shocking encounter with Adam, the twelve-year-old who plays the title role. Francine Prose’s effervescent comedy is told from the viewpoints of wildly unreliable, seemingly disparate characters whose lives become deeply connected as the madcap narrative unfolds. There is Adam, whose looming adolescence informs his interpretation of his role; Edward, a young audience member who is candidly unimpressed with the play; Ray, the author of the novel on which the musical is based, who witnesses one of the most awkward first dates in literature; and even the eponymous Mister Monkey, the Monkey God himself. With her trademark wit and verve, Prose delves into humanity’s most profound mysteries: art, ambition, childhood, aging, and love. Startling and captivating, Mister Monkey is a breathtaking novel from a writer at the height of her craft.

Mister Monkey

School has become a prison. No one knows why. There's no way to stop it.

After

“A definitive, deeply moving inquiry into the life of the young, imperiled artist, and a masterful exegesis of Diary of a Young Girl…Extraordinary testimony to the power of literature and compassion” –Booklist (starred review) In Anne Frank: The Book, the Life, the Afterlife, Francine Prose, author of Reading Like a Writer, deftly parses the artistry, ambition, and enduring influence of Anne Frank’s beloved classic, The Diary of a Young Girl. Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

The Book, The Life, The Afterlife

Anne Frank

“Francine Prose is a world-classsatirist who’s also a world-class storyteller.”—Russell Banks Francine Prose captures contemporary America at itsmost hilarious and dreadful in My New American Life, a darkly humorousnovel of mismatched aspirations, Albanian gangsters, and the ever-elusiveAmerican dream. Following her New York Times bestselling novels BlueAngel and A Changed Man, Prose delivers the darkly humorous storyof Lula, a twenty-something Albanian immigrant trying to find stability andcomfort in New York City in the charged aftermath of 9/11. Set at the frontlines of a cultural war between idealism and cynicism, inalienable rights andimplacable Homeland Security measures, My New American Life is a movingand sardonic journey alongside a cast of characters exploring what it means tobe American.

My New American Life

In this brilliant collection, the follow-up to her New York Times bestseller Reading Like a Writer, the distinguished novelist, literary critic, and essayist celebrates the pleasures of reading and pays homage to the works and writers she admires above all others, from Jane Austen and Charles Dickens to Jennifer Egan and Roberto Bolaño. In an age defined by hyper-connectivity and constant stimulation, Francine Prose makes a compelling case for the solitary act of reading and the great enjoyment it brings. Inspiring and illuminating, What to Read and Why includes selections culled from Prose’s previous essays, reviews, and introductions, combined with new, never-before-published pieces that focus on her favorite works of fiction and nonfiction, on works by masters of the short story, and even on books by photographers like Diane Arbus. Prose considers why the works of literary masters such as Mary Shelley, Charles Dickens, George Eliot, and Jane Austen have endured, and shares intriguing insights about modern authors whose words stimulate our minds and enlarge our lives, including Roberto Bolaño, Karl Ove Knausgaard, Jennifer Egan, and Mohsin Hamid. Prose implores us to read Mavis Gallant for her marvelously rich and compact sentences, and her meticulously rendered characters who reveal our flawed and complex human nature; Edward St. Aubyn for his elegance and sophisticated humor; and Mark Strand for his gift for depicting unlikely transformations. Here, too, are original pieces in which Prose explores the craft of writing: "On Clarity" and "What Makes a Short Story." Written with her sharp critical analysis, wit, and enthusiasm, What to Read and Why is a celebration of literature that will give readers a new appreciation for the power and beauty of the written word.

What to Read and Why

Ninth-grader Maisie's concepts of friendship, loyalty, self-acceptance, and truth are tested to their limit after a schoolbus incident with the three boys who have been her best friends since early childhood.

Touch

Francine Prose's life of Michelangelo Merisi (da Caravaggio) evokes the genius of this incomparable artist through a brilliant reading of his paintings. Caravaggio's use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. Revered and successful, Caravaggio was protected by powerful patrons, yet he was also a man of the street who couldn't free himself from its brawls and vendettas. In Caravaggio, bestselling author Francine Prose presents the brief but tumultuous life of one of the greatest of all painters with passion and acute sensitivity.

Painter of Miracles

Caravaggio

In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart – to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carré for a lesson in how to advance plot through dialogue and to Flannery O’Connor for the cunning use of the telling detail; to be inspired by Emily Brontë’s structural nuance and Charles Dickens’s deceptively simple narrative techniques. Most importantly, Prose cautions readers to slow down and pay attention to words, the raw material out of which all literature is crafted, and reminds us that good writing comes out of good reading.

