Frederick J. Marker

Lise-Lone Marker

Frederick J.. Marker

Despite the profound influence exerted by August Strindberg on the development of modernist theatre and drama, the myth persisted that his plays - particularly such later works as A Dream Play, To Damascus, and The Ghost Sonata - are somehow 'unperformable'. Nothing could be farther from the truth, as this book sets out to demonstrate by providing a detailed performance analysis of the major works created after the period of personal crisis which Strindberg called his Inferno. Ranging from the early productions of Max Reinhardt and Olof Molander to the reinterpretations of Robert Lepage, Robert Wilson and Ingmar Bergman in our own day, this study explores the crucial impact that this writer's allusive (and elusive) method of playwriting has had on the changing nature of the theatrical experience. Each chapter ends with a section devoted to innovative Strindberg performances on the contemporary stage.

Post-Inferno Drama on the Stage

Strindberg and Modernist Theatre

Christopher Innes

This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.

Ibsen, Strindberg, Pirandello, Beckett : Essays from Modern Drama

Modernism in European Drama

A revised and expanded edition highlights the developments that have occurred in the interim since the first edition with reference to Bergman's triumphant return to the Royal Dramatic Theatre in Stockholm after years of self-imposed exile.

A Life in the Theater

Ingmar Bergman

Marker Frederick J

Marker Frederick J. Marker

Marker Lise-Lone

Marker Lise-Lone Marker

According to the Markers, a play, especially an Ibsen play, is fundamentally a text for performance. In their study of Henrik Ibsen in the theater, they suggest that a deeper meaning underlies the "reality" Ibsen represents, yet the precise manner of its expression is the lively variable that gives his greatest plays their abiding fascination in performance. This comprehensive survey explores key stage productions of six major Ibsen plays, from Peer Gynt to John Gabriel Borkman. The authors push beyond the more familiar confines of English Ibsen into the less commonly traversed territory of German, Russian, French, and, in particular, Scandinavian theater culture. The result is a study that ranges freely in scope from the earliest productions at the start of the great Norwegian dramatist's career to some of the recent and often radical reinterpretations of our own day.

A Performance Study of the Major Plays

Ibsen's Lively Art

A balanced and authoritative account of the theatrical history of all three Scandinavian countries.

Frederick J. Marker

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