Francis Beeding

A novel of psychological terror set in a mental asylum that became the basis for Alfred Hitchcock’s Spellbound starring Ingrid Bergman and Gregory Peck. From the outset, the air that Beeding’s characters breathe crackles with ominous electricity. This is surely what appealed to Alfred Hitchcock when he found Beeding’s The House of Dr. Edwardes and used it as the inspiration for his unforgettable film Spellbound. The “house” of the title is a lunatic asylum in France and Dr. Edwardes is the head psychiatrist. While Edwardes is held in high esteem, an almost iconic figure in psychiatric circles, there is something clearly amiss. The novel opens with a puzzling, ominous episode in which a patient being transported to the asylum grows agitated as the car bringing him there approaches. The patiently suddenly screams: “the gorge of the devil” and then attacks and kills one of the supervisors, a promising but inexperienced psychiatrist. This opens a position that Dr. Sedgwick accepts, but on arrival, she learns that Dr. Edwardes has taken a leave of absence to calm his nerves. It doesn’t take her long to discover that the house is hardly in order. Unlike Hitchcock’s Spellbound, The House of Dr. Edwardes owes less to Freud, displaying much closer affinities with the brooding, psychological landscapes of Gothic novels of the eighteenth and nineteenth centuries, particularly Emily Brontë’s Wuthering Heights. The result is a compelling work—part mystery, part modern Gothic.

The House of Dr. Edwardes

The Six Proud Walkers

The Five Flamboys

Franklin W. Dixon

Hal Charles

George O. Smith 

Phyllis Ann Karr 

N.M. Cedeño

Bryon Quertermous 

Philip José Farmer 

Wenzell Brown  

Oliver Saari 

Our 79th issue features a pair of original mysteries by N.M. Cedeño (thanks to Acquiring Editor Michael Bracken) and Bryon Quertermous (thanks to Acquiring Editor Barb Goffman). Cedeño is no stranger to BCW readers, having already appeared in our pages twice before. Hopefully Bryon Quertermous will match that hat trick, too. Rounding out the mystery section are a pair of novels: Francis Beeding’s The House of Doctor Edwardes (filmed by Alfred Hitchcock as Spellbound) and The House on the Cliff, by Franklin W. Dixon, which you may recognize as the very first Hardy Boys book. If you grew up reading the modern revisions of the original Hardy Boys series (which began in 1927), you’re in for a shock: these brothers are tougher, edgier, and face real peril. They were definitely watered down beginning in the 1950s. And often the titles were the only things that remained from the original stories. And, of course, no issue would be complete without a solve-it-yourself puzzler from Hal Charles (the writing team of Hal Blythe and Charlie Sweet). In the science fiction & fantasy section, Phyllis Ann Karr continues the adventures of her legendary fantasy duo, Frostflower and Thorn, in “Night of the Short Knives.” Don’t skip her Afterword about the story; it’s fascinating. Plus we have tales by Philip José Farmer, a rare science fiction foray by mystery author Wenzell Brown, and tales by Oliver Saari and George O. Smith. Great stuff. Here’s the lineup: Mysteries / Suspense / Adventure: “Disappearance of a Serial Spouse,” by N.M. Cedeño [Michael Bracken Presents short story] “An Impossible Theft,” by Hal Charles [Solve-It-Yourself Mystery] “Visiting Artist,” by Bryon Quertermous [Barb Goffman Presents short story] The House of Doctor Edwardes, by Francis Beeding [novel] The House on the Cliff, by Franklin W. Dixon [novel, Hardy Boys #1] Science Fiction & Fantasy: “Night of the Short Knives,” by Phyllis Ann Karr [short story, Frostflower & Thorn] Daughter,” by Philip José Farmer [short story] “Murderer’s Chain,” by Wenzell Brown [short story] “Moon Dust,” by Oliver Saari [short story] “Bombs Awry,” by George O. Smith [novella]

Black Cat Weekly #79

Pretty Sinister

Inspector Wilkins is charged with the task of investigating a series of murders in Eastrepps.

Death Walks in Eastrepps

An ingenious police procedural featuring Scotland Yard detective Inspector Martin.

The Norwich Victims

Dr. Anthony Edwardes, the new director of an elite mental institution, Green Manors, is sent to replace Dr. Murchison. Dr. Edwardes turns out to be an impostor and an amnesiac. Dr. Constance Peterson, a psychiatric who has fallen in love with him, believes he is a medical doctor whose name is John and protects him as she tries to uncover the truth locked deep within his mind. The police finds the real Dr. Edwards' dead body and John is accused of his murder.

Francis Beeding

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