A Guide for People who Love Books and for Those who Want to Write Them

Maria Luiza X. de A. Borges

É possível ensinar a um escritor o seu ofício? A questão é polêmica, especialmente quando proliferam cursos de graduação e de extensão com essa proposta. Escritora e crítica literária, Francine Prose defende que, sim, há muito o que aprender com os mestres. Virginia Woolf, Jane Austen, Nabokov, Philip Roth e Flaubert são alguns dos autores a quem dedica uma leitura atenta e cuidadosa, em busca do segredo do 'escrever bem'. De cada um, extrai lições.

um guia para quem gosta de livros e para quem quer escrevê-los

Para ler como um escritor

William Trevor

Irishman William Quinton falls in love and has a brief love affair with his beautiful English cousin, in a story of love, revenge, and violence set against the turbulent relationship between England and Ireland just after World War I. Reprint.

Fools of Fortune

George Eliot

A deluxe Harper Perennial Legacy Edition, with an introduction from Francine Prose, award-winning and New York Times best-selling author of Reading Like a Writer George Eliot’s beloved classic novel—hailed by Virginia Woolf as “masterful”—follows the life, loves, foibles, and politics of the residents of a fictional English town set amid the social unrest during the Industrial Revolution. A sprawling work set in a provincial English town, Middlemarch boasts a large cast of characters whose stories interweave against a backdrop of political upheaval. Instead of choosing to wed a wealthy landowner and settle for a comfortable life, Dorothea Brooke decides to marry Edward Casaubon—a dull scholar who is her senior by a few decades. Dorothea hopes the union will afford her with the opportunity to share in her husband’s intellectual pursuits, but even her best efforts can’t save the disastrous marriage. Meanwhile, idealistic doctor Tertius Lydgate has progressive ideas about the medical field, and he believes the village of Middlemarch is the place that will embrace his beliefs. But when he weds Rosamond Vincy, the mayor’s beautiful daughter, his ideals come into stark contrast with his new bride’s materialism and vanity, dooming their marriage from the start. Lastly, Rosamond's brother, Fred, is reluctantly destined for the Church. But his childhood sweetheart Mary Garth refuses to accept him until he settles into a more suitable career and one that interests him. But when circumstances lead to Fred losing a sizeable fortune that sets off a calamitous turn of events, he must reevaluate the choices he has made. As The Guardian notes, Middlemarch “looms above the mid-Victorian literary landscape like a cathedral of words,” offering readers a pivotal shaping of literary realism. Middlemarch is a masterwork of fiction that is as timely today as when it was first published.

Middlemarch

After the sudden death of her beloved older sister, thirteen-year-old Nico finds her life on New England's idyllic Mirror Lake irrevocably altered. Left alone to grope toward understanding, she falls into a seductive, dangerous relationship with her sister's boyfriend. Over one haunted summer, Nico faces that life-changing moment when children realize their parents can no longer help them as she experiences the mystery of loss and recovery. Still, for all the darkness at its heart, Goldengrove is radiant with the lightness of summer and charged by the restless sexual tension of adolescence.

Goldengrove

Dave Eggers

Karen Joy Fowler

Alexander McCall Smith

DBC Pierre

Marina Lewycka

Lloyd Jones

Sophie Cunningham

Fiona Kidman

M J Hyland

From Lonely Planet, the world's leading travel guide publisher, Better Than Fiction 2, the follow-up to 2012's Better Than Fiction, is a second serving of true travel stories told by some of the world's best fiction writers including Dave Eggers, Jane Smiley and Karen Joy Fowler. Varied in place, plot and voice, these are stirring and evocative pieces that all share one common characteristic-they manifest a passion for the precious gift of travel, from its unexpected but inevitably enriching lessons about other peoples and places, to the truths, sometimes uncomfortable but always enlarging, it reveals about ourselves. By turns comic, dramatic, and moving - from Francine Prose's confrontation of the mysteries of India to DBC Pierre's search for Hemingway's muse in Italy - these 30 short tales reveal the joys, perils, and surprises of travel, and that truth can often be stranger (and better) than fiction. Whether on a plane en route to your own travel adventure, or at home settling in for a vicarious experience of world adventures, embark on this literary journey around the world and explore your passion for travel now! Authors: Lonely Planet, Don George, Dave Eggers, Jane Smiley, Karen Joy Fowler, Stefan Merrill Block, Francine Prose, DBC Pierre, Fiona Kidman, Alexander McCall Smith, Keija Parssinen, MJ Hyland, Catherine Lacey, Rebecca Dinerstein, Lloyd Jones, Porochista Khakpour, Jack Livings, Marina Lewycka, Lydia Millet, Suzanne Joinson, Sophie Cunningham, Christina Nichol, Mandy Sayer, Steven Amsterdam, Marie-Helene Bortino, Shirley Streshinsky, Steven Hall, David Shafer, Avi Duckor-Jones, Lily King, Aliya Whitely, and Natalie Baszile About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. Lonely Planet's award-winning list travel literature anthologies include An Innocent Abroad (Independent Publishers Award, Silver for Essays, 2015) and A Fork in the Road (Lowell Thomas Award, Bronze for Travel Book, 2014; James Bear Award, Nominated for Travel Fiction, 2014). 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, and 2015. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.

