Fred Rush

Irony and Idealism investigates the historical and conceptual structure of the development of a philosophically distinctive conception of irony in early- to mid-nineteenth century European philosophy. The principal figures treated are the romantic thinkers Friedrich Schlegel and Novalis, Hegel, and Kierkegaard. Fred Rush argues that the development of philosophical irony in this historical period is best understood as providing a way forward in philosophy in the wake of Kant and Jacobi that is discrete from, and many times opposed to, German idealism. Irony and Idealism argues, against the grain of received opinion, that among the German romantics Schlegel's conception of irony is superior to similar ideas found in Novalis. It also presents a sustained argument showing that historical reconsideration of Schlegel has been hampered by contestable Hegelian assumptions concerning the conceptual viability of romantic irony and by the misinterpretation of what the romantics mean by 'the absolute.' Rush argues that this is primarily a social-ontological term and not, as is often supposed, a metaphysical concept. Kierkegaard, although critical of the romantic conception, deploys his own adaptation of it in his criticism of Hegel, continuing, and in a way completing, the arc of irony through nineteenth-century philosophy. The book concludes by offering suggestions meant to guide contemporary reconsideration of Schlegel's and Kierkegaard's views on the philosophical significance of irony.

Rereading Schlegel, Hegel, and Kierkegaard

Irony and Idealism

Associate Professor of Philosophy Fred Rush

Rush Fred

An illuminating and authoritative guide to Critical Theory by an international team of distinguished contributors.

The Cambridge Companion to Critical Theory

Jürgen Stolzenberg

The contributions to volume 8 of the Internationales Jahrbuch des Deutschen Idealismus/International Yearbook of German Idealism pursue from various perspectives the multifarious relations of German Idealism to the natural sciences and mathematics. The concepts of nature and of the basis for mathematics develop complexly in German philosophy after Kant. At issue are: the foundation of mathematics; the relation of freedom to nature; the significance of philosophy to emerging research in biology, chemistry, and physics, and reconsideration of the thought of Leibniz and Spinoza. Contributors: Gideon Freudenthal, Michael Friedman, Hans-Peter Neumann, Wolfgang Neuser, Konstantin Pollok, Sebastian Rand, Pirmin Stekeler-Weithofer, Thomas Sturm, Lars-Thade Ulrichs, Eric Watkins, John Zammito, Paul Ziche, Rachel Zuckert

Philosophie und Wissenschaft

[Print + Online]

Philosophie und Wissenschaft / Philosophy and Science

Kristin Gjesdal

Ingvild Torsen

Sculpture has been a central aspect of almost every art culture, contemporary or historical. This volume comprises thirteen essays at the cutting edge of thinking about sculpture in philosophical terms, representing approaches to sculpture from the perspectives of both Anglo-American and European philosophy. Some of the essays are historically situated, while others are more straightforwardly conceptual. All of the essays, however, pay strict attention to actual sculptural examples in their discussions. This reflects the overall aim of the volume to not merely "apply" philosophy to sculpture, but rather to test the philosophical approaches taken in tandem with deep analyses of sculptural examples. There is an array of philosophical problems unique to sculpture, namely certain aspects of its three-dimensionality, physicality, temporality, and morality. The authors in this volume respond to a number of challenging philosophical questions related to these characteristics. Furthermore, while the focus of most of the essays is on Western sculptural traditions, there are contributions that features discussion of sculptural examples from non-Western and archaic sources. Philosophy of Sculpture is the first full-length book treatment of the philosophical significance of sculpture in English. It is a valuable resource for advanced students and scholars across aesthetics, art history, history, performance studies, and visual studies.

Historical Problems, Contemporary Approaches

Philosophy of Sculpture

Kants Vernunftkritik hat das Wissen zugunsten des Glaubens aufgehoben. Angeregt vor allem durch F.H. Jacobi, wird das Verhältnis von Glauben und Vernunft in der Philosophie nach Kant erneut zu einem zentralen Thema. Zur Entscheidung stehen die Fragen, ob der Glaube das Fundament von Wissen sein kann, ob der Glaube eine Grenze der Vernunft markiert oder ob eine absolut ges.

Fred Rush

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