Francis Ames-Lewis

Revised Edition

Drawing in Early Renaissance Italy

The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.

Michelangelo's Effect on Art and Artists in the Sixteenth Century

Reactions to the Master

Fra Filippo Lippi and Flanders

La matita nera nella pratica di disegno di Leonardo da Vinci

Piotr Paszkiewicz

Art and Politics

In March 1997 the Society for Renaissance Studies and Gresham College together organised a conference to celebrate the 400th anniversary of Gresham College’s foundation. The papers delivered at that conference and assembled in this book examine why Gresham College was established, and how its purposes and activities dovetailed with the socio-cultural life of Elizabethan and Stuart London. The first group of papers considers the social and mercantile career of Sir Thomas Gresham within the commercial centre of Elizabethan London; why he wished to establish Gresham College; and what functions he may have intended it to serve. The second group sets the academic activities of the College and its professors within the broader context of contemporary intellectual life. Papers in this group consider in what ways early Gresham professors contributed in particular to developments in the more practical disciplines such as geometry and astronomy.

Studies in the Intellectual History of London in the Sixteenth and Seventeenth Centuries

Sir Thomas Gresham and Gresham College

Mary Rogers

In this Volume, published in1998, Fifteen scholars reveal the ways of preserving, conceiving and creating beauty were as diverse as the cultural influenced at work at the time, deriving from antique, medieval and more recent literature and philosophy, and from contemporary notions of morality and courtly behaviour. Approaches include discussion of contemporary critical terms and how these determined writers’ appreciation of paintings, sculpture, architecture and costume; studies of the quest to create beauty in the work of artists such as Botticeli, Leonardo, Raphael, Parmigianino and Vasari; and the investigation of changes functioning of the eye and brain, or to technical innovations like those found in Venetian glass.

Concepts of Beauty in Renaissance Art

The Library and Manuscripts of Piero Di Cosimo De'Medici

Francis Ames-Lewis

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