True adventures from 30 great fiction writers

Better than Fiction 2

M. J. Hyland

Jane Smiley

D. B. C. Pierre

From Lonely Planet, the world's leading travel guide publisher, Better Than Fiction 2, the follow-up to 2012's Better Than Fiction, is a second serving of true travel stories told by some of the world's best fiction writers including Dave Eggers, Jane Smiley and Karen Joy Fowler. Varied in place, plot and voice, these are stirring and evocative pieces that all share one common characteristic-they manifest a passion for the precious gift of travel, from its unexpected but inevitably enriching lessons about other peoples and places, to the truths, sometimes uncomfortable but always enlarging, it reveals about ourselves. By turns comic, dramatic, and moving - from Francine Prose's confrontation of the mysteries of India to DBC Pierre's search for Hemingway's muse in Italy - these 30 short tales reveal the joys, perils, and surprises of travel, and that truth can often be stranger (and better) than fiction. Whether on a plane en route to your own travel adventure, or at home settling in for a vicarious experience of world adventures, embark on this literary journey around the world and explore your passion for travel now! Authors: Lonely Planet, Don George, Dave Eggers, Jane Smiley, Karen Joy Fowler, Stefan Merrill Block, Francine Prose, DBC Pierre, Fiona Kidman, Alexander McCall Smith, Keija Parssinen, MJ Hyland, Catherine Lacey, Rebecca Dinerstein, Lloyd Jones, Porochista Khakpour, Jack Livings, Marina Lewycka, Lydia Millet, Suzanne Joinson, Sophie Cunningham, Christina Nichol, Mandy Sayer, Steven Amsterdam, Marie-Helene Bortino, Shirley Streshinsky, Steven Hall, David Shafer, Avi Duckor-Jones, Lily King, Aliya Whitely, and Natalie Baszile About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. Lonely Planet's award-winning list travel literature anthologies include An Innocent Abroad (Independent Publishers Award, Silver for Essays, 2015) and A Fork in the Road (Lowell Thomas Award, Bronze for Travel Book, 2014; James Bear Award, Nominated for Travel Fiction, 2014). 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, and 2015.

True Travel Tales from Great Fiction Writers

Better Than Fiction 2

Celebrates the pleasures of reading and pays homage to the works and writers the author admires above all others, from Jane Austen to Charles Dickens to Jennifer Egan.

In an age defined by hyper-connectivity and constant stimulation, Francine Prose makes a compelling case for the solitary act of reading and the great enjoyment it brings. Inspiring and illuminating, What to Read and Why includes selections culled from Prose's previous essays, reviews, and introductions, combined with new, never-before-published pieces that focus on her favorite works of fiction and nonfiction, on works by masters of the short story, and even on books by photographers like Diane Arbus. Prose considers why the works of literary masters such as Mary Shelley, Charles Dickens, George Eliot, and Jane Austen have endured, and shares intriguing insights about modern authors whose words stimulate our minds and enlarge our lives, including Roberto Bolaño, Karl Ove Knausgaard, Jennifer Egan, and Mohsin Hamid. Prose implores us to read Mavis Gallant for her marvelously rich and compact sentences, and her meticulously rendered characters who reveal our flawed and complex human nature; Edward St. Aubyn for his elegance and sophisticated humor; and Mark Strand for his gift for depicting unlikely transformations. Here, too, are original pieces in which Prose explores the craft of writing: "On Clarity" and "What Makes a Short Story." Written with her sharp critical analysis, wit, and enthusiasm, What to Read and Why is a celebration of literature that will give readers a new appreciation for the power and beauty of the written word.

What to read and why

All loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros. In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process.

Francine Prose

Books